Madea and family attend Tiffany's rushed destination wedding in Bahamas. Tensions arise as Tiffany doubts her fiance, Zavier, and her mother acts strangely, raising suspicions about the marr... Read allMadea and family attend Tiffany's rushed destination wedding in Bahamas. Tensions arise as Tiffany doubts her fiance, Zavier, and her mother acts strangely, raising suspicions about the marriage's legitimacy.Madea and family attend Tiffany's rushed destination wedding in Bahamas. Tensions arise as Tiffany doubts her fiance, Zavier, and her mother acts strangely, raising suspicions about the marriage's legitimacy.
Cassi Davis
- Aunt Bam
- (as Cassi Davis Patton)
Tamela J. Mann
- Cora
- (as Tamela Mann)
Walnette Carrington
- Kaja
- (as Walnette Santiago)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The film unfolds with a seemingly vibrant backdrop of a destination wedding in the Bahamas, setting the stage for what initially promises to be an engaging narrative. However, it quickly becomes apparent that the plot is predictable, adhering to familiar tropes often seen in Tyler Perry's previous works. The storyline lacks distinctive elements that could set it apart, resulting in a formulaic progression that offers few surprises.
The comedic elements fall flat, failing to elicit genuine laughter or evoke strong emotional responses. While the film is not without its merits-it remains watchable and competently produced-it ultimately feels like a routine addition to the genre rather than a refreshing or innovative entry. The overall impression is that of a film created more for commercial appeal than for artistic exploration.
The comedic elements fall flat, failing to elicit genuine laughter or evoke strong emotional responses. While the film is not without its merits-it remains watchable and competently produced-it ultimately feels like a routine addition to the genre rather than a refreshing or innovative entry. The overall impression is that of a film created more for commercial appeal than for artistic exploration.
Disappointing and Uninspired.
The film starts promisingly with some good comedic moments, but quickly loses momentum. The humor falls flat, lacking the comedic brilliance of previous installments, particularly madea's performance. Many scenes appear to be shot with an Go-Pro, lacking the professional cinematic quality expected of a movie like this. Overall, the film is disappointing and feels rushed, as if Netflix and Tyler Perry simply put something together without much care. I wouldn't recommend watching it again. The script is poor, scenes linger way longer then they should. I guess this is what's to come for Netflix.
The film starts promisingly with some good comedic moments, but quickly loses momentum. The humor falls flat, lacking the comedic brilliance of previous installments, particularly madea's performance. Many scenes appear to be shot with an Go-Pro, lacking the professional cinematic quality expected of a movie like this. Overall, the film is disappointing and feels rushed, as if Netflix and Tyler Perry simply put something together without much care. I wouldn't recommend watching it again. The script is poor, scenes linger way longer then they should. I guess this is what's to come for Netflix.
Tyler Perry might need to lose the mansion, the jet, and the billion dollar cushion maybe then he'll remember what it felt like to write with struggle and hunger. Because whatever spark he had back when rent was due and Ramen was gourmet it's gone. This latest flick feels like a lazy cash grab stitched together with leftover church bulletins, recycled wigs, and plotlines from 2011. Same ol' story, same ol' plot, same ol' "Hallelujer!" It's like watching someone microwave the soul food they forgot in the fridge two Thanksgivings ago and still having the nerve to call it fresh.
The ending was the only time I really laughed. Brown made me laugh from time to time. Miss the old Madea movies. There was more substance in the movies. Now they're more stereotypical. Not cool. I liked the Madea witness protection movie. Eugene Levy funny as always. I still watch all of the Madea Movies bec it's something to watch and certain scenes do catch my attention. The banter between Joe and MA-DEA was funny. So I'm supposed to make sure I write a review worthy of 600 words. So I have nothing else to say just finding words to make 600 words. Why 600 words? I like to get to the point then be done.
As expected, Madea and the gang bring plenty of laughs-some scenes are genuinely hilarious and over-the-top in a way fans will appreciate. However, the overall storyline felt weak, overly sentimental, and lacked any real intrigue. The acting leaned heavily into caricature territory, making much of it feel unrealistic or forced. While A Jazzman's Blues showed Tyler Perry still has strong storytelling chops, this felt like a quick Madea cash grab. Still, the humor lands enough to make it a decent watch if you're just looking for some laughs.
Also what the heck was with Tyler Perry's eyes at the actual wedding?
Also what the heck was with Tyler Perry's eyes at the actual wedding?
Did you know
- TriviaInstead of using makeup and prosthetics to play Madea and Joe like the previous films, Tyler Perry uses digital technology to remove his beard and change his face while portraying those characters.
- GoofsIn the office when Brian is looking at the computer, and the camera angle changes to the back of his head, that's a stunt double. This same stunt double is on the ground at the end of the movie when he passes out from seeing the bill.
- ConnectionsFollows Madea's Family Reunion (2002)
Details
- Release date
- Country of origin
- Language
- Also known as
- Una boda en las Bahamas con Madea
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 42m(102 min)
- Color
Contribute to this page
Suggest an edit or add missing content