Crá

Crá (Torment) is an intriguing gripping atmospheric crime drama.

Set in the dramatic rugged wild Atlantic comes a story of murder, deceit and redemption helmed by talented bunch of writers and an equally talented cast and crew.

Where this show triumphs over other standard fodder is the world building aided by the fantastic music and cinematography.

Trying to keep this spoiler free. The story moves at a steady and assured pace giving the required nuggets of information so that we the audience and the main characters are discovering the story together.

I'd highly recommend this show and it's available worldwide on TG4 website.

I loved the setting and the idea of the murder being set in an insular, inward-looking community. However, the series was marred by somewhat wooden acting and implausibilities.

As always, we have to ignore the person the episodes were strongly signalling was the guilty one. It was completely obvious from episode three who we were meant to imagine had "dunnit". So we had to look elsewhere. I must admit I didn't guess who the real assassin was partly because it was such an improbable plot twist. There were other irreconcilable anomalies too. Martin was a thoroughly unpleasant character but why he should have been singled out for a beating by Connall is a mystery to me. We were meant to work out the reason why but I don't know what it was about (not a spoiler - this is the very first scene in the series).

Barry's involvement in passing on information didn't ring true either. He was such a wimp and jobsworth that I found it hard to believe in this facet of the story.

I watched it all. The final fifteen minutes were disappointing. The fate of Conall's dad is unknown but with court cases pending, would such extreme measures have been taken? And the decision to keep quiet about the conclusion of the case and leave an innocent reputation sullied didn't ring true either.

After reading back over the review, I've downgraded to a four from five stars.

But there was so much wrong with the dialogue, the miscasting, the endless red herrings and misbehaving cops who would have been fired in any other police force.

Cop shows like these need to be believable.

Now I am Irish by birth and I positively adore movies when they're in Gaeilge.

But there were so many tropes in this I lost track. The rogue cop. Endless staring at oceans and waves, finding others on beaches and houses when you need them, cops missing major clues (cell phone, laptop) the saucy irritating young reporter with seedy access to everything the cops missed.

The scenery was stunning though.

But the ending was cringe worthy, a total disasterama.

What an absolute waste of time for this incredulous viewer.

4/0 Acorn.

Only six forty-five minute episodes, so it is easy to watch.

It kept me interested, kept me guessing until the end.

The acting seems somewhat wooden at times. Direction is zippy enough.

The series would have worked just as well had the dialogue been in English, although sub-titles would probably still be needed for many to understand the accents.

The plot is somewhat laboured, with a somewhat improbable end that I did not guess, although there are faint clues.

The bleak scenic coastline and langscapes of Donegal adds atmosphere and interest.

The wardrobe budget must have been small, the Dónall Ó Héalai gets a single pair of trousers! But he goes get some lovely wool sweaters :-)

A very well written and acted murder mystery set in the stunning landscapes of north-west Eire. Dialogue is in Irish Gaelic with subtitles, which gives it a certain authenticity and makes it seem even more physically remote. I tried out the first episode, and quickly got hooked and two days later had finished the series. It's a really good choice for a binge watch. The similarities to Shetland are fairly obvious - both are set in remote communities where everyone has a past and that past is known to everyone else, but beneath the surface there are secrets too, waiting to be revealed. This series avoided the obvious and kept me guessing until the final scenes. Congratulations to the BBC for being brave enough to screen this. Thoroughly recommended.