Thanksgiving

It's great to see the series use Thanksgiving as a backdrop to dive into the ongoing impact of George's absence-not just on the Coopers, but surprisingly, on the McAllisters too. This approach gave a broader perspective on the emotional ripple effects of grief.

Georgie's attempt to bring the family together isn't just a noble gesture; it's emotionally loaded. His insistence on keeping everyone united reflects both how much he misses George and his desire to honor his father's legacy. But what really gives this episode its weight is how it sidesteps predictability. Instead of focusing solely on the Coopers' internal grief, the writers show how George's absence reverberates with the McAllisters as well. Grief here transcends the boundaries of one family, emphasizing that George was a bridge connecting two very different worlds.

The script does an excellent job adding layers to characters who are usually sources of tension, like Audrey. When she agrees to let Georgie, Mandy, and CeeCee spend the holiday with Mary, we get a glimpse of a more human side that goes beyond her usual critical demeanor. At the same time, Audrey's concern for Jim, especially when she warns him about drinking, reflects her underlying fear of losing someone close, just like Mary lost George. It's a subtle but powerful moment, showing how George's death planted seeds of reflection within the McAllisters.

Jim and Mandy also shine as unexpectedly empathetic figures. Both mention how they'd envisioned celebrating countless Thanksgivings with George, a detail that adds a bittersweet layer to the episode. Their reminiscing isn't just a tribute to George's character; it underscores his role as a mediator between the two families. Jim and Mandy's longing for him makes George's importance to them-and to the dynamic of the two families-feel incredibly real.

Throughout the episode, the relationship between the Coopers and the McAllisters gets a new spotlight. Up until now, these families have been portrayed as simply coexisting, tied together by circumstance. But here, we see a more organic portrayal that suggests George was the bridge turning a distant connection into something collaborative and even affectionate. He wasn't just a mediator-he was a guide, offering Jim advice on family matters and serving as a moral compass for Georgie. His absence leaves an emotional void and destabilizes that connection between the families.

Overall, the series continues to rise above its basic premise with storytelling that explores the layers of grief and reconnection with sensitivity and authenticity. This episode doesn't just limit itself to one family's mourning; it expands its reach to show how loss can ripple out to touch everyone who was connected to the person who's gone.

Good Lord the brother, Connor has got to go. Even though I don't care much for any holiday themed episode, the characters almost always become something else then go back to what they were the next week, when the brother showed up with the accordion the first thing I thought of was Steve Urkel, and I hated that character.

I was assuming that this would be a way for a smooth transition from being dependent on the Young Sheldon premise to Georgie and Mandy's first marriage as a stand alone sitcom.

As I said in in earlier review Connor adds nothing to the show and is just a distraction in any scene he is in.

He must be some producer's nephew or something.