Hope Lost

This film should be trashed, as it's trash.

On the pretext of "exposing" human sex trafficking, we are given a blow-by-blow litany of degrading images of sadism.

Michael Madsen and Mischa Barton must be either desperate, desensitized and swimming in a spiritless artistic swamp or deranged. Maybe all three.

What a terrible reflection on our society that this is portrayed as "entertainment". Shameful.

A mediocre thriller from 2015. Although there are familiar actors, both the shooting is bad and the handling of the subject is bad. There is a main story but the characters seem to have no stories. The man who says he's a movie director takes pictures of the woman he met at the bar. He says he sent these photos to the producer and he liked them very much. He tricks her into taking her to Rome. Then he sells the girl to a man to become a street prostitute. The girl is put to work with the threat of her younger brother's life and it is said that she will be released if she pays the 30,000 euro debt. There are a lot of girls who are forced to work this way.

It's as if the movie script was brought to a fait accompli without any thought. There is too much exaggeration in the acting.

There is sexuality and nudity in the movie. There is also a footjob scene through pants.

You can't fault Hope Lost for not delivering the title. This is not an action or investigation movie, both elements are present here but in very minute scale. Hope Lost is a depiction of human trafficking and sex slavery down to its gritty nature. While I don't object the dark tone in the genre and the film does have a couple of refined moments, for the most parts it's a string of cruel acts towards frail ladies and this is definitely not for everyone.

Sofia (Francesca Agostini) is a young woman who is promised fame and job by a stranger, as one might expect this is a bait to lure her into forced prostitution. Almost the entire movie is her struggle, meeting with violent mogul, dubious clients and another of the same fate. For what it's worth Francesca Agostini has performed admirably. Her portrayal of damsel in distress and overall material make it very easy to sympathize with her ordeal.

The rest of cast is mainstay of action movie such as Michael Madsen and Danny Trejo. It's admittedly awkward seeing them in such heavy theme, for those expecting over-the-top gunslinging action, there's little to none here. Pacing is rather slow, with large portion of the film spent of twisted deeds. It's not much of detective work either, it may look like noir flick but it provides no in-depth thriller aspect. The film simply portrays the heinous nature of the crime, abundantly so.

With tons of malicious scenes, it's really hard to digest. A few of these are realistically authentic, resembling the works of documentary channel, yet it often strays to pointless violence with repetitive torture. It may want to deliver a strong message, although it's hard to see the film be accessible to casual viewer or even fans of action or crime genre.

The good acting and sense of realism might earn merit, but with such horrendous displays of cruelty, Hope Lost is clearly not for casual consumption.

With one overwhelmingly positive and overwhelmingly negative review on the books, I will take the middle ground on this polarizing film - much like the * ratings so far, there is very little consistency. As the 1-Star reviewer indicated, there is very little positive in this movie. Where I disagree with them is that the world isn't all sunshine and lollipops - therefore why should our cinema? Hostel and Saw are in no way pleasant movies, yet are highly regarded in their genre.

While calling this "entertainment" is an extremely debatable and subjective, the fact is that the movie accomplishes what it sets out to achieve. I don't know the reality of what's in here - which makes me quite happy (sometimes ignorance is indeed bliss) - but it's portrayed in an extremely viable way, with acting that is quite strong, and actually far above expectations given the B-list lineup. And in all fairness, there are many things this movie could have done to push the torture-porn boundary, but it is really quite scaled back with more effort paid to character and motivation.

While certainly not a masterpiece in any sense of the word, but if you're a fan of the genre, it is a quality addition to the group. If you're not, then simply avoid.

I realize that people still think film is primarily for entertainment, when rather much of the "fiction" is art depicting life directly from the conscience of those creating the film. So if the goal is to walk away from the film satisfied that you will be thoroughly entertained, you will indeed be disappointed.

Some of the reviews stated there were "violent scenes for no reason." The suffering instituted by human trafficking was depicted in all it's horrific and pointless tragedy. Snuff films are not urban myths.

The average human psyche cannot conceive of the evils done in the dark. The film, whether glorifying it for those initiated in the knowledge, or raising awareness of how women, men, and children are brutally lured, kidnapped, and enslaved probably does both. That's the dialect here.

I'm still about the execution of well-developed screenplays and fluid storylines, so 6 stars was a fair assessment. The actors portray their roles as they are understood to operate in the trafficking system as of 2015. Check. Snuff films, still found on the dark web. Check. Acting was sufficient to help the audience open or keep their eyes wide shut to the darkness of the world. Given this was released again for 2020, I suspect it is about raising awareness to what I hope is an end to this Satanic system of torture and enslavement of humanity.