leannejohnsonactor

I was able to see the film in theaters and was impressed by the compelling plot, performances, cinematography, sound, and editing! The film was well balanced with tension, mystery, saphism, and a bit of humor. The filmmakers did a remarkable job for a low budget indie film and deserve MAJOR props for their production design, locations, and cat wrangling...because yes there is a cat, and it's a scene stealer! I would reccommend this film to folks who love a good suspense movie, are open to queer narratives, nuanced storytelling, and especially independent filmmakers who could benefit by taking notes on just how well this film was pieced together. I resepected that the story was about women and made by women. We need more of that balanced representation in the industry to better reflect our world. I would also say, watch the end credits, you'll get a good idea about how much hard work went into making this film with a small and talented team. Kudos!

Marlee Carpenter lights up the screen and infuses an undeniable energy into every frame she's in. Believable, awkward, and highly entertaining chemistry between the intriguing Hannah (Carpenter) and washed up, but loveable, comedian Roy (Matthew Alan Porter) along with stylistic cinematography and shot composition, a standout score, and nearly perfect pacing made this indie film a winner in my book! The audio was inconsistent at times and the ending felt a bit rushed but overall the smart writing, naturalized performances, and authentic feel of the film in what appeared to be often brutally cold shooting conditions made up for circumstantial errors. The tremendous effort by these indie filmmakers did not go unseen. Excellent work by director Tyler Savino and congratulations to the entire cast and crew of The Cran!