The documentary delves into Diddy's early years, his transformation from Sean Combs to Puffy and Diddy, the forces that shaped him, his childhood, music career, and the recent allegations of... Read allThe documentary delves into Diddy's early years, his transformation from Sean Combs to Puffy and Diddy, the forces that shaped him, his childhood, music career, and the recent allegations of sexual misconduct, challenging perceptions.The documentary delves into Diddy's early years, his transformation from Sean Combs to Puffy and Diddy, the forces that shaped him, his childhood, music career, and the recent allegations of sexual misconduct, challenging perceptions.
Sean 'Diddy' Combs
- Self
- (archive footage)
Kim Porter
- Self
- (archive footage)
Sara Rivers
- Self
- (as Sara Stokes)
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Just listen to some of the interviews of some of these people (dont even have to mention names, you'll recognise them by their own thought processes in their own words) setting the outdated mindset that predators are "Victims" of their environments.
Untold numbers of people, from all walks of life have gone through much worse adversity growing up, the difference is how the person is wired, people who are not predatory in their character become hyper-vigilant towards others safety-especially reflecting on how they felt/would feel in similar circumstances, if you're a deviant mindset with lack of empathy you'll become a predator yourself.
Untold numbers of people, from all walks of life have gone through much worse adversity growing up, the difference is how the person is wired, people who are not predatory in their character become hyper-vigilant towards others safety-especially reflecting on how they felt/would feel in similar circumstances, if you're a deviant mindset with lack of empathy you'll become a predator yourself.
Unfortunately this documentary seems to have fallen down a sensationalist hole. There is a fair amount of what appears to be damning testimony and interesting context to Diddy, his background, rise and fall, but it's seemingly constantly embellished by hot takes about childhood trauma, conspiracy theories and at times some of the personalities don't exactly come across as genuine or authentic. The result is a tabloid-like doc that doesn't feel serious.
Hopefully things will be clearer when Diddy has his day in court. It's clear that he has done some extremely awful things (the assault of Cassie is both undeniable and inexcusable), but the documentary doesn't really do much to truly help us understand the extent of his deeds one way or the other.
Hopefully things will be clearer when Diddy has his day in court. It's clear that he has done some extremely awful things (the assault of Cassie is both undeniable and inexcusable), but the documentary doesn't really do much to truly help us understand the extent of his deeds one way or the other.
As anyone with an IQ over 50 will realise, we live in an era of trial by mediia.
Add to that the socio-cultural misandrist agenda the media perpetuates, plenty of 'he said, she said' and you have a viable product in itself.
My main problem with this whole phenomenon is the man has not been found guilty of anything in court.
In this 'documentary' there are plenty of relative nobodies claiming to have knowledge of all manner of behaviour, which is damning in and of itself.
However I draw the line when: I don't have all the facts; it's Hollywood so whose agenda is on display here? And furthermore, until he is charged, I have no respect for this low quality type of 'investigative journalism'.
Whatever happened to ethics in the media?
Why do we allow one of the most powerful institutions on this planet to serve up sensationalist rumour and here-say?
A low, low point in the history of the media again.
I'm disgusted by not only the level of this, but the eagerness of the public to consume it and believe it.
'By giving us the opinions of the uneducated journalism keeps us in constant contact with the community.' Oscar Wilde.
Add to that the socio-cultural misandrist agenda the media perpetuates, plenty of 'he said, she said' and you have a viable product in itself.
My main problem with this whole phenomenon is the man has not been found guilty of anything in court.
In this 'documentary' there are plenty of relative nobodies claiming to have knowledge of all manner of behaviour, which is damning in and of itself.
However I draw the line when: I don't have all the facts; it's Hollywood so whose agenda is on display here? And furthermore, until he is charged, I have no respect for this low quality type of 'investigative journalism'.
Whatever happened to ethics in the media?
Why do we allow one of the most powerful institutions on this planet to serve up sensationalist rumour and here-say?
A low, low point in the history of the media again.
I'm disgusted by not only the level of this, but the eagerness of the public to consume it and believe it.
'By giving us the opinions of the uneducated journalism keeps us in constant contact with the community.' Oscar Wilde.
This documentary seems to have prioritized style over substance, failing to deliver the thoughtful, insightful storytelling the subject demands.
From the tiresome editing choices to the build-up that leads nowhere, the film struggles to engage its audience meaningfully. The use of bleak music during inappropriate moments felt jarring, undermining the gravity of the issues being discussed. Instead of shedding light on Sean Combs' actions with clarity and respect for the victims, the documentary veers into unnecessary sensationalism and dramatization.
While it was compelling to hear directly from some of the victims, their voices were often overshadowed by the production's flashy attempts to stylize rather than humanize. This could have been an opportunity to provide a dignified platform for those impacted and focus on presenting facts and evidence that could contribute to justice. Instead, it felt like the filmmakers were more interested in amplifying shock value.
A more restrained and authentic approach, with longer, uninterrupted focus on the victims' stories, would have lent the documentary the gravity and impact it sorely lacks. This could have been an important piece of work-unfortunately, it missed the mark entirely.
From the tiresome editing choices to the build-up that leads nowhere, the film struggles to engage its audience meaningfully. The use of bleak music during inappropriate moments felt jarring, undermining the gravity of the issues being discussed. Instead of shedding light on Sean Combs' actions with clarity and respect for the victims, the documentary veers into unnecessary sensationalism and dramatization.
While it was compelling to hear directly from some of the victims, their voices were often overshadowed by the production's flashy attempts to stylize rather than humanize. This could have been an opportunity to provide a dignified platform for those impacted and focus on presenting facts and evidence that could contribute to justice. Instead, it felt like the filmmakers were more interested in amplifying shock value.
A more restrained and authentic approach, with longer, uninterrupted focus on the victims' stories, would have lent the documentary the gravity and impact it sorely lacks. This could have been an important piece of work-unfortunately, it missed the mark entirely.
Interesting for me here in Sweden. I follow the downfall of Diddy from a distance.
It starts all right with a look into his childhood and some good scenes with a guy called Tim Patterson. He tells about how Puff was raised and I as a viewer I get some valuable insights.
But then, it gets pretty unfocused. There are a lot of accusations - rape, drugging, violence, all you can think of. The score is like a mix of something from a horror movie and a block buster trailer. A lot of slams, eerie sounds and bombastic stuff.
Far from a minimal approach. I think it gets kind of shallow. It's more like a Wikipedia of accusations than a real movie with a solid storytelling.
It starts all right with a look into his childhood and some good scenes with a guy called Tim Patterson. He tells about how Puff was raised and I as a viewer I get some valuable insights.
But then, it gets pretty unfocused. There are a lot of accusations - rape, drugging, violence, all you can think of. The score is like a mix of something from a horror movie and a block buster trailer. A lot of slams, eerie sounds and bombastic stuff.
Far from a minimal approach. I think it gets kind of shallow. It's more like a Wikipedia of accusations than a real movie with a solid storytelling.
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- Дидди: Создание плохого парня
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- See more company credits at IMDbPro
- Runtime1 hour 39 minutes
- Color
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