mbs
Joined Feb 2001
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Reviews129
mbs's rating
Really, really, really, really, really funny movie but man is it badly made. On the other hand its hard to make any movie good or bad so just the fact that anything gets onscreen is a downright miracle really...but seriously its not well made.
The lead actress is very Tommy Wisseau-esque tho--her accent, but also her outsize over-reaction to anything and everything that's also in the scene with her. She's a wee bit over the top you might say.
There's a grown woman playing a 5 year old girl here as well, as in she's actually supposed to be 5 and not a grown woman with the brain of a 5 year old...it doesn't make any sense, but i'm hoping it wasn't supposed to.
There's a sequence that's set at a party that turns into a drug laced freakout/orgy that seems to serve no purpose other than to give the people in the movie who aren't the main actress something to do.
Honestly nothing that happens in this movie makes any sense--it starts out trying to be a straight up revenge movie (this woman's sister gets killed and she comes to California to find the guys that did it) but somewhere around the lets say 20 minute mark, the movie turns into a woman on the run movie, and then it inexplicably becomes a love story--that part was actually the most believable because the actor who's playing against the lead actress is about as much an actor as she is--except where she goes completely and totally over the top, he's like underplaying every line--their love scene needs to be seen to be believed quite honestly.
How this hasn't been rediscovered as an object of cult fandom yet is a good question--its definitely every bit as nuts as The Room, but somehow The Room is still unquestionably the better movie! (At least The Room has some resolution at the end of its plot!)
The lead actress is very Tommy Wisseau-esque tho--her accent, but also her outsize over-reaction to anything and everything that's also in the scene with her. She's a wee bit over the top you might say.
There's a grown woman playing a 5 year old girl here as well, as in she's actually supposed to be 5 and not a grown woman with the brain of a 5 year old...it doesn't make any sense, but i'm hoping it wasn't supposed to.
There's a sequence that's set at a party that turns into a drug laced freakout/orgy that seems to serve no purpose other than to give the people in the movie who aren't the main actress something to do.
Honestly nothing that happens in this movie makes any sense--it starts out trying to be a straight up revenge movie (this woman's sister gets killed and she comes to California to find the guys that did it) but somewhere around the lets say 20 minute mark, the movie turns into a woman on the run movie, and then it inexplicably becomes a love story--that part was actually the most believable because the actor who's playing against the lead actress is about as much an actor as she is--except where she goes completely and totally over the top, he's like underplaying every line--their love scene needs to be seen to be believed quite honestly.
How this hasn't been rediscovered as an object of cult fandom yet is a good question--its definitely every bit as nuts as The Room, but somehow The Room is still unquestionably the better movie! (At least The Room has some resolution at the end of its plot!)
Really tightly made biopic of Dillinger and his immediate rise to fame, and Melvin Purvis (here played by Will Patton) subsequent pursuit of the man. Its very well shot, its very well acted--Mark Harmon is quite good as Dillinger--he's again a surprisingly effective Dillinger. He's nice and laid back for the most part, but there's a definite edge to him that slips out when stressed or pushed. Its very well done....You see why he was well liked (He wanted to enjoy his life as much as he could) and you see why he was also so hated by the men pursuing him. I actually think this is a better biopic than Michael Mann's 2009 film "Public Enemies" which covers much the same terrain plot-wise. If anything, this is much tighter, and much more fast paced, and even more surprisingly--the big FBI raid on the compound where they find out Dillinger and his men are staying is actually even better shot--for one thing its actually shot in daylight and you can see what's happening unlike in Public Enemies where its shot in almost total darkness. Anyways this is a really worthy biopic even if made for commercial tv (meaning there are obvious spots where the commercials would go when this was running on tv) its well worthy of being better known, and frankly fans of Mark Harmon on NCIS will love seeing him here. (I know I did!)