Dial a Prayer

Brittany Snow does a great job. She is not one of those nearly perfect Christians you would expect in a movie like this. In fact, there is doubt as to whether she is a Christian at all, for most of the movie. And there's nothing goody-goody about her, if you're concerned about that. Certainly not the sweet girl I remember from another role where she danced on "American Bandstand". She's just enough of a bad girl to attract those who would stay away from a sweet Hallmark type film.

William H. Macy is always good. This isn't one of his best roles, but he does a better job when Bill is serious.

Glenne Headly also does a good job as a woman who may possibly be disturbed. On the other hand, her character seems perfectly fine and a loving mother in other scenes.

The one other standout actor would be Kate Flannery as Cora's best work friend, who has some challenges of her own. Even she has to be cleaned up for TV!

People who would be scared away by perky goody-goody Christians might still not like the other workers. Although one of the worst offenders gets mad once and says, "What're YOU looking at?'

One expectation one might have in a movie like this is Christian music. What most Christian radio stations play. and what might be standard in a movie like this, I can't stand. But this movie has numerous Christian songs that are actually good! Fans of today's music will find this music hopelessly outdated. I wish the group had been identified on "Over My Head" because they were really talented. There's only one song (at least of the Christian songs, and I'm not even sure that's what that is) that has that type of quality, and I find that one annoying. There are other pop and rock songs I don't care for but Cora has most of those on in her car, and another is playing in the flashback that appears to precede Cora's offense. Also, the workers are dancing in one scene to something I don't like, but I couldn't tell whether it was Christian.

There are a couple of nice scenes with snow out in the country.

By the end, there appears to be a message of redemption that would make this a Christian movie teaching Christian values. Before that, even cleaned up for TV, it's not exactly family-friendly.

I do wonder why a bad boy drives a Camry. Isn't that about the most boring car you can drive?

It's still worth seeing if you can deal with the way the message is delivered.

Around Thanksgiving season in suburban Detroit, a troubled 26 years-old woman (Brittany Snow) evades jail by working for a prayer hotline, but she can only connect with those who need help when she stops following the script. William H. Macy plays the pastor of the ministry, Glenne Headly her mentally ill mother and Tom Lipinski a man drawn to Cora.

"Dial a Prayer" (2015) is a drama and spiritual exploration that also satirizes Christian religion as a business in the first half. While it's not what is known as a "faith-based" film, it's also not necessarily anti-God, anti-Scripture, anti-faith or anti-spirituality. For anyone who argues that it's completely anti-spiritual, someone clearly receives a healing through prayer and the laying on of hands, which are biblical concepts.

Yes, so-and-so commits fornication, but the Bible shows God using mighty Samson even though he visited a prostitute (Judges 16). The flick is only against go-through-the-motions Christian religion (notice I said religion).

I'd put this in the same category of "The Preacher's Daughter" (2012) even though that one lacks the satire angle. It's just no where near as good because there's a little too much ambiguity, especially in the weak ending.

The movie runs 1 hour, 37 minutes, and was shot entirely in the Detroit area of Michigan, including Royal Oak, Ferndale and Troy, all of which are 6-12 miles north of the city.

GRADE: B-/C+

I liked this little film. A good and decent little film. The story, the script, the directing , the acting and the cinematography. A well packaged little project. I liked the idea that just when you thought that William Macey's character was evil, you end up realizing that he is not. Also, I liked the idea that believing and disbelieving in anything could change in any minute when your perception changes .

a film about faith. not great but decent. same option of drawing of fundamental transformation, search of life sense, family tension, a love story and the success who change existences and give the second chance. its best part - the dialogue. because it is the inspired option to escape from the sin of sentimental story. and gives to it coherence and some credibility. a film about the fight against past errors. and the reconciliation with yourself. sure, far to be perfect. and not always convincing. but a beautiful story. touching in few scenes, realistic in the others. useful as advise for dark state who is not unknown for many of us. more important, a nice try. to define the faith in not usual manner. to propose a character who reminds many other similar cases from every day media.and that does it a real useful show.

Anyone who reads my reviews knows that I always beg for more character development and back stories. I loved this movie, but I needed to know a bit more about the supporting characters.

William Macy plays a wonderfully animated boss of a Dial-A-Prayer business. But we never hear how he got into the field or why. Also, no one ever identifies what church the girl's family, the call center, and the town identify with. Is it Catholic? Interestingly, there is practically no mention of Jesus, except when the funny boss says that he parted the Red Sea.

Therefore, I think a non-Christian could feel comfortable watching this without feeling bombarded by J.C.

The film is not really about religion. It is about second chances and turning one's life around. There is good usage of the Fall and Winter Midwest landscape. One could see it as either bleak, or starkly beautiful, depending on attitude. There are some clever references to that. The final scene shows a couple quietly beholding the glory of a blank snowy setting.

Do prayers make a difference? Our protagonist keeps asking this question. Of course they do, but the film focuses only on the aspect of making people feel better. It doesn't mention any metaphysical effect on the world at large, or the idea of praying for world peace and messianic redemption. People are only praying for themselves and their family to deal with domestic and health issues.

Casting is so essential to a character-driven film. This one aced the test. I don't know who Brittany Snow is, but her no-makeup sadness came through the screen with genuine sincerity. Macy phoned it in, no pun intended, but in his case, he phones it in beautifully. Glen Headly, the mom, fit the profile to perfection. No one here is great looking or flashy. They are ordinary people in a working class Midwestern town trying to make it through life the best way they can.

What I loved the most was the way they structured dialogue scenes. The characters would say just the right amount of words to each other, without overdoing it or milking the scenes for manipulative effect.

I could have done without the few dream sequences and the schmaltzy music toward the end, but the photography was first rate.