In the near future where parenthood is strictly controlled, a couple's seven-day assessment for the right to have a child unravels into a psychological nightmare.In the near future where parenthood is strictly controlled, a couple's seven-day assessment for the right to have a child unravels into a psychological nightmare.In the near future where parenthood is strictly controlled, a couple's seven-day assessment for the right to have a child unravels into a psychological nightmare.
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Indira Varma
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Featured reviews
Greetings again from the darkness. Authors and filmmakers have long used forecasting the future as the basis for stories. Some have been lighthearted and humorous ("The Jetsons", BACK TO THE FUTURE) and others are more bleak and dystopian (BLADE RUNNER, THE ROAD). The first feature film from director Fleur Fortune (well known for music videos) has some common DNA with the excellent CHILDREN OF MEN (2006) from director Alfonso Cuaron. Written by Neil Garfath Cox, Dave Thomas, and John Donnelly, this story shows us a future where having a kid is a privilege that must be bestowed by the government, rather than free choice.
Mia (Elizabeth Olsen, MARTHA MAY MARLENE, 2011) and Aaryan (Himesh Patel, YESTERDAY, 2019) have built a life and marriage in a desolate area. Mia has a greenhouse where she grows food, and Aaryan has a Virtual Reality room where he experiments with realistic innovations. Both are aiming to improve life of others. They believe that a missing link in their life is a child, and agree to go through the 'assessment' process. When Virginia (Oscar winner Alicia Vikander, THE DANISH GIRL, 2015) arrives, she explains that, as the assessor, her decision is the final word. Mia and Aaryan express that they will be "good parents". Virginia smiles and relays that everyone says that.
The assessment is a seven-day process and calling it bizarre definitely undersells it. At times, Virginia kicks into childlike mode, testing the parental instincts of Mia and Aaryan. It's during these segments where the story gets a bit ridiculous, despite Virginia's explanation that she needs full access to their emotions and reactions (and intimate methods). During a strange dinner party - set up by Virginia - we get discussions of the "old world" existence and the rumors associated with it.
Analysis of the psychology of folks during such times can be quite enlightening, but despite the intriguing concept, the execution leaves us a bit frustrated with the holes and goofy moments. The third act is especially confounding, although we completely understand Mia's quest for answers. Everything circles back to early on when Mia and Aaryan first ask Virginia, "Are we good enough?". We feel their desperation, but once we learn their catchphrase exchange, "I love you. That's right.", we know this isn't headed to unicorns and rainbows.
Opens on March 21, 2025.
Mia (Elizabeth Olsen, MARTHA MAY MARLENE, 2011) and Aaryan (Himesh Patel, YESTERDAY, 2019) have built a life and marriage in a desolate area. Mia has a greenhouse where she grows food, and Aaryan has a Virtual Reality room where he experiments with realistic innovations. Both are aiming to improve life of others. They believe that a missing link in their life is a child, and agree to go through the 'assessment' process. When Virginia (Oscar winner Alicia Vikander, THE DANISH GIRL, 2015) arrives, she explains that, as the assessor, her decision is the final word. Mia and Aaryan express that they will be "good parents". Virginia smiles and relays that everyone says that.
The assessment is a seven-day process and calling it bizarre definitely undersells it. At times, Virginia kicks into childlike mode, testing the parental instincts of Mia and Aaryan. It's during these segments where the story gets a bit ridiculous, despite Virginia's explanation that she needs full access to their emotions and reactions (and intimate methods). During a strange dinner party - set up by Virginia - we get discussions of the "old world" existence and the rumors associated with it.
Analysis of the psychology of folks during such times can be quite enlightening, but despite the intriguing concept, the execution leaves us a bit frustrated with the holes and goofy moments. The third act is especially confounding, although we completely understand Mia's quest for answers. Everything circles back to early on when Mia and Aaryan first ask Virginia, "Are we good enough?". We feel their desperation, but once we learn their catchphrase exchange, "I love you. That's right.", we know this isn't headed to unicorns and rainbows.
Opens on March 21, 2025.
The Assessment is a Sci-fi drama Starring Elizabeth Olsen and Himesh Patel as Mia and Aaryan, a couple who want a child in the future are given a 7 day test by an assessor,(Alicia Viklander) who make the test possible and if no slip ups occur a baby will be gifted, but the expected-to-be parents see that this is harder than they expected.
Given strength by strong acting and unique premise, The Assessment is something I didn't really expect plot-wise but I think it was made brilliantly. The film is set in a format of Days 1-7 and each one is as different and engaging as the other. Honestly I was expecting this to reuse sci-fi tropes from the past, but I got to say that this is so original and unexpected I think it was done super well! The way everything connects and what the couple have to do is portrayed so well to the point that this might be what the most likely cause of creating children will be in a effected world of climate change.
Performances do not disappoint, Elizabeth Olsen and Himesh Patel were so good they probably could've been on their own with a entirely different plotline and it would have been just as captivating. But Alicia Viklander is also very good and to be honest, she's very good at the whole sci-fi genre and to see her here was a delight. Just everyone involved did their best and I really appreciate that with a film that doesn't really rely on CGI to be as creative as it is.
However, the film is graphic in some places in terms of sex and disturbing interactions from Alica Viklander's character acting like a child in a older woman's body gave me Poor Things vibes. But that doesn't matter really and it's essential to the plot but this is definitely for an older audience and I can definitely imagine this being an easy R or 15/18 in the UK if anyone is interested.
Overall, while some characters don't have much resolved plotlines the ones that do are created and performed so well it's hard to find anything bad about The Assessment. Definitely a one you must go and see when it comes out in mid 2025 I would highly recommend this amazing and creative piece of art when it hits cinemas.
Grade: A+
London Film Festival October 19th.
Given strength by strong acting and unique premise, The Assessment is something I didn't really expect plot-wise but I think it was made brilliantly. The film is set in a format of Days 1-7 and each one is as different and engaging as the other. Honestly I was expecting this to reuse sci-fi tropes from the past, but I got to say that this is so original and unexpected I think it was done super well! The way everything connects and what the couple have to do is portrayed so well to the point that this might be what the most likely cause of creating children will be in a effected world of climate change.
Performances do not disappoint, Elizabeth Olsen and Himesh Patel were so good they probably could've been on their own with a entirely different plotline and it would have been just as captivating. But Alicia Viklander is also very good and to be honest, she's very good at the whole sci-fi genre and to see her here was a delight. Just everyone involved did their best and I really appreciate that with a film that doesn't really rely on CGI to be as creative as it is.
However, the film is graphic in some places in terms of sex and disturbing interactions from Alica Viklander's character acting like a child in a older woman's body gave me Poor Things vibes. But that doesn't matter really and it's essential to the plot but this is definitely for an older audience and I can definitely imagine this being an easy R or 15/18 in the UK if anyone is interested.
Overall, while some characters don't have much resolved plotlines the ones that do are created and performed so well it's hard to find anything bad about The Assessment. Definitely a one you must go and see when it comes out in mid 2025 I would highly recommend this amazing and creative piece of art when it hits cinemas.
Grade: A+
London Film Festival October 19th.
I had heard nothing about this movie except for seeing it on a list of recommended recent sci-fi movies and then seeing the great ratings. I would say it's more "sci-fi ish"; at it's core though it is a fantastic dystopian psychological thriller. All 3 main actors are doing a phenomenal job here (I wish we'd see Alicia Vikander in more stuff!) and it kept me engaged from beginning to end, even the scenes that are less easy to watch. I absolutely recommend it!
I was skeptical about watching this movie. I've been on a movie-marathon this summer & this is one of the movies you wouldn't want to miss!
Elizabeth Olsen surprises me every time. I believe she's one of the few actresses who can actually give an astounding performance in almost any genre.
Alicia Vikander, we've missed you. As I was watching 'The assessment', I couldn't help but remember 'Ex machina' where Alicia also starred in and had a similar genre.
I wanted more from this movie. I wanted more tragedy. More twists. More turmoil. This movie did indeed end shockingly. Hoping for a sequel!
Elizabeth Olsen surprises me every time. I believe she's one of the few actresses who can actually give an astounding performance in almost any genre.
Alicia Vikander, we've missed you. As I was watching 'The assessment', I couldn't help but remember 'Ex machina' where Alicia also starred in and had a similar genre.
I wanted more from this movie. I wanted more tragedy. More twists. More turmoil. This movie did indeed end shockingly. Hoping for a sequel!
Futuristic Sci-Fi films aren't usually my thing, often because they try to do too much. They often get too many ideas in their head and try to cram them all into one film. 'The Assessment' worked for me because it creates a futuristic world, and then tells a very simple and compelling story within it.
The movie has great, complex and realistic characters, all played by a great cast. The ingredients are all there for this to work. We just need the script to stick the landing. And it does. It's always interesting and thought-provoking for the entire runtime. There's a very dark undertone that keeps you on edge and unsure of exactly where this film will go next or how far it is willing to push things. A great feeling to have when watching a film.
I've said in the past I would love a similar system to this in the current world, where people had to pass an assessment before they were allowed to have children. It's a really interesting idea that is fascinating to explore. 8/10.
The movie has great, complex and realistic characters, all played by a great cast. The ingredients are all there for this to work. We just need the script to stick the landing. And it does. It's always interesting and thought-provoking for the entire runtime. There's a very dark undertone that keeps you on edge and unsure of exactly where this film will go next or how far it is willing to push things. A great feeling to have when watching a film.
I've said in the past I would love a similar system to this in the current world, where people had to pass an assessment before they were allowed to have children. It's a really interesting idea that is fascinating to explore. 8/10.
Did you know
- TriviaDirector Fleur Fortune and production designer Jan Houllevigue intentionally used minimal wood furniture and wood accents as part of the set because there are no forests left in this timeline. Instead everything was made of concrete and stained glass and purposefully given a "70s retro feel" to make it feel more relatable to audiences, versus the obvious sci-fi look - white, minimal, clinical - which would have come off as too futuristic.
- SoundtracksPretty Fly - Part 1 and 2
From The Night of the Hunter (1955)
Composed by Walter Schumann
Published by Bourne Co.
US PRO: ASCAP
ISWC#: T9032707145
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- La evaluación
- Filming locations
- Arico Viejo, Tenerife, Canary Islands, Spain(on location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $279,328
- Opening weekend US & Canada
- $152,905
- Mar 23, 2025
- Gross worldwide
- $279,328
- Runtime
- 1h 54m(114 min)
- Color
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