Hannah Einbinder: Everything Must Go
- TV Special
- 2024
- 55m
IMDb RATING
6.4/10
1.1K
YOUR RATING
Hannah Einbinder, acclaimed for her Emmy-nominated role in "Hacks," brings her stand-up prowess to the forefront with "Everything Must Go," her debut comedy special that showcases her comedi... Read allHannah Einbinder, acclaimed for her Emmy-nominated role in "Hacks," brings her stand-up prowess to the forefront with "Everything Must Go," her debut comedy special that showcases her comedic talents.Hannah Einbinder, acclaimed for her Emmy-nominated role in "Hacks," brings her stand-up prowess to the forefront with "Everything Must Go," her debut comedy special that showcases her comedic talents.
- Director
- Writer
- Star
Photos
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I honestly love her in Hacks, apart from a few overly PC moment, which is brought back down to earth by her amazing co star. This special has a few funny moments in this. I am a female, but I feel there was too much male bashing for me. I love her candor and the straight face she keeps while telling her stories, yet it fell a little too flat for me. I did watch it all way though just to give a fair review. But, I don't want to watch comedy about veganism, climate change and feminism. I want to watch comedy to give me escape from these political issues. Waiting for the next season of Hacks though :)
The negative reviews here are from people who have no concept of comedy and subjectivity.
They think that if they didn't find it funny, then it isn't funny and its the performers fault for writing something terrible.
If you don't understand that comedy is ABSOLUTELY subjective then you shouldn't be posting reviews for them. You're not qualified because you don't even understand the thing your reviewing.
You need to understand a topic before you start sharing your thoughts on that topic.
Otherwise you're basically posting the same reviews of those people who leave reviews for movies they haven't watched or books they haven't read.
They think that if they didn't find it funny, then it isn't funny and its the performers fault for writing something terrible.
If you don't understand that comedy is ABSOLUTELY subjective then you shouldn't be posting reviews for them. You're not qualified because you don't even understand the thing your reviewing.
You need to understand a topic before you start sharing your thoughts on that topic.
Otherwise you're basically posting the same reviews of those people who leave reviews for movies they haven't watched or books they haven't read.
I didn't find this "comedy" special funny at all. Shouldn't there be at least a few laughs in there somewhere? For some reason Max recommended this to me but I don't get it at all. If this is where comedy is going we're in trouble. I don't know how many more characters I can type to say that I just didn't find this at all funny. Usually I can find something to identify with or laugh at in any comedy special but this one was really tough to sit through. I need to come up with another 130 characters to say I didn't find this funny without being any more insulting than necessary to the "comedian". Whew, I did it.
Hannah Einbinder has comedy in her DNA, being the daughter of original SNL cast member Larraine Newman. And she has built a solid body of work in "Hacks" with Jean Smart. But as a stand-up, she needs to do more work.
This special - her first - is not so much a stand-up comedy as it is a carefully rehearsed scripted monologue, complete with audio and lighting cues. It comes off as "too rehearsed" if that makes sense. There is no spontaneity, no apparent improv, and occasionally zero audience response. Einbinder is a good writer, but she doesn't yet know how to perform in front of a live audience. Hopefully, that will come with time. There was too much mugging to the camera, as if to say "yeah, I know I'm cool". No, Hannah, you're not (at least not yet). And if you were cool, this isn't the way to telegraph it.
A day after watching the special, I was hard-pressed to remember a signature bit or line from her performance. I think that was due in part to her scripted delivery, which left little room for connection with the audience.
Einbinder's career is still young, so there's room to grow. She's done well as a writer and actor on "Hacks" and that should continue at least through the show's fifth season (not unusual for a streamer to end a show after 5 years). For her to take the next step, her delivery and material needs to also grow and mature.
This special - her first - is not so much a stand-up comedy as it is a carefully rehearsed scripted monologue, complete with audio and lighting cues. It comes off as "too rehearsed" if that makes sense. There is no spontaneity, no apparent improv, and occasionally zero audience response. Einbinder is a good writer, but she doesn't yet know how to perform in front of a live audience. Hopefully, that will come with time. There was too much mugging to the camera, as if to say "yeah, I know I'm cool". No, Hannah, you're not (at least not yet). And if you were cool, this isn't the way to telegraph it.
A day after watching the special, I was hard-pressed to remember a signature bit or line from her performance. I think that was due in part to her scripted delivery, which left little room for connection with the audience.
Einbinder's career is still young, so there's room to grow. She's done well as a writer and actor on "Hacks" and that should continue at least through the show's fifth season (not unusual for a streamer to end a show after 5 years). For her to take the next step, her delivery and material needs to also grow and mature.
Having been a fan of Hannah Einbinder's work in "Hacks," I was eager to watch her stand-up special, "Everything Must Go." However, I must admit, I only managed to get through about 15 minutes of the show before deciding it wasn't for me.
Perhaps it's just a matter of personal taste, but I found myself struggling to connect with her comedic style. While her performance in "Hacks" is undeniably brilliant, this particular show, for me, simply fell flat. I was genuinely puzzled by the audience's uproarious laughter, as her set seemed to lack the comedic effort and punch I've come to expect from stand-up. It felt as though the jokes weren't landing, or perhaps, weren't even truly being attempted.
Ultimately, despite my admiration for her acting, "Everything Must Go" didn't resonate with me as a comedy special.
Perhaps it's just a matter of personal taste, but I found myself struggling to connect with her comedic style. While her performance in "Hacks" is undeniably brilliant, this particular show, for me, simply fell flat. I was genuinely puzzled by the audience's uproarious laughter, as her set seemed to lack the comedic effort and punch I've come to expect from stand-up. It felt as though the jokes weren't landing, or perhaps, weren't even truly being attempted.
Ultimately, despite my admiration for her acting, "Everything Must Go" didn't resonate with me as a comedy special.
Did you know
- TriviaFilmed at the El Ray Theatre in Los Angeles, California on April 20, 2024.
- ConnectionsReferences The Sound of Music (1965)
- SoundtracksJ'ai dû l'oublier
Written by Bernard Kesslair (as Bernard Kessler) and Manou Roblin
Performed by Manou Roblin
Details
- Release date
- Country of origin
- Also known as
- Hannah Einbinder: A tomar viento
- Filming locations
- Los Angeles, California, USA(the El Rey Theatre)
- Production company
- See more company credits at IMDbPro
- Runtime
- 55m
Contribute to this page
Suggest an edit or add missing content