kdufre00
Joined Jan 2000
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kdufre00's rating
In "The Business of Strangers", Stockard Channing plays Julie Styron, a self-made business woman approaching middle age who is paired up with young tech assistant Paula Murphy (played by Julia Stiles) on a business trip. When Paula arrives late to a meeting due to a delayed flight, a distressed Julie has her fired on the spot. Later, after being promoted CEO of the company, Julie runs into Paula sitting alone in a bar, apologizes for her rash behavior and the two set out on a night of female bonding, power trips, revenge, mind games, and button pushing.
This verbal film spends a considerable time exploring the stark contrasts between the two women. Paula is a hostile young woman who writes non-fiction about her life experiences, sports tattoos, experiments with bisexuality and self-mutilation, and has a fondness for hardcore pornography. Julie is career-driven to the point of isolation and is much softer and less confrontational than Paula. It is exactly through these contrasts that we see a complementary relationship emerge between these two characters. While Paula's brash confidence exposes Julie's insecurity and anxiety, Julie's worldliness and experience make Paula seem impetuous. As a result, a dynamic interplay and synergy come out from these exchanges.
When a male associate of Julie's enters the plot, Paula ups the ante by revealing to Julie that he committed a rape at a frat party she attended in Boston years ago. From this point on, "The Business of Strangers" turns into a story of revenge and maintains a misanthropic and satirical tone. It is this tone that makes "The Business of Strangers" so much like Neil Labute's indie hit, "In the Company of Men", in the way that it explores power trips, mind games, one-upmanship, and competition. In this film, a woman's struggle within a male-dominated corporate world is also an theme that is covered.
"The Business of Strangers" is not exactly an impressive film stylistically, but it more than makes up for this in its delicious dialogue which works two ways. It always keep the suspense going by teasing and daring the audience to guess what will happen next, only to foil any attempt to do so. Another thing the dialogue does is establish the characters' personalities by shedding light on their life histories and motives. Channing and Stiles fill both their roles to perfection and play off each other extremely well. Channing is up to task with her most interesting role since "Six Degrees of Separation" nearly ten years ago. Every look and gesture serves to imply the world-weariness and jaded vulnerability that Julie inhabits. Stiles, is no less impressive as the more provocative of the two women. Apart from seeing a few random scenes from "10 Things I Hate About You", I have never seen her act before, but her dynamic performance here has me intrigued. Both Channing and Stiles are deserving of Oscar nominations, but will most likely be overlooked since "The Business of Strangers" is a low budget indie film. While the 85-minute running time is slight, this movie will keep you engaged in thought as well as entertained.
This verbal film spends a considerable time exploring the stark contrasts between the two women. Paula is a hostile young woman who writes non-fiction about her life experiences, sports tattoos, experiments with bisexuality and self-mutilation, and has a fondness for hardcore pornography. Julie is career-driven to the point of isolation and is much softer and less confrontational than Paula. It is exactly through these contrasts that we see a complementary relationship emerge between these two characters. While Paula's brash confidence exposes Julie's insecurity and anxiety, Julie's worldliness and experience make Paula seem impetuous. As a result, a dynamic interplay and synergy come out from these exchanges.
When a male associate of Julie's enters the plot, Paula ups the ante by revealing to Julie that he committed a rape at a frat party she attended in Boston years ago. From this point on, "The Business of Strangers" turns into a story of revenge and maintains a misanthropic and satirical tone. It is this tone that makes "The Business of Strangers" so much like Neil Labute's indie hit, "In the Company of Men", in the way that it explores power trips, mind games, one-upmanship, and competition. In this film, a woman's struggle within a male-dominated corporate world is also an theme that is covered.
"The Business of Strangers" is not exactly an impressive film stylistically, but it more than makes up for this in its delicious dialogue which works two ways. It always keep the suspense going by teasing and daring the audience to guess what will happen next, only to foil any attempt to do so. Another thing the dialogue does is establish the characters' personalities by shedding light on their life histories and motives. Channing and Stiles fill both their roles to perfection and play off each other extremely well. Channing is up to task with her most interesting role since "Six Degrees of Separation" nearly ten years ago. Every look and gesture serves to imply the world-weariness and jaded vulnerability that Julie inhabits. Stiles, is no less impressive as the more provocative of the two women. Apart from seeing a few random scenes from "10 Things I Hate About You", I have never seen her act before, but her dynamic performance here has me intrigued. Both Channing and Stiles are deserving of Oscar nominations, but will most likely be overlooked since "The Business of Strangers" is a low budget indie film. While the 85-minute running time is slight, this movie will keep you engaged in thought as well as entertained.
