After the Vietnam war, a team of scientists explores an uncharted island in the Pacific, venturing into the domain of the mighty Kong and must fight to escape a primal Eden.After the Vietnam war, a team of scientists explores an uncharted island in the Pacific, venturing into the domain of the mighty Kong and must fight to escape a primal Eden.After the Vietnam war, a team of scientists explores an uncharted island in the Pacific, venturing into the domain of the mighty Kong and must fight to escape a primal Eden.
- Nominated for 1 Oscar
- 1 win & 22 nominations total
Featured reviews
A strange movie. It is kind of all over the place with its themes and influences but it has a distinct enough personality and some solid setpieces.
This is a straight adventure story with giant monsters, and the way it's shot and the hammy dialogue are mostly B-movie and comic book derived (check out those Dutch angles and blistering colors and 10 times too big sun, moon, aurora...).
But there's also a clunky Vietnam metaphor that's a straight-up over the top "homage" to Apocalypse Now, et al. The song choices even more so. It makes sense in theory (VietKong anyone?) but I don't think it ever really works and it's just an excuse to make Sam Jackson a bad guy to counterpoint Kong's "human" side.
Characters are fine for the most part. They serve their cardboard purposes and that's what's expected. Hiddleston and Larson in particular feel vastly underdeveloped. Everything they say and do fall instantly from memory and their disappearance from the movie all together wouldn't have changed it that much.
But what we want are monsters and we get them. Most of them are wonders to behold (the water buffalo, spider legs, and octo tentacles yum) except the generic Skullcrawers (the scene where Reilly names them is embarrassing - I don't think Larson or Hiddleston had any idea what to do the dialogue is so ferociously dumb. Reilly almost saves it however).
This Kong feels like a very different movie than the new Godzilla. This is very much an entertaining B-movie with strong comic book influences worn loud and proud. It will be interesting to see how these two worlds collide. If any franchises deserve an extended universe, it's these! That's what they're all about.
This is a straight adventure story with giant monsters, and the way it's shot and the hammy dialogue are mostly B-movie and comic book derived (check out those Dutch angles and blistering colors and 10 times too big sun, moon, aurora...).
But there's also a clunky Vietnam metaphor that's a straight-up over the top "homage" to Apocalypse Now, et al. The song choices even more so. It makes sense in theory (VietKong anyone?) but I don't think it ever really works and it's just an excuse to make Sam Jackson a bad guy to counterpoint Kong's "human" side.
Characters are fine for the most part. They serve their cardboard purposes and that's what's expected. Hiddleston and Larson in particular feel vastly underdeveloped. Everything they say and do fall instantly from memory and their disappearance from the movie all together wouldn't have changed it that much.
But what we want are monsters and we get them. Most of them are wonders to behold (the water buffalo, spider legs, and octo tentacles yum) except the generic Skullcrawers (the scene where Reilly names them is embarrassing - I don't think Larson or Hiddleston had any idea what to do the dialogue is so ferociously dumb. Reilly almost saves it however).
This Kong feels like a very different movie than the new Godzilla. This is very much an entertaining B-movie with strong comic book influences worn loud and proud. It will be interesting to see how these two worlds collide. If any franchises deserve an extended universe, it's these! That's what they're all about.
THIS is the way a movie should be done.
Have you ever watched the scene from The Princess Bride where the grandfather tells the kid: It's got everything. "Fencing, fighting, torture, revenge, giants, monsters, chases, escapes, true love ...". Well, in a way, that's this version of KONG, and I am really happy and surprised at just how GOOD it was.
Take a bit of the original Kong, mix it with one part Private Ryan, a dash of The Deer Hunter, some Monty Python, lots of Jurassic Park, a pinch of A Space Oddity and mix well with some (insert your favorite lower-key funny movies HERE). The result is a pleasing fare one can really sink their teeth into and enjoy.
It has some familiar faces too, and what's best about it, is that not only do they live up to their so-called stardom, but even the unfamiliar or not-yet- "famous" actors with smaller roles, really do a great job and sell it. At no time while you are watching this movie do you feel it far-fetched or unbelievable that Kong actually exists, and isn't that, in a nutshell, what all movies should aspire to - the suspension of disbelief? Mission accomplished on this one, and good job to the creators.
A definite must-watch.
Have you ever watched the scene from The Princess Bride where the grandfather tells the kid: It's got everything. "Fencing, fighting, torture, revenge, giants, monsters, chases, escapes, true love ...". Well, in a way, that's this version of KONG, and I am really happy and surprised at just how GOOD it was.
Take a bit of the original Kong, mix it with one part Private Ryan, a dash of The Deer Hunter, some Monty Python, lots of Jurassic Park, a pinch of A Space Oddity and mix well with some (insert your favorite lower-key funny movies HERE). The result is a pleasing fare one can really sink their teeth into and enjoy.
It has some familiar faces too, and what's best about it, is that not only do they live up to their so-called stardom, but even the unfamiliar or not-yet- "famous" actors with smaller roles, really do a great job and sell it. At no time while you are watching this movie do you feel it far-fetched or unbelievable that Kong actually exists, and isn't that, in a nutshell, what all movies should aspire to - the suspension of disbelief? Mission accomplished on this one, and good job to the creators.
A definite must-watch.
This is a really cool movie! It's not deep or complex, but it's visually great and a lot of fun.
I usually don't comment on massively budgeted blockbusters, but "Kong: Skull Island" is such a joyfully tongue-in-cheek homage to giant monster B-movie cinema that I simply had to make an exception! This is a tremendously over-the-top and silly creature-feature, but the undemanding popcorn-entertainment value is just irresistible. The original King Kong, from 1933 already, is a monumental piece of cinema and still very powerful today. The more recent (2005) and expensive Peter Jackson remake was, at least in my humble opinion, a very boring and overlong romantic drama. "Kong: Skull Island" nicely falls right between these two extremes. By no means, it's great cinema, but at least it provides thrills, chuckles and adrenaline rushes from start to finish. The intro and scene-setting are already incredibly dumb, but oh so fun! We're supposed to believe that there exists a secret government agency (yes, another one) named Monarch, and their area of expertise is searching around the world for monsters and oversize animals. In 1973, The agency's CEO (an energetic John Goodman) benefices from the US-army's retreat out of Vietnam to recover soldiers and assets for a mission to the secretive Skull Island; a place where - and I quote - God left his creation unfinished.
"Kong: Skull Island" certainly doesn't waste any time! The helicopters have barely begun circling over the island, and there already emerges the humongous ape King Kong to slap them out of the sky like tiny ping-pong balls! The few remaining soldiers, led by the frustrated platoon leader Samuel L. Jackson, continue on foot and swear to destroy King Kong, but they soon learn that the island homes lots of other giant and unspeakably evil monstrous creations, and that Kong isn't even such a bad fella. It's a mission impossible to take this film seriously, but with the right mindset (and perhaps a few six-packs of beer) you'll have a great time. Seeing the story takes place in 1973 and has an abundantly clear Vietnam collection, it also somewhat feels like a long-feature "Tour of Duty" movie with a downright awesome 70s soundtrack. The special effects are cheesy and exaggerated, the dialogues are deliciously tacky ("hm, a mushroom...that means there must a river nearby!") and the casting is perfect. I already mentioned John Goodman and Samuel L. Jackson, but there's also John C. Reilly as the bewildered WWII veteran who's been stuck on the island since 1942.
"Kong: Skull Island" certainly doesn't waste any time! The helicopters have barely begun circling over the island, and there already emerges the humongous ape King Kong to slap them out of the sky like tiny ping-pong balls! The few remaining soldiers, led by the frustrated platoon leader Samuel L. Jackson, continue on foot and swear to destroy King Kong, but they soon learn that the island homes lots of other giant and unspeakably evil monstrous creations, and that Kong isn't even such a bad fella. It's a mission impossible to take this film seriously, but with the right mindset (and perhaps a few six-packs of beer) you'll have a great time. Seeing the story takes place in 1973 and has an abundantly clear Vietnam collection, it also somewhat feels like a long-feature "Tour of Duty" movie with a downright awesome 70s soundtrack. The special effects are cheesy and exaggerated, the dialogues are deliciously tacky ("hm, a mushroom...that means there must a river nearby!") and the casting is perfect. I already mentioned John Goodman and Samuel L. Jackson, but there's also John C. Reilly as the bewildered WWII veteran who's been stuck on the island since 1942.
Any movie, or anything, really, that keeps my attention is good. Although I didn't really like the orange tinge everything seems to have in the very beginning, the technical side improves dramatically as the film progresses.
It takes place in 1973, just after the Americans "abandoned" the Vietnam War (according to Samuel L Jackson's Preston Packard character). The 70's production design is good and brings me back to my childhood (the soundtrack was awesome with plenty of 70's hits), although you don't see much of the 70's vibe after the first 20 minutes or so. The CGI is very good and doesn't make me feel like I'm playing a video game. This movie is like Jurassic Park meets Godzilla and they had a baby called Platoon and it grew to become a mash-up of the three of them with its own uniqueness called Kong: Skull Island.
Just under two hours in length and "hold onto your butts" and watch the credits.
My favourite quote from the movie is, "A camera is more dangerous than a gun." Seems like SLJ get's all the good lines.
It takes place in 1973, just after the Americans "abandoned" the Vietnam War (according to Samuel L Jackson's Preston Packard character). The 70's production design is good and brings me back to my childhood (the soundtrack was awesome with plenty of 70's hits), although you don't see much of the 70's vibe after the first 20 minutes or so. The CGI is very good and doesn't make me feel like I'm playing a video game. This movie is like Jurassic Park meets Godzilla and they had a baby called Platoon and it grew to become a mash-up of the three of them with its own uniqueness called Kong: Skull Island.
Just under two hours in length and "hold onto your butts" and watch the credits.
My favourite quote from the movie is, "A camera is more dangerous than a gun." Seems like SLJ get's all the good lines.
Did you know
- TriviaSamuel L. Jackson said on a talk show that throughout filming, he and his co-stars didn't know just how big Kong was supposed to be. Whenever they asked, they got conflicting answers.
- GoofsThe establishing shot of the Athena shows a CH-47 Chinook helicopter on the bow, four UH-1 Hueys amidships, and one CH-53 Sea Stallion on the stern. In the helicopter battle with Kong later, at least 10 Hueys are shown.
- Quotes
Hank Marlow: Hey, what happened with the war? Did we win?
James Conrad: Which one?
Hank Marlow: Uh-huh. That makes sense.
- Crazy creditsSPOILER: There is a scene after the closing credits: Brooks and Lin meet Conrad and Weaver and show them records that indicate other monsters existing on Earth; the monsters seen are Rodan, Mothra, King Ghidorah and Godzilla. The scene ends with Godzilla's roar. This leads into Godzilla: King of the Monsters (2019).
- ConnectionsFeatured in Film '72: Episode #46.1 (2017)
- SoundtracksTime Has Come Today
Written by Joseph Chambers and Willie Chambers
Performed by The Chambers Brothers
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Kong. La Isla Calavera
- Filming locations
- Ha Long Bay, Quang Bình Province, Vietnam(aerial shots of Skull Island)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $185,000,000 (estimated)
- Gross US & Canada
- $168,052,812
- Opening weekend US & Canada
- $61,025,472
- Mar 12, 2017
- Gross worldwide
- $568,652,812
- Runtime
- 1h 58m(118 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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