The Wedding Banquet

A remake of Ang Lee's 1993 classic (in some circles!) currently in theaters which doesn't necessarily rework the premise (a gay man agrees to marry a straight woman so she can gain her papers as a means to impress his traditionalist parents) but broaden it w/more characters to middling results. Gay couple SNL's Bowen Yang & Han Gi-chan are besties w/another couple Oscar nominee Lily Gladstone & Kelly Marie Tran who are trying to have a baby but are short raising cash for some invitro sessions. What can be done? Well since G-chan's grandmother, Oscar winner Youn Yuh-jung, is coming to visit w/news to unseat him as a head of her company, the two couples decide to trick Yuh-jung into thinking G-chan is getting married to Tran (Tran will be paid so she can pay her medical bills) which sounds good but in fact turns the players' world upside down as they try to maintain their ruse which becomes a comedy of errors which'll have audiences rolling in their seats but it doesn't since by adding more characters to the mix & making the film now more gay friendly & overt (something the original didn't do since yes the characters happened to be gay but their lives didn't depend on that fact), the end product ends up being both overstuffed & underfed which when viewed through the prism of Lee's version is a shame & a slog to sit through.

The Wedding Banquet is a delightful, heartfelt remake of Ang Lee's 1993 classic that takes a beloved, time-honored premise and refreshes it for a new era. While the original film navigated issues of immigration, identity, and secrecy in a delicate blend of drama and comedy, this film shifts the focus toward relationships and personal growth, exploring the emotional depth of its characters with humor and sincerity.

The film's comedy, though undeniably lighthearted, works largely because the film is brisk, without sacrificing the emotional truth of the characters. The narrative unfolds at a fast pace, each twist and turn propelled by a charming, almost sitcom-like energy.

While the plot may feel predictable at times, and some of the situations bordering on farce, the direction allows the characters to shine through the chaos, striking a balance, using humor to gloss over some of the more contrived plot points, yet never losing sight of the genuine emotional moments at the film's heart.

The blend of comedy and sincerity is where the film truly excels. It never leans too heavily into one side, allowing for moments of deep emotional truth to coexist with the lighthearted absurdity of the characters' increasingly ridiculous plans. When the film slows down, the dialogue crackles with authenticity-especially during the quieter exchanges.

There is, however, a sense that the film could have pushed further into daring or edgier territory. It does not venture into particularly risky or provocative comedic waters. While this makes it a more accessible film for a broader audience, it also feels, at times, a little safe. In the era of modern streaming comedies and edgy narratives, a more bold exploration of the entanglements that ensue might have added another layer of excitement or complexity to the film.

Having been watching movies now for roughly 70 years, I relish finding something completely different from the usual fare. And hopefully also highly entertaining. This one meets those requirements, my wife and I found it unique and highly entertaining.

Also, with so many years of watching over 200 movies a year, I have noticed many times, a movie will start very well, get a bit muddled in the middle, and then doesn't know how to wrap everything up and arrive at a meaningful ending.

This one avoids that pitfall, it ends very nicely, in a very appropriate manner for the various characters and their situations.

The basic situation is this - two couples, one a female-female and the other a male-male, are good friends. In each case there are family impediments that make it hard to be their selves and live their best lives. That is part of the struggle.

Then, one of the guys, a Korean in the states for study, may outlive his visa and may need to return home, unless ... he can get married. But his partner is not ready for marriage.

The title of this movie would not be "Wedding Banquet" if there were no wedding, but what happens is a big diversion from where it was headed.

Anyway, we watched it at home on DVD from our public library. It is thoroughly entertaining with many laughs but also many meaningful adult themes.

Very surprised by all the positive reviews (both critics and movie-goers) of The Wedding Banquet.

My partner and I were very much looking forward to it - but were seriously disappointed.

Various reviewers described the film as hilarious, charming, heartwarming.

We did not see that movie.

It was like spending time - too much time - with neighbors who mostly converse in therapy-speak platitudes, irony-speak chatter and in the case of one of the characters, complain incessantly about their mother.

In addition to the annoying therapy-speak dialogue, the characters were not so interesting in our opinion. Angela's character (Kelly Marie Tran) was especially churlish and unappealing - it was impossible to see why Lee (Lily Gladstone) would have been in a relationship with Angela. For different reasons, it was difficult to see why Chris and Min were together.

The few interesting and thoughtful parts of the movie, in our opinion, were the scenes of Min and his grandmother.

I recall admiring the original Wedding Banquet - will watch it again to see.

Watched at the 2025 Sundance Film Festival.

I wasn't sure how a remake would work with And Lee's classic queer romantic comedy but color me surprise, the remake does a pretty good job on being creative from it's source material with new energy, humor, and atmosphere. Andrew Ahn is a director I have been keeping up with as his work Spa Night, Driveways and Fire Island have been pretty great and emotional engaging to observe. Here, Ahn's direction on the atmosphere, dialogue, and the character dynamics are pretty good. Being able to capture the emotions, hilarious dynamics, and some of the oddity and funny moments in both heartwarming and somewhat chaotic ways.

With a good presentation, all of the performances are great as many of the cast members are able to provide fun energy, personality and purpose to their characters. Bowen Yang particular stands out at his best. Narrative-wise, I do appreciate some new themes they were able to explore but there are some moments that felt a little uninspired with the concepts and dynamics that Ahn explores. Including how the production feels almost too fake like something from Netflix and some of the structure feels a little strange, which does make some moments a bit distracting and dragging a bit.

But overall, I didn't expect much for this remake but it was surprisingly not too bad and it went beyond the expectations.