After the Ball

After the Ball is purely light entertainment with lots of make believe and succeeds in keeping it that way throughout the story.

A very simple tale of a girl fresh out of designer school and discovering the job market is a tough place for her profession. Her father gives her a chance in his clothing manufacturing business and Kate/Nate ends up saving the business from sinister doings!!

Yes its a silly story with a little bit of Cinderella and The Devil Wears Prada thrown in but the director Sean Garrity keeps it simple and fun and doesn't get too invested into the 'feelings' of the characters. Portia Doubleday is better at being the character Nate than she is at being Kate. And the two 'sisters' are perfect at being the buffoons of the story.

If you get a chance check this one out!

Just like its name, After The Ball is a modern twist on the Cinderella story with a bit more substance thrown in.

The supporting cast (especially Maurice!) and a well paced storyline makes this a delight to watch.

Though the story is predictable, there was enough heart in it to make you want to follow Kate's journey. There is more to the plot than just romantic attraction but has elements of father/daughter relstionships, greed/deceit and mateship.

You'll detect elements of Devil Wears Prada and She's The Man so if that's your kind of movie give this a go.

Portia Doubleday heads a phenomenal cast who have fun with Shakespeare's themes of disguises and miscommunication. I started watching this show thinking it was just a Cinderella remake, but was taken on a surprise road trip through a comedic spectacular.

Newly graduated Kate Kassell (Portia Doubleday) is trying to be a fashion designer but her father Lee (Chris Noth)'s cheap knockoff reputation stymies her. She joins her fathers company which was started with her deceased mother. Her stepmother Elise (Lauren Holly) schemes to kick her out of the company. Elise with her simpleton daughters are undermining the company. After they successfully get Kate fired, her friends suggest returning as a male designer.

This is sorta Cinderella with a dash of Twelfth Night. I like Portia Doubleday and really the only reason to watch this. Her weird-looking male character is off-putting at first but he does grow on me. The father is infuriating as if he is suffering dementia. It might be helpful to see the roots of the dysfunctional father daughter relationship. The evil stepmother is fine. The fashion business is nothing insightful or real. At the end of the day, none of that is the big problem. It is simply too cheap and too cheesy to be effective. It is not more than a TV movie that cannot elevate. Doubleday does an admirable job but it is not enough.

It probably helps to compare this film more to 'Twelfth Night' than to 'Cinderella', though it owes both.

I enjoyed it; but then I enjoy anything with Portia Doubleday. She is not as slapstick-funny as Amanda Bynes; but she is prettier; and she carries off the awkwardness of the Kate character amusingly and even credibly. You are inclined to like her character here - she is honest, well-meaning, and determined without being either overly sappy or shallow.

If there are shallow acting performances, they're down to everyone else - Daniel's character was insufficiently developed, making him appear like a caricature of Prince Charming rather than a real-life, modern-day Orsino; and Elise's character is hardly any Olivia. The actors are good enough but they aren't given much to work with.

Being a vehicle for Miss Doubleday is the movie's one saving grace. I really missed seeing her (little spoiler here) on the runway at the end; as it'd have been a major PR success for the company to have had Kate present in her new capacity; and of course she's lacking nothing to have made a good model... if only on her own terms :)