Hijacking may not be a new subject in global cinema, yet it remains largely unexplored in Vietnamese filmmaking. This novelty is what initially drew audiences to the film and reignited interest in returning to the cinema. Despite modest expectations regarding the script and dialogue-often regarded as recurring weaknesses of Vietnamese productions-the film delivers a remarkably engaging experience. With most of the story unfolding in the confined setting of an aircraft, concerns about limited visual dynamics and narrative progression were valid. However, the film sustains tension throughout its two-hour runtime, maintaining a gripping pace from the very first moments. The unfolding events are both logical and consistently suspenseful, ensuring that viewers remain captivated. Those planning to see the film are advised to arrive on time, as crucial details appear almost immediately. The performances are another highlight. Thái Hòa and Kaity, both established box office draws, once again justify their reputations with convincing portrayals. Notably, the supporting cast also delivers uniformly strong performances, with each role contributing meaningfully to the overall narrative. In terms of visuals, the production relies heavily on CGI to recreate the atmosphere of the 1970s and 1980s. While the effects may not be flawless and occasional inconsistencies are visible, they remain effective and align with the current technical standard of Vietnamese cinema. The film's 16+ rating is also well-justified. Unlike many domestic productions, it does not shy away from depicting graphic violence and coarse language, both of which enhance the authenticity of the hijackers' brutality and prevent the film from appearing overly staged. Overall, this production stands out as one of the most accomplished action thrillers ever made in Vietnam. It demonstrates that the industry's limitations are not rooted in a lack of talent, but rather in insufficient opportunities and hesitancy to tackle more complex or sensitive themes. This is a film that deserves to be experienced in theaters, and it is unlikely to disappoint.
