Scarlett May Blossom is an 18-year-old beauty from an Alabama trailer park whose naivety about Internet spam launches her on an international misadventure, as she is lured by many men while ... Read allScarlett May Blossom is an 18-year-old beauty from an Alabama trailer park whose naivety about Internet spam launches her on an international misadventure, as she is lured by many men while pursuing millions of dollars in "free" money.Scarlett May Blossom is an 18-year-old beauty from an Alabama trailer park whose naivety about Internet spam launches her on an international misadventure, as she is lured by many men while pursuing millions of dollars in "free" money.
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Going into The Naughty Adventures I had no idea that it was a show completely created by AI but also by a team that are so bone idle and lazy that the opening credits unintentionally features men with 2 right arms drinking from glasses from which their fingers have merged or the animation that is put to shame by free to play/play to win adverts.
Some of you may be aware of early Marvel cartoons that were lifted directly from the comic books and where a mouth would be super-imposed on them, well here we are 60 years later and we get virtually the same effect.
So the animation is terrible, but what of the show?
It's bad. It's so, so boring. We get bad animated talking heads intercut with AI scenes or traditional animation that looks like it was done on MS Paint by a Labrador moving the mouse around in search of a treat.
This isn't a show, it's psychological warfare.
There are and always will be bad shows and movies but some have the redeemable factors people involved cared, even a little. This looks like someone entered a list of prompts and took what was ever served up by their free to use AI tool - honestly there are people on YouTube who are producing better stuff than this and theirs is generally considered pretty substandard.
If you can get through a whole 25 minute episode without causing harm to yourself or others then you're a better person than I. Because it's awful.
Some of you may be aware of early Marvel cartoons that were lifted directly from the comic books and where a mouth would be super-imposed on them, well here we are 60 years later and we get virtually the same effect.
So the animation is terrible, but what of the show?
It's bad. It's so, so boring. We get bad animated talking heads intercut with AI scenes or traditional animation that looks like it was done on MS Paint by a Labrador moving the mouse around in search of a treat.
This isn't a show, it's psychological warfare.
There are and always will be bad shows and movies but some have the redeemable factors people involved cared, even a little. This looks like someone entered a list of prompts and took what was ever served up by their free to use AI tool - honestly there are people on YouTube who are producing better stuff than this and theirs is generally considered pretty substandard.
If you can get through a whole 25 minute episode without causing harm to yourself or others then you're a better person than I. Because it's awful.
I've watched over and over! Love it!! I'm not sure why anyone wouldn't be anything but impressed with this. Must be bots that are not really expressing true knowledge. I think everyone should take the time to watch and review. It is great! I will not spoil anything. Once I began I was hooked and couldn't stop. The music is so entertaining and beautiful. Does anyone have any other recommendations because I flew through this. Absolutely stunning. The reviews about the AI hate is a false narrative. Shows and movies are evolving. This is exciting stop trying to hate. Keep the positive vibes in the reviews.
I didn't last long watching this nonsense. It is absolute nonsense.
NASCB is horrendous AI animation that, when viewed for the first time, is unsettling, disturbing and and weird. Most of all it is off putting. At first, I thought (and hoped) it was just a gimmick that was the opening that would last a few short minutes and then we would get on with whatever this is about. Unfortunately, I was wrong.
I would class this as clickbait drivel that tries to entice people to view it based on the title and the thumbnail. There was something profoundly disturbing about the artifice mixed with the mindless blathering of some woman.
Avoid.
NASCB is horrendous AI animation that, when viewed for the first time, is unsettling, disturbing and and weird. Most of all it is off putting. At first, I thought (and hoped) it was just a gimmick that was the opening that would last a few short minutes and then we would get on with whatever this is about. Unfortunately, I was wrong.
I would class this as clickbait drivel that tries to entice people to view it based on the title and the thumbnail. There was something profoundly disturbing about the artifice mixed with the mindless blathering of some woman.
Avoid.
In the nascent days of AI filmmaking in 2024, veteran filmmaker Paul Davids achieved a remarkable first: adapting his novel into a nine-part series using early AI video technology. Known for works like Showtime's "Roswell" and "The Sci-Fi Boys," Davids demonstrated his characteristic innovative spirit by embracing AI animation in its most primitive form.
The series follows the adventures of Scarlett May Blossom, whose journey takes her from trailer park to royal palace in a tale that combines lowbrow humor with surprisingly sophisticated storytelling. Originally written as a novel and later produced as an audiobook, the story features a full cast of talented voice actors who bring its eccentric characters vividly to life through sharp dialogue and clever wordplay.
What makes this production particularly fascinating is its timing. Created during AI video technology's infancy, the series captures a unique moment in cinematic history. The visuals, while primitive by today's standards, possess a peculiar charm - somewhere between a photo-realistic puppet show and surrealist animation. The imperfect lip-sync and spontaneous morphing effects create an accidental artistic vocabulary that will likely never be replicated as the technology advances.
The series succeeds primarily through its strong foundation: a well-crafted story brought to life by exceptional voice acting. While the tale itself might be described as Mark Twain on mushrooms - mixing adolescent humor with clever wordplay - it manages to be both entertaining and engaging. The narrative may be silly, but it's silly with style, earning genuine laughs through its witty dialogue and outrageous situations.
As a historical artifact, this series holds significant importance. Just as early silent films captured the dawn of traditional cinema, Davids' work documents the first stumbling steps of AI-assisted filmmaking. His decision to create a full series at this technological turning point - rather than just experimental shorts - demonstrates both remarkable foresight and creative courage.
The production does have its limitations. The character models could have used more variation, and the visual style, while novel, can become monotonous. However, these constraints feel less like flaws and more like the charming limitations of a pioneering work, similar to the technical restrictions that early filmmakers faced.
For viewers interested in the evolution of digital storytelling, this series represents a fascinating milestone. While it may not be the most polished AI production we'll see, it stands as the first lengthy narrative told through this medium. Like many technological pioneers, it may well achieve cult classic status - not despite its primitive nature, but because of it. Davids' work marks the moment when AI tools moved beyond mere technological novelty to become a medium for genuine storytelling.
The series follows the adventures of Scarlett May Blossom, whose journey takes her from trailer park to royal palace in a tale that combines lowbrow humor with surprisingly sophisticated storytelling. Originally written as a novel and later produced as an audiobook, the story features a full cast of talented voice actors who bring its eccentric characters vividly to life through sharp dialogue and clever wordplay.
What makes this production particularly fascinating is its timing. Created during AI video technology's infancy, the series captures a unique moment in cinematic history. The visuals, while primitive by today's standards, possess a peculiar charm - somewhere between a photo-realistic puppet show and surrealist animation. The imperfect lip-sync and spontaneous morphing effects create an accidental artistic vocabulary that will likely never be replicated as the technology advances.
The series succeeds primarily through its strong foundation: a well-crafted story brought to life by exceptional voice acting. While the tale itself might be described as Mark Twain on mushrooms - mixing adolescent humor with clever wordplay - it manages to be both entertaining and engaging. The narrative may be silly, but it's silly with style, earning genuine laughs through its witty dialogue and outrageous situations.
As a historical artifact, this series holds significant importance. Just as early silent films captured the dawn of traditional cinema, Davids' work documents the first stumbling steps of AI-assisted filmmaking. His decision to create a full series at this technological turning point - rather than just experimental shorts - demonstrates both remarkable foresight and creative courage.
The production does have its limitations. The character models could have used more variation, and the visual style, while novel, can become monotonous. However, these constraints feel less like flaws and more like the charming limitations of a pioneering work, similar to the technical restrictions that early filmmakers faced.
For viewers interested in the evolution of digital storytelling, this series represents a fascinating milestone. While it may not be the most polished AI production we'll see, it stands as the first lengthy narrative told through this medium. Like many technological pioneers, it may well achieve cult classic status - not despite its primitive nature, but because of it. Davids' work marks the moment when AI tools moved beyond mere technological novelty to become a medium for genuine storytelling.
Just when you think AI applications can't get any worse, along comes this piece of horrific slop. It looks terrible, it sounds terrible, the dialogue is terrible. Everything about this is slop.
Will the technology improve? Almost certainly yes. Will AI actors become cheap and readily available? Probably. But will anything be able to overcome the sheer emptiness and soulessness of the experience? Probably not.
I imagine there are huge profits to be made from this sort of material though, so the corporations will be pushing hard to make things to follow up on this. So, in the meantime folks, keep downvoting and boycotting the slop.
Will the technology improve? Almost certainly yes. Will AI actors become cheap and readily available? Probably. But will anything be able to overcome the sheer emptiness and soulessness of the experience? Probably not.
I imagine there are huge profits to be made from this sort of material though, so the corporations will be pushing hard to make things to follow up on this. So, in the meantime folks, keep downvoting and boycotting the slop.
Did you know
- TriviaAttention Guinness Book of World Records!--This is the FIRST television production ever made entirely using artificial intelligence visuals (according to many entertainment specialists). Even top executives at the American Film Institute could not name any other all-AI-production of fiction drama or comedy that preceded this history-making show. Season One is a total of about 3 and a half hours of comedy programming, all made with AI (and a small sprinkling of conventional animation here and there).
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Top Gap
By what name was The Naughty Adventures of Scarlett May Blossom (2024) officially released in Canada in English?
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