tonyglad

Although the screenplay is pretty dreadful, though based on an interesting idea, and the dialogue mostly either flat or silly, this film still shows Renoir's mastery, particularly in the purely visual field. It still stays with me in flashes, from nearly a lifetime ago. In addition to the director, that fine actor Robert Ryan, with almost nothing to work with, creates a strong impression. Definitely worth seeing with a fair amount of tolerance.

This is by a long way the best of the three adaptations so far of Bram Stoker's complex and disturbing novel of an Egyptologist's obsessive desire to revive an evil ancient Egyptian queen. (The novel was so worrying in 1903 that the ending was changed for the second edition: this movie keeps mainly to the original ending.) The cast ranges from competent to quite good, with the Queen/daughter suitably seductive but unreadable. The appearance is handsomely and oppressively Edwardian - the ancient Egyptian is rather silly - and the direction firm. Try this as a better taste of Stoker's obsessive psychological horror than any of the versions of "Dracula" except the long British TV adaptation.

This is a careful, engaging and dramatically convincing biography of Australia's favourite bushranger, that is, outlaw, Ned Kelly, his defiance of the law, robberies, murders, courage, capture and death by hanging. It is slightly fictionalized and certainly romantic, as is his legend, but the writer has tried to keep close to the facts and probable motivation. The acting is good, with John Jarratt a convincing Ned and Sigrid Thorton as his feisty sister, Kate. The series does justice to the myth of Kelly, the semi-literate robber who could write inspiring dreams of an Irish-Australian republic and face heavily armed police wearing rustic armour made from farm implements. The supporting cast is very fine, the most memorable (and possibly true) line being that of Ned's mother before his execution: "Be sure you die like a Kelly!"