The Meaning of Dreams

I agree with some of the criticism on this app about how it's been a comparitavely slower paced start this season. So far, the writers have shied away from their sense of humour- The sharp, well-written and cringe worthy humour seen in previous seasons seems to be lacking just slightly.

However, Iots of negative reviews on here appear to just be Trump supporters who are unhappy about the dinner scene. There are loads of people who are exaggerating on the drop in this season's quality, as well as unnecessary attacks on actors like Walton Goggins- I think he's been great to watch

I have faith this season will pick up. The acting has been really great and I can tell this season's going to be an extra slow burn that will eventually pay off.

The plot drags on with no significant developments, leaving viewers waiting for something to occur. This season has been particularly disappointing, with repetitive storylines and a monotonous pace.

Moreover, I don't understand the praise for the character Mook... Her role is uninteresting, and I would even say unnecessary. The character's presence doesn't add depth to the story, and their scenes feel forced.

Everything unfolds too slowly, I know (I hope) that a crescendo and climax await us, but it still could have been better. The potential is there, but the execution is lacking, making it a struggle to stay engaged.

"The White Lotus" S3 E3 delves deeper into the intertwined lives of its guests, revealing hidden anxieties, simmering tensions, and the weight of unspoken secrets. The episode masterfully balances moments of dark humor with a growing sense of unease, as the characters' carefully constructed facades begin to crack.

The episode explores the complexities of relationships, both romantic and familial. The dysfunctional dynamic between the Spences and the Nixons continues to unravel, with their contrasting personalities and clashing values creating a palpable tension. The introduction of Greg, Tanya's husband from the previous season, adds a layer of intrigue and raises questions about his connection to the current guests.

The episode also delves into the lives of the staff, showcasing their own struggles and ambitions. Belinda finds herself drawn to a wealthy guest, while the young receptionist, Mook, navigates a budding romance with a security guard.

The cinematography remains stunning, capturing the beauty of the Thai landscape and the opulence of the resort with breathtaking visuals. The soundtrack continues to blend traditional Thai music with contemporary sounds, creating a unique and immersive atmosphere.

The episode's pacing is deliberate, allowing for a gradual build-up of tension and suspense. The ending leaves you with a sense of unease and curiosity, eager to witness how the characters' secrets and desires will unravel and what consequences await them in this seemingly idyllic paradise.

Overall, "The White Lotus" S3 E3 is a well-crafted and engaging episode that deepens the intrigue and sets the stage for a captivating season of emotional entanglements and unexpected twists.

Whatever they are doing, it isn't working. Unlike the previous two seasons there are absolutely no characters that are engaging and it is totally devoid of the humour of season 1 and to a lesser extent season 2. I'll stick with it but after three largely uneventful episodes I'm not overly optimistic. Episode 3 was the dullest so far with lots of 'mood' shots but very little by way of moving the stories on unless you like watching rich, unlikeable people shovelling food in their mouths. I was quite forgiving of the rather bland opening episode as it is all about introducing the characters and location but episodes two and three have been equally nondescript.

Imagine the chaos happening back home right now, while the Ratfliffs are away and oblivious. Maybe that's the story we should be watching because Thailand is a relatively inert place.

The great cast still lends some interest to the proceedings. Finally, Walton Goggins gets a chance to do something other than mope around with a pained expression on his face.

But the plotting overall is too thin. Maybe Mike White needs a writing partner now to bounce ideas off of, to beef up some of the deader plot lines.

The Thai staff characters are dull as hell. In previous seasons, we got gems like Armond. Why write characters as dull when you have the option to give them some kind of demented liveliness? Instead of having Gaitok be weak and incompetent, have him be a wannabe Rambo type who goes nuts when a thief gets past him and causes chaos in his attempts to be more aggressive.