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Supervillains in Kung Fu movies are invaribly the coolest parts of the genre, because they are nearly always impervious and superior, both in intelligence and fighting ability, to anyone else. Their power is generated through sheer force and will, and only the hero(es) preternatural lust for revenge usually defeats these awesome Kung Fu menaces.

In BORN INVINCIBLE, you get probably the most bizarre, yet realistic, supervillain in the whole of the genre. Carter Wong's Tai Chi training (a style developed by a woman), starting from a small child, results in iron skin, snow-white hair, and a high, feminine voice. This Tai Chi master becomes an unstoppable thug-chieftain who can fight a deadly duel and, simultaneously, carve a Chinese yin-yang symbol in the earth with his feet. This powerful supervillain operates from a source of disipline that is downright scary; Wong is entirely invincible but for his one weak point. When you see how relentless Wong's killer-master is, you can't help but relate to the terror in the heroes' faces when they have to take him on. Fact is, if not for the honor of their school, which is paramount to the students trying to take revenge for Wong's murder of their teacher, nobody would mess with the Tai Chi master, since it is considered by the most learned monks to be certain death.

What separates Joe Kuo film villains, characters like Wong's and the great Ghost-Faced Killer from MYSTERY OF CHESS BOXING, is that Kuo puts one scene in there to show us the supervillain is also human. Wong's character is stopped from a killing rampage at one point by a white-haired nun, and there's a moment when Wong seems to reflect on what he IS, a killer, as opposed to what he trained to become, an otherworldly kind of priest attuned to nature and the inner forces like the nun. The fact that Wong won't, or can't, stem his bloodlust and sadism is his undoing. There's a lot going on in BORN INVINCIBLE aside from the superior fighting skill of the actors. One of the best Kung Fu films based merely on this unusual depth of character, and a knock-out all the way.

Folks can go on and on about a visual style. The fact is, RAW DEAL exemplifies more than just an atmosphere. There's a catalyst for horrific violence driven by the desperation of the characters, their psychosis and their inability to escape from the choking shadows not only around them, but inside their heads. This movie, a cheap b-production with only one actor with stand-out talent, Claire Trevor, and a young powerful Raymond Burr, manages to seem authentic all the way through because it doesn't hold back on the violence or the threat of violence. There's a desperate prison escape, by hero O'Keefe, who's trying to get to Burr the crime boss, for whom he took a fall. Burr wants O'Keefe dead so he doesn't have to worry about O'Keefe ratting on him. O'Keefe uses two women he knows, his floozy Trevor and the good-girl counselor he really loves (she's cast in light and draws him like a moth) as cover. The movie then follows O'Keefe as he does a mini-FUGITIVE, like the television show, making love to his women and encountering a raging lunatic in the woods who doesn't have anything to do with him, but might get O'Keefe caught anyway by swarming police on the hunt for the maniac.

In this rough noir, you get a suicide by cop, a guy fighting not to get his face impaled on a set of wall antlers, a flaming friccasee thrown in a drunk woman's face, a nasty deception and the good girl getting tortured, and a bloody final encounter between psycho Burr and O'Keefe, with plenty of face-ripping and falling from burning buildings. That's not standard stuff, and if you can get into babe Trevor with light shimmering on her lips as she tries to figure out how to save her thug O'Keefe from the police, Burr, and the younger angel ready to steal him away, then you will enjoy hell out of this film.

Here in 10 TIGERS you will find almost all of the major Chang Cheh stars, Venoms, Fu Sheng, and the incredible Ti Lung, whom I believe is one of the best actors to ever come out of the East. But all the Shaw Bros great are on display in 10, and director Cheh is able to immediately establish a bizarre juxtaposition within the usual hero-villain conflict. The usual dynamic of the five Venoms is flip-flopped; here, you get to see Philip Kwok and Lo Meng, popular good guys, act like vicious thugs (accidentally), and my personal favorite Lu Feng, always a henchman usually, as a strong hero (all too brief).

The plot is broodingly dark, as a group of young Kung Fu students is stalked and murdered by two Ching assassins. The five students, trying to figure out why, relate the story of their fathers' adventure to save a famous Chinese revoluntionary, years before. Known by legend as "10 Tigers," the students' fathers risked their lives and homes to save the political figure. The two assassins have come to gain revenge for the murder of Wei Pei's government hunter, who attempted to capture the revolutionary.

The final confrontation between the surviving "sons" of this political intrigue is a supremely violent, bloody affair culminating in a gruesome final image. A well-made film, with much humor from Kwok, Sheng and Meng. Though not Shaws' best, well worth seeing.