Tokyo Override

Not to be missed for anime fans; especially, if you liked the Arcane TV series.

The impressive world-building teake sus to a squeaky-clear TRON-ized future Tokyo with some dark secrets.

The female characters are less stereotyped than usual, a good sign. It's more narratively coherent than Arcane season one and almost as visually impressive. It has more CGI than the more hand-crafted Arcane. As in Arcane, character models here may be made in Blender then hand animated. Voice acting is excellent.

Looks like another worthwhile risk on Netflix's part, giving a studio a budget to do something great--and they deliver!

This is a succesful professional and artistic effort!

Tokyo Override is one of those shoes which baffles me in various ways. It opened to a silent debut, no advertising to aid its showing, and has shown little fanfare from the distributors itself. Yet the show took half a decade to release, and was officially partnered with major motorcycle teams; top that with the great graphics and well designed characters and you're left with one question: Why like this?

This is one of those shows which, was it released a decade ago on satellite channels, would have run for 12-24 episodes before being renewed for a new season. It would have had one-off episodes and character bonding specials. Throughout the scene we would have seen the backstories and motifs behind each character and the world of Tokyo would be carefully crafted as a visual sandbox. Unfortunately, this was not how the show was released. Instead, we got a 6 episode streaming release and it shows. 6 episodes which kept me hooked but left yearning for more.

Beside Kai, we learn the most about Hugo, a fellow member of Suma Garage. This isn't to say we learn particularly much about him though. Despite hints at what makes him tick, what made him the way he is in the series, he's left as a rather two-dimensional character with an obvious three-dimensional history we'll never see. This extends to Spoke who is worse off for this than Hugo for we never get to see the glimpse of his backstory. Watari (and to an extent her father) are virtually non-existent character wise and live only to further the plot.

Speaking of plot, it's perfectly okay. I enjoyed the mystery at hand and it progressed nicely. However, because of this, we got so little time on the world and characters themselves. I would have binged 6 episodes of the members of the garage just completing deliveries. My best comparison to this is that of early Star Wars Rebels with Kai as Ezra Bridger, except imagine he joined the Ghost Crew, saved one group of people then took down Vader.

I could go on how the three departments (the ministry of Justice, the Narcs, and Suma Garage) mesh really well. I could mention the gorgeous animation style and character design. I could sing the action sequences praises and I could even go on about the motorcycle designs. However, my one lasting thought on this series is how much I wish it was more. I wanted to love these characters, I wanted to fall in love with the world it showed me. You just can't do that on 6 episodes (25 minutes at that!)

All in all, great premise and a good watch, couple with gorgeous animation and scenes to match, it's let down by what is too straight forward a season. Suggest you watch but don't get attached too early, it'll only make that last episode sting more.

P. S: I cannot believe there wasn't a single AKIRA slide all film...

The style of the series has similarities with Spider-man New Universe and Arcane. The topics shown are otherwise more from the social aspect, drug crimes, being a outcast, corrupt police and high society, existential income, organ delivery. There are only 6 episodes, but all are interesting. Music reminds a little at newer Tekken games and Ghost in The Shell, but more in the average spectrum level. The friendship between the two girls is one of the worst and the dedective is not hold accountable for his violent methods towards the protagonist.

In the near future, Tokyo has become an AI driven society with optimized efficiency. Even people are data points with maximized efficiency. Kai Koguma is a young rebel hacker unwilling to submit to the programming and encounters a like-minded group of bikers. They are being pursued by government operative Narcs.

I like the world building. I like it but it's nothing new. The plot is a bit episodic for a little while. The reveal is a little disappointing. The conclusion is pretty simple. I like the one turn in one of the big characters. I'm not sure about the trap. It gets wrapped up after six short episodes. I don't know if Netflix is continuing with the series.

Expecting a show with decidedly different tones, I found myself watching an animated series that although full of potential never really reached a sufficient level of depth.

The message of the series is the only clear narrative element while the facts, the characterization of the characters, the objective of the antagonists, the quality of the dialogue, and the resolution are a disaster.

Frankly, I also did not always like the quality of the animations, which, although rich in characterization and wonderful visual elements in some scenes, often lacked personality.

Probably the animated series that has least engaged me in recent years, the ending however is enjoyable even if predictable and trite.