A documentary that reveals how the unlikely partnership between aspiring filmmakers Christopher Stamp and Kit Lambert produced one of the greatest rock bands in history: The Who.A documentary that reveals how the unlikely partnership between aspiring filmmakers Christopher Stamp and Kit Lambert produced one of the greatest rock bands in history: The Who.A documentary that reveals how the unlikely partnership between aspiring filmmakers Christopher Stamp and Kit Lambert produced one of the greatest rock bands in history: The Who.
Kit Lambert
- Self
- (archive footage)
Christopher Stamp
- Self
- (as Chris Stamp)
Keith Moon
- Self
- (archive footage)
Constant Lambert
- Self - Christian 'Kit' Lambert's father
- (archive footage)
John Entwistle
- Self
- (archive footage)
Jimi Hendrix
- Self
- (archive footage)
Arthur Brown
- Self
- (archive footage)
Ritchie Blackmore
- Self
- (archive footage)
- (uncredited)
Featured reviews
"Lambert & Stamp" (2014 release; 117 min.) is a documentary about Kit Lambert and Chris Stamp, 2 Brits best known for managing the Who for about a decade (mid-60s to mid-70s). As the documentary opens and after a few words from Pete Townsend, we are introduced to Chris Stamp, who starts telling stories of how t all began, him and Lambert in the early 60s trying to make the jump from assistant director to director. One day, they decide to shoot a movie, cinema verite-style, about an unknown band that they would manage. After looking for months for the right band, Lambert comes across a packed club full of Mods, dancing to an unknown band call the High Numbers. To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
There are several factors why this is such an entertaining documentary: for one, it's a great story, I mean you can't make this stuff up! Then we are blessed to have the interviews with Chris Stamp, who turns out to be a master story teller (other interviewees include Pete Townsend, Roger and Heather Daltrey, and many others). Then we have the incredible luck that these guys were trying to shoot a movie, and hence we have all this incredible footage from the earliest days of the High Numbers/the Who (1964-65), and that alone is worth the price of admission for this documentary. There is tons of other worthwhile archive footage, such as the 1967 French TV footage, where we see Lambert give an interview in perfect French. We reach the "Tommy"-era about 75 min. into the movie, and I was afraid that things were going to become less interesting after that, but as it turns out, that's where the fireworks are about to start... As a casual fan of the Who but an ardent fan of rock music and its history, I found this documentary absolutely worth seeing. The only negative comment that I have is that for some strange reason, the sound mix in the theater was such that at times the background music (usually of the Who) played too loudly and as a result I had trouble understanding the interviewee at times. Very strange.
"Lambert & Stamp" opened last weekend at my local art-house theater here in Cincinnati, and I finally had a chance to see it today, which is the last day of its one-week run here. The early evening screening where I saw this at was surprisingly well attended. Probably other movie or music fans who noticed it would not longer be playing. If you are a fan of the Who or of rock music history, you will not want to miss this. "Lambert & Stamp" is HIGHLY RECOMMENDED!
There are several factors why this is such an entertaining documentary: for one, it's a great story, I mean you can't make this stuff up! Then we are blessed to have the interviews with Chris Stamp, who turns out to be a master story teller (other interviewees include Pete Townsend, Roger and Heather Daltrey, and many others). Then we have the incredible luck that these guys were trying to shoot a movie, and hence we have all this incredible footage from the earliest days of the High Numbers/the Who (1964-65), and that alone is worth the price of admission for this documentary. There is tons of other worthwhile archive footage, such as the 1967 French TV footage, where we see Lambert give an interview in perfect French. We reach the "Tommy"-era about 75 min. into the movie, and I was afraid that things were going to become less interesting after that, but as it turns out, that's where the fireworks are about to start... As a casual fan of the Who but an ardent fan of rock music and its history, I found this documentary absolutely worth seeing. The only negative comment that I have is that for some strange reason, the sound mix in the theater was such that at times the background music (usually of the Who) played too loudly and as a result I had trouble understanding the interviewee at times. Very strange.
"Lambert & Stamp" opened last weekend at my local art-house theater here in Cincinnati, and I finally had a chance to see it today, which is the last day of its one-week run here. The early evening screening where I saw this at was surprisingly well attended. Probably other movie or music fans who noticed it would not longer be playing. If you are a fan of the Who or of rock music history, you will not want to miss this. "Lambert & Stamp" is HIGHLY RECOMMENDED!
Greetings again from the darkness. Considering myself a big and long-time fan of the rock band The Who, this documentary from first time filmmaker James D Cooper caught me off-guard with the surprising amount of detail and behind-the-scenes insight into how the band broke out from the dingy club circuit to a world of gold records, massive arena shows, mansions, and international acclaim. The answer is in the title: Kit Lambert and Chris Stamp.
Unless you are a Rock Music historian, these names are probably new to you. Lambert was the son of renowned British composer Constant Lambert and had a "proper" private school upbringing, including an Oxford education. Stamp, the brother of actor Terrence Stamp and son of a tugboat captain, was the polar opposite – blue collar family with a street-wise education. This odd couple bonded over their love of French New Wave films, and decided to create their own film project to capture the restlessness and rebellion of British teenagers in the early 1960's. Their idea was to film a band that captured the essence of the times, and this led them to put off the film project, and instead manage and mentor a group of "unattractive" mods known as The High Numbers soon to the The Who.
Much of the film is dedicated to interviews of the survivors. Pete Townshend and Roger Daltrey from The Who, seem quite complimentary in their recollection of the influence of Lambert and Stamp, as well as the band's late members Keith Moon and John Entwistle. Since Kit passed away in 1981, the bulk of the interview time goes to Chris Stamp, who is unabashed in his respect for Lambert and how their differing styles but single vision helped drive the band's development through some pretty lean early years. Stamp passed away in 2012, so his interviews and recollections helped capture a time that would otherwise be little more than newsclips and home movies. His memories are a treasure trove for an era.
The film opens with a perfectly placed 8th century quote from Hesiod. This band of misfits and outsiders was being managed by two fellows who were equally misfit – the result being musical genius and never before seen stage theatrics. There is a segment with Townshend and Daltrey conversing about drummer Keith Moon that drives home the frustration and sadness that these two felt towards their bandmate, who was an exceedingly troubled man (Moon died in 1978 at age 32). When Townsend says "Keith Moon wasn't a drummer He was something else". We know exactly what he means.
Director Cooper does a really nice job of keeping the focus on the two men behind the band, rather than the four lads on stage. We all know the music. We all know the tragedies. What we weren't aware of is how Lambert and Stamp managed this band to reach the huge heights of success and this theme is never lost. One of the most fascinating clips has Townshend playing an early and very rough cut of a song that he is working on for the two managers. He is begging for their input and suggestions – a level of openness we rarely glimpse from artists, and one that clarifies just how much impact the titular characters had on the band right down to the songs and the stage act.
The film is a bit tough to watch at times what with all the quick cuts of photographs and clips kind of dizzying and distracting. That reaction is probably a result of this being such a non-traditional actually quite unconventional documentary. It is by no means a retrospective or tribute to The Who. Instead, and much more impressively, it's a rare look at the fearless approach of two British gents who set out to make a statement on the times, and instead helped create something timeless.
Unless you are a Rock Music historian, these names are probably new to you. Lambert was the son of renowned British composer Constant Lambert and had a "proper" private school upbringing, including an Oxford education. Stamp, the brother of actor Terrence Stamp and son of a tugboat captain, was the polar opposite – blue collar family with a street-wise education. This odd couple bonded over their love of French New Wave films, and decided to create their own film project to capture the restlessness and rebellion of British teenagers in the early 1960's. Their idea was to film a band that captured the essence of the times, and this led them to put off the film project, and instead manage and mentor a group of "unattractive" mods known as The High Numbers soon to the The Who.
Much of the film is dedicated to interviews of the survivors. Pete Townshend and Roger Daltrey from The Who, seem quite complimentary in their recollection of the influence of Lambert and Stamp, as well as the band's late members Keith Moon and John Entwistle. Since Kit passed away in 1981, the bulk of the interview time goes to Chris Stamp, who is unabashed in his respect for Lambert and how their differing styles but single vision helped drive the band's development through some pretty lean early years. Stamp passed away in 2012, so his interviews and recollections helped capture a time that would otherwise be little more than newsclips and home movies. His memories are a treasure trove for an era.
The film opens with a perfectly placed 8th century quote from Hesiod. This band of misfits and outsiders was being managed by two fellows who were equally misfit – the result being musical genius and never before seen stage theatrics. There is a segment with Townshend and Daltrey conversing about drummer Keith Moon that drives home the frustration and sadness that these two felt towards their bandmate, who was an exceedingly troubled man (Moon died in 1978 at age 32). When Townsend says "Keith Moon wasn't a drummer He was something else". We know exactly what he means.
Director Cooper does a really nice job of keeping the focus on the two men behind the band, rather than the four lads on stage. We all know the music. We all know the tragedies. What we weren't aware of is how Lambert and Stamp managed this band to reach the huge heights of success and this theme is never lost. One of the most fascinating clips has Townshend playing an early and very rough cut of a song that he is working on for the two managers. He is begging for their input and suggestions – a level of openness we rarely glimpse from artists, and one that clarifies just how much impact the titular characters had on the band right down to the songs and the stage act.
The film is a bit tough to watch at times what with all the quick cuts of photographs and clips kind of dizzying and distracting. That reaction is probably a result of this being such a non-traditional actually quite unconventional documentary. It is by no means a retrospective or tribute to The Who. Instead, and much more impressively, it's a rare look at the fearless approach of two British gents who set out to make a statement on the times, and instead helped create something timeless.
Such a wonderful documentary film which totally captivated me from start to finish. The most fascinating story behind the Who is that of Chris Stamp & Kit Lambert. Just brilliant who knew what went on behind the scenes in the discovery, management and success of THE WHO BAND! To see all the footage from the late 1960's Mod explosion, the dynamics and energy from Chris, Kit and the rock' n roll band was all so emotionally moving. You walk away experiencing the evolution of a band feeling their vision, passion, determination and hard work. I can't wait to see it again and I recommend it to all! A film not to miss! Keep your eye out it will be coming to a theater near you!
In comparisons to such documentaries about musical artist like Nas, Time is illmatic and I Can't stand loosing you, which is about the Police, I found this movie uninspiring. The inspiring ones usually make me what to listen to their music all day long, and I have the Who's records on my iPhone, so I was ready. This doc did not do this for me.
In all fairness, the film was more about Two filmmakers names Kit Lambert and Chris Tramp who began managing the Who as a way to make a documentary of the band. Yet, I'm still left with the same unspring feeling as I'm a huge fan of films and the idea that the Who was practically created as a film project seem right up my alley.
The documentary is too self-serving. I know that seems a little Ironic to say, but I've seen docs that praise Keith Moon as a legendary Drummer and barely mentions John Entwistle (how unfortunate to be a great musician who got to live to old age). Pete Townsend attempted to tell us how awesome John was to the band, but it wasn't enough, and this goes for anyone vital to the band (like Keith) who is not alive to tell their own story (In defense the people getting interviewed seem unapologetic about their own self- worth). It's a little uneven.
So while well crafted, Lambert and Stamp seems to show me that one of the most interesting bands in the world has a very uninteresting origin story. I just prefer to listen to the music.
In all fairness, the film was more about Two filmmakers names Kit Lambert and Chris Tramp who began managing the Who as a way to make a documentary of the band. Yet, I'm still left with the same unspring feeling as I'm a huge fan of films and the idea that the Who was practically created as a film project seem right up my alley.
The documentary is too self-serving. I know that seems a little Ironic to say, but I've seen docs that praise Keith Moon as a legendary Drummer and barely mentions John Entwistle (how unfortunate to be a great musician who got to live to old age). Pete Townsend attempted to tell us how awesome John was to the band, but it wasn't enough, and this goes for anyone vital to the band (like Keith) who is not alive to tell their own story (In defense the people getting interviewed seem unapologetic about their own self- worth). It's a little uneven.
So while well crafted, Lambert and Stamp seems to show me that one of the most interesting bands in the world has a very uninteresting origin story. I just prefer to listen to the music.
This film will draw you in and touch your heart as it exposes what it means to live your dreams. A beautiful exploration of the visions and fires that brought the legendary band, The Who into being. Two young men from different beginnings find a common vision to create and break free from their origins. The charming and bold duo, Chris Stamp and Kit Lambert, remind us what it is to be young and believe in no limits. Genius and madness mix as six incredible talents come together and inspire generations through the universal language of music. In a brave undertaking, director James D. Cooper elicits poignant and fascinating interviews from those who remember this incredible journey. His connection and understanding of these men keeps us engaged and wanting more. It is a universal story of passion and frailty. The lyrical editing and incredible soundtrack complete the picture leaving the audience satisfied and hungering at the same time. A film that will stay with you long after you leave the theatre.
Did you know
- Quotes
Christopher Stamp: It's very difficult to know, you know, the moments you love someone a lot of the time.
- SoundtracksA Quick One, While He's Away
Written by Pete Townshend
Published by TRO - Essex Music, Inc. (ASCAP)
Performed by The Who
Courtesy of Polydor Limited / Geffen Records
Under license from Universal Music Enterprises
Details
Box office
- Gross US & Canada
- $183,320
- Opening weekend US & Canada
- $13,500
- Apr 5, 2015
- Gross worldwide
- $183,320
- Runtime1 hour 57 minutes
- Color
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content