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Firsthand accounts and revelations from the people who brought the groundbreaking series to life.Firsthand accounts and revelations from the people who brought the groundbreaking series to life.Firsthand accounts and revelations from the people who brought the groundbreaking series to life.
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I'm a huge Sopranos fan. I had many questions about the talent searches, the writers, and how all of the series would come together. David Chase has always struck me as aloof, but my opinion now is that he's direct and poignant. He's. Never going to cow-tow to convention, and won't bend to social pressure. That certainly shows in the final scene. When the screen went black, I was stunned, but after thought I understood what the director wanted; for people to have their own ending. I felt the same way when No Country for Old Men ended. It didn't end in a wrapped bow. Which was fine. Life doesn't work out with a pretty bow all the time, so why should every movie? Anyway, the Wise Guy was really interesting and I'm happy to have closure 😊
As a devoted fan of 'The Sopranos' - my all-time favorite show - I thought there wasn't much left for me to discover. But HBO's new two part documentary 'Wise Guy: David Chase and The Sopranos' offers fresh insight, focusing primarily on the mastermind behind the series, David Chase, especially in its first half. Chase (1945) is a compelling figure: intelligent, introspective, and a natural storyteller. Director Alex Gibney ('Gonzo: The Life and Work of Dr. Hunter S. Thompson', 'Enron: The Smartest Guys in the Room') places Chase in a metaphorical psychiatrist's chair, allowing him to speak candidly about his upbringing, his eccentric mother, dreams, death, and how these themes shaped 'The Sopranos'. Chase recalls his time in college down south, which he disliked, though he was exposed to European cinema by directors like Godard, Bergman, and Fellini. "I saw '8½', and I don't think I understood it, but it blew my mind", he reflects. This experience ignited his desire to become a filmmaker, leading him to study at Stanford's film school. The documentary even shows part of his student film - a gangster story with an attempted Godard flair, which is amusing in its ambition. While Chase's destiny wasn't in film directing, he found his calling in television. He worked on successful shows like 'The Rockford Files' and 'Northern Exposure', but his true breakthrough came when HBO greenlit 'The Sopranos' in 1998. The series became a cultural phenomenon, and Chase infused it with deeply personal elements, including therapy sessions and his tumultuous relationship with his mother. Other talented writers like Robin Green and Terence Winter also contributed significantly to the show's depth. In 'The Offer', a recent series about the making of 'The Godfather', we learn that Coppola saw the film as a commentary on capitalism. Similarly, 'The Sopranos' carries an underlying critique of America's decline. As Chase puts it, "Americans have gotten so materialistic and selfish that it made a mob boss sick." That vision, combined with Chase's storytelling genius, is part of what makes 'The Sopranos' so enduringly powerful.
I've been ready for this after watching Sopranos recently on HBO signature almost daily this week and I've seen the series a few times it's one of the best shows ever surprised there hasn't been a documentary sooner. David Chase is a genius all around and great of the director to make this 2 part documentary. I love the talent put into everything it's heartwarming learning about the background, worthy of high ratings and and spectacular vibe all around as should be for one of the best series the behind stuff better be great too! Nice to learn about the darkness more and how they didn't do it just for the sake of it. Highly recommend this magnificent mini doc series.
I found myself tearing up, thinking about all the great scenes and characters, and most of all about the creative process. This series didn't just happen. It came together with a lot of hard work by everyone involved.
My wish is this: that Alex Gibney, or someone, will do a follow-up like Wise Guy, about The Wire. Perhaps David Simon could be the focal point, perhaps Ed Burns, perhaps a dozen other people, but like The Sopranos, The Wire created a world foreign to the viewers, that became so believable that you became part of it.
Hearing about David Chase drawing 13 lines down a page, then adding the character names, then creating a story arc for each-then bringing it into the Writers room to create 13 teleplays-it sounds simple but is fascinating. Then, the actors. James putting a sharp stone in his shoe to make himself angry, Andrianna finding out she was going to be killled at the end of the season, Pauli Walnuts and the hair. So much went into it, and the result was fantastic.
My wish is this: that Alex Gibney, or someone, will do a follow-up like Wise Guy, about The Wire. Perhaps David Simon could be the focal point, perhaps Ed Burns, perhaps a dozen other people, but like The Sopranos, The Wire created a world foreign to the viewers, that became so believable that you became part of it.
Hearing about David Chase drawing 13 lines down a page, then adding the character names, then creating a story arc for each-then bringing it into the Writers room to create 13 teleplays-it sounds simple but is fascinating. Then, the actors. James putting a sharp stone in his shoe to make himself angry, Andrianna finding out she was going to be killled at the end of the season, Pauli Walnuts and the hair. So much went into it, and the result was fantastic.
Just as 'The Sopranos' was a masterful combination of writing, directing and acting, so too is this documentary. I thought it would be good, but I didn't expect to like it as much as I did.
Setting it in Melfi's old office set was a master stroke. The audition clips were fantastic; especially watching other actors read the lines that would become so iconic and so identified with the actors who eventually played those characters.
We got some real behind-the-scenes insight into the enigmatic James Gandolfini. When the director, Alex Gibney asked David Chase, upon hearing that Gandolfini had died (at age 51), were you surprised? Chase's one-word response was chilling: No.
My biggest complaint was that there was very little of Junior, and absolutely no Dominic Chianese. I would have also liked to have seen Steve Schirripa, John Ventimiglia, Vince Curatola, Federico Castelluccio, Max Casella, Joe Pantoliano, Steve Buscemi, Ray Abbruzzo, David Proval, Aida Turturro and Sharon Angela. Also, a brief 'In Memorium' of all the actors who have passed.
And then the ending...!!
Setting it in Melfi's old office set was a master stroke. The audition clips were fantastic; especially watching other actors read the lines that would become so iconic and so identified with the actors who eventually played those characters.
We got some real behind-the-scenes insight into the enigmatic James Gandolfini. When the director, Alex Gibney asked David Chase, upon hearing that Gandolfini had died (at age 51), were you surprised? Chase's one-word response was chilling: No.
My biggest complaint was that there was very little of Junior, and absolutely no Dominic Chianese. I would have also liked to have seen Steve Schirripa, John Ventimiglia, Vince Curatola, Federico Castelluccio, Max Casella, Joe Pantoliano, Steve Buscemi, Ray Abbruzzo, David Proval, Aida Turturro and Sharon Angela. Also, a brief 'In Memorium' of all the actors who have passed.
And then the ending...!!
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- Wise Guy: Los Soprano por David Chase
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- Runtime2 hours 40 minutes
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