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Pete Davidson and Griffin Gluck in Big Time Adolescence (2019)

Metacritic reviews

Big Time Adolescence

64

Metascore

21 reviews · Provided by Metacritic.com
  • 80
    Slashfilm
    Slashfilm
    A pair of endearing and hilarious lead performances from teenage Griffin Gluck and comedy prodigy Pete Davidson turn the movie into a real gem.
  • 80
    Vanity FairRichard Lawson
    Vanity FairRichard Lawson
    Rarely in Big Time Adolescence does anything feel canned or beyond the realm of the credible. All the characters in the film seem to have inner lives; we believe that they exist past the confines of the film. It’s a pleasure to be in their warm and appealing company, even as the proceedings take a turn for the mildly dire.
  • 75
    IndieWireEric Kohn
    IndieWireEric Kohn
    As coming-of-age stories about wayward teens go, writer-director Jason Orley’s debut is a sturdy, endearing portrait of youth in revolt that takes few surprising turns. But the two actors sell their dynamic well enough to inject the story with palpable authenticity despite the familiar premise.
  • 75
    Entertainment WeeklyLeah Greenblatt
    Entertainment WeeklyLeah Greenblatt
    If Big Time isn’t exactly a PSA for good adulting, it’s still an endearingly messy portrait of boyhood and manhood and all the lessons in between.
  • 70
    The Hollywood ReporterJohn DeFore
    The Hollywood ReporterJohn DeFore
    Pete Davidson is so on-target you might forget all the lines he's flubbed on Saturday Night Live.
  • 67
    The PlaylistGregory Ellwood
    The PlaylistGregory Ellwood
    Orley’s direction is fine, and the picture is well made for a low budget indie, but Davidson is all you’ll really remember when you leave the theater. And for many, that’ll be enough.
  • 67
    The Film StageJordan Raup
    The Film StageJordan Raup
    As the fun hits a brick wall, the film doesn’t quite have the pathos of other coming-of-age stories like The Edge of Seventeen, more focused on selling the amiable, Superbad-esque hang out vibe that is so attuned to Davidson’s brand of comedy, but when it is time for some comeuppance, it’s easy to feel for both Mo and Zeke.
  • 67
    The A.V. ClubCaroline Siede
    The A.V. ClubCaroline Siede
    A debauched but heartfelt coming-of-age story about impressionable teenage boys and the imperfect male role models who influence them. Davidson’s most important skill is his ability to share the spotlight and create real chemistry with his co-stars.
  • 63
    Slant MagazineSteven Scaife
    Slant MagazineSteven Scaife
    The film is at its weakest when it has to do drama, since the fallout of Mo and Zeke’s actions feels perfunctory and tossed-off in the rush to an ending, a hasty come-down after the proverbial party.
  • 60
    VarietyOwen Gleiberman
    VarietyOwen Gleiberman
    Big Time Adolescence isn’t bad, but it’s a trifle.
  • See all 21 reviews on Metacritic.com
  • See all external reviews for Big Time Adolescence

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