The G and the OG

The episode feels kinda low effort and lacks a lot depth of the story, It doesn't lead you to the story properly. Things happen suddenly and rapidly, you don't get a proper hold to it. Positives are the episode has pretty nice humorous moments and Dwight gives that jail sentence vibes, Dwight has a nice depth to his personality. Generally, they kind of messed up this episode. It could be even a 6/10 episode.

It's hilarious when people will complain about the character Tyson. It's almost as if the showrunners WANT you to hate the black guy. He's the only character that consistently does stupid stuff.

This show is Jay Will's big break, but the cost was him playing a reckless, selfish, unintelligent thug.

I just hope the money was worth it, because this role is not likely to get him any future roles.

The show was good the first 2 seasons. It is becoming like all the other shows out there. Go back to where you started qith this show and leave Tyson out of the cast. Stallone is carrying the show at the current time. Some of the other cast members are getting better but the Dude playing Tyson is just a thug acting like he is something.

INTRO: I had to sign in to write this review.

HOOK; DD: put some thought into the comment; i like comedies, horror (no jump scare), maybe jump scare, comedy drama, guessing who's the killer.

-have you seen billions.

REVIEW: it's a great episode with great actor. If you have previously watched the made episodes it's unbelievably good. { If not, it should be okay. } funny scenes. Serious scenes. Smart and dumb people roles (not illegal, but border line illegal)

CONCLUSION: watch it. You'll love it.

Tulsa King delivers its strongest episode in ages, despite one glaring weakness.

Ep 3 fires on all cylinders: sharp dialogue, genuine stakes, Stallone at his commanding best. The character work rivals season one's highlights, and the escalating conflicts feel earned rather than manufactured. When the show focuses on Dwight navigating impossible choices, it's absolutely compelling television.

Then there's Agent Musso... a threat the show desperately wants us to fear without doing the work to justify why. His power feels arbitrary, his reach implausible, yet the entire episode hinges on him as existential danger. The writing leans heavily on this flimsy foundation, asking us to accept influence and authority that hasn't been convincingly established.

Strip away the Musso problem and this is 9/10 television. With it, the episode remains very good but frustratingly undercut by its own central thread.