Ek Deewane Ki Deewaniyat

Ek Deewane Ki Deewaniyat (2025) : Movie Review -

Since Gen-Z is going gaga over a film like Saiyaara these days, I don't think a little dose of Ek Deewane Ki Deewaniyat will hurt them. In fact, it feels like a mini version of that same passionate madness-made on a smaller budget, with smaller stars-but somehow manages to deliver a punch. At moments, it even beats Saiyaara in its crazy, fiery portrayal of love. Milap Zaveri, a filmmaker who hasn't been very consistent in recent years, and who has mostly stuck to loud 80s-style masala and adult comedies, finally brings a surprising change here. EDKD may not be a high-quality or sensible film by any means, but it's a mad, unapologetic dive into the toxic corners of love-and that madness keeps you hooked till the end. For someone with a filmography including Jaane Kahan Se Aayi Hai, Satyamev Jayate, Satyamev Jayate 2, Marjaavaan, and Mastizaade, Ek Deewane Ki Deewaniyat feels like a fresh start-a film where Milap experiments with tone, emotion, and passion rather than just noise and chest-thumping patriotism and so-called mass. Considering that, I must say-well done, Milap sir. You've surprised me with this one. I genuinely hope you continue to grow from here, making different films like this, with a bit more sense but the same conviction. Please just don't get back to SMJ2 and Masti 4 types.

The story revolves around Vikram Aditya (Harshavardhan Rane), a powerful businessman and politician, who falls madly in love with a movie actress, Ada (Sonam Bajwa). He proposes to her, only to face a sharp rejection. What follows is his dangerous obsession as he tries to force his love-and marriage-upon her. Vikram is the kind of man who has always gotten everything he ever wanted, and he can't digest denial. The story takes a darker turn when his past tragedy is revealed, which connects strongly to the film's climax. I won't spoil that art . When things become unbearable, Ada fights back. She makes a shocking public announcement: "Whoever kills Vikram within the next 10 days, by Dussehra, I will spend one night with him."

Yes, that line alone is enough to make you question your decision to watch the film-but surprisingly, Milap makes you buy into the madness. It's insane, but it works because of how he presents Vikram's obsession and Ada's growing rage. You keep watching, not because it's logical, but because it's wild. What happens next is best experienced in theatres; the film takes a bizarre but oddly gripping turn after that point.

At times, Ek Deewane Ki Deewaniyat feels like a TV soap, with its loud background score and exaggerated emotions-but I didn't mind that. In fact, it reminded me that the days of intelligent romance like Casablanca or Brief Encounter are long gone. Today's cinema caters to a different audience altogether. If people can cry over Saiyaara-a film with happy ending-then why not EDKD? You can't demand logic here either. The moment you start doing that, you'll miss the film's purpose: to show how love and obsession can coexist in the most dramatic, even foolish ways. That's just a part of perception. Some may buy, some reject, simple.

Ada's move in the second half, where she literally declares her "izzat" as bait to punish her toxic lover, is not something any sensible person would glorify. But again, the same audience that adored the madness of Saiyaara will probably find this thrilling. EDKD clearly represents that section of moviegoers-those who like their cinema loud, passionate, and full of extremes-and it's entitled to find appreciation and success among them.

Harshavardhan Rane delivers a performance straight out of a daily soap-over-the-top, emotional, and full of slow-motion poses. But somehow, it fits the tone of the film. His physique, aura, and the way Milap styles his character make Vikram both menacing and magnetic. I'm sure a section of female viewers will enjoy that intensity. Sonam Bajwa, who's been irritatingly one-note in Baaghi 4 and Housefull 5, redeems herself here. She gets a role that allows her to explore passion, pain, and power-and she nails it. Her portrayal of Ada, a woman torn between fear and fury, is surprisingly engaging. She fails in the parts where she plays a film actress (ironically), but when it comes to portraying a woman fighting back with raw anger and pride, she shines. There's a moment where her eyes do all the talking-anger, heartbreak, helplessness-and I genuinely felt proud of her comeback after back-to-back flops. Shaad Randhawa, as always, fits perfectly in the "buddy of the crazy lover" mold. He's one of those actors you just can't dislike, and he proves that again. Sachin Khedekar, ever the dependable performer, adds gravitas even in a limited role. The supporting cast, though, remains mostly forgettable.

Musically, EDKD carries Milap's trademark passion. The songs Khoobsurat and Mera Hua are decent situational numbers, adding emotion to otherwise chaotic moments. The recreated version of "Koi Jaye To Le Aaye," however, is a letdown. No matter how glamorous Sonam Bajwa tries to look, neither she nor the remix comes close to the magic of the original. Technically, the film suffers. The color grading is poor-typical of Milap's films-and the cinematography lacks polish. The production design often makes you feel like you're watching a soap on Dangal TV, which can really test your patience. The editing too could have been sharper; the film drags in parts where it should have soared emotionally.

Still, I can't deny that Milap's attempt at trying something new deserves some applause. He steps out of his comfort zone of jingoism and sleaze to tell a raw, twisted love story. It's flawed, loud, and ridiculous at times-but it's also passionate, self-aware, and oddly entertaining. For a filmmaker like him, Ek Deewane Ki Deewaniyat feels like a necessary evolution. As a whole, what could have been a disaster turns into an average, watchable affair-thanks to its sheer madness, conviction, and emotional unpredictability. I walked out thinking, "This makes no sense-but I wasn't bored." And in today's Bollywood, that's saying something. Overall, Ek Deewane Ki Deewaniyat is a messy, mad, yet oddly addictive love story that thrives on its absurdity. Don't look for logic; just surrender to its crazy romantic chaos.

RATING - 5/10*

Ek deewaney ki deewaniyat, address your all emotions, from tv series vibe to 90s classic masala urdu dialouges, first half promises a lot, but second half, I mean director is confused how to proceed with screenplay and finally movie goes in overcorrection mode. Like Thamma this movie too has good songs. One thing this movie will benefit, like Saiyaara, is love story angle, as there is real shortage of good love story. Overall the movie has good story but lacks substance in all departments expects songs.

It's a watchable movie (not bad but not that good also). It's mainly targeted towards single screens, Tier-B, C audience. It will have a limited pull in multiplex chains. Made on a controlled budget it's already a profitable venture earning a SUPERHIT status in just 1 week. Acting from both the leads is good and also the strong point of the movie is the soundtrack and the soulful BGM which further elevates various scenes. Dialogues are also well written in typical shayari style which are the highlights of this romantic saga. Some dialogues are beautifully delivered by Harshvardhan in the first half and in the climax. Some people will say it has some cringeworthy moments. Yes I agree it has indeed, however, this movie has its heart at the right place. Audience will connect with the screenplay and the characters. It's a tribute to 90s obsessive love stories like DARR or the early 2000s TERE NAAM made with the only one intention to entertain the audience. Don't think about logic and enjoy the movie. If you are into over the top serious romantic commercial entertainer, you can give it a try.

The plot of the movie is too much unrealistic and dramatic. The first half of the movie is a disaster. I am very much disappointed by the performance of Harshvardhan Rane and Sonam Bajwa, for me their duo is not that much of compatible. Though Second half of the movie is just watchable. The music is quite appreciable and few songs as we all know are remixes. Jubin Nautiyal's voice in the background music is sounding quite good. In short, if you're not a drama fan don't watch it.

Toxic movie, not worth your time or money, youtube reviews are misleading, I was waiting for movie to end. It literally caused headache. Half the screen time was for songs and slow motion scenes. I am not an expert on acting but as a spectator I was greatly disappointed. I wanted to give zero star but it is not an option so giving minimum possible rating. Wort movie that I have seen in movie theaters.