vitinhaoriginal
Joined Nov 2021
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Ratings1.7K
vitinhaoriginal's rating
Reviews213
vitinhaoriginal's rating
Everyone's a bit of a voyeur sometimes, and it's super fun, but getting stuck in your memories tends to be different.
A collage of paintings of a bloody and luxurious world, where the erotic contrast of all evil exudes through the constant feeling of tranquility, power, and fortune in this time capsule of a mix of various hardboiled, hyper-stylized Lynchian pin-up fragrances, with the pre-Impact 007 phase of hyper-realism from films like The Bourne Identity and Batman Begins.
"I didn't get 'anything' out of this movie," someone might say, and honestly? Screw it. It's fun, sexy, and engaging from beginning to end, and visually memorable, rich with a contagious audacity.
Clearly there are subtexts in the texture beyond the grain of each image, but at this point, the search for a supposed message has become meaningless to me and even more ridiculous; it's already fun without it.
Feed your most schizophrenic thoughts and the responses of your senses and create one.
Serpentik, you've gained a fan. What a character!
Beyond the leather, high heels, and sharp hair, there's potential for iconic weapons, in addition to the already historically powerful stiletto nails.
The rings, the diamond-encrusted leather, the suit and two-faced hat, wow, the silver medallion dress and its festival of lights, and how fundamental it is to the narrative.
It's a pleasure from beginning to end to look at what everyone wears and how they wear it.
A collage of paintings of a bloody and luxurious world, where the erotic contrast of all evil exudes through the constant feeling of tranquility, power, and fortune in this time capsule of a mix of various hardboiled, hyper-stylized Lynchian pin-up fragrances, with the pre-Impact 007 phase of hyper-realism from films like The Bourne Identity and Batman Begins.
"I didn't get 'anything' out of this movie," someone might say, and honestly? Screw it. It's fun, sexy, and engaging from beginning to end, and visually memorable, rich with a contagious audacity.
Clearly there are subtexts in the texture beyond the grain of each image, but at this point, the search for a supposed message has become meaningless to me and even more ridiculous; it's already fun without it.
Feed your most schizophrenic thoughts and the responses of your senses and create one.
Serpentik, you've gained a fan. What a character!
- COSTUME DESIGN
Beyond the leather, high heels, and sharp hair, there's potential for iconic weapons, in addition to the already historically powerful stiletto nails.
The rings, the diamond-encrusted leather, the suit and two-faced hat, wow, the silver medallion dress and its festival of lights, and how fundamental it is to the narrative.
It's a pleasure from beginning to end to look at what everyone wears and how they wear it.
Nature, technology, family, and integrity in a delightful and stylish visual treat.
In the current system, is anything goes in the pursuit of regaining conformity? Here, Chan-Wook, in a fantastic structure as fragmented as the human mind, doesn't lose track of the story or its style in the ideals he wishes to address.
The way he captures sadism in a romantic and humorous way is impressive, keeping the core of the story intact. It's so satisfying to see the balance between drama or terror and humor executed so well.
The absurdly rich plan used to show how far we are willing to go to not lose what is rightfully ours is touching, exposing the decadent roots of a society where you are defined by what you have and what you do.
The representation of the growing frustration of isolation and despair from unemployment in the face of society, mirrored in the tooth, was quite ingenious.
Everyone plays their part here, and Lee Byung-hun is an icon, but the star for me is Son Ye-jin. The film captures the perspective of a wife and a woman facing adversity-be it familial, internal, or financial-and weaves the tapestry of Man-Su and Miri's marriage with worthy detail, offering a beautiful parallel in Ara.
The emotional turmoil of a woman willing to make difficult decisions and offering unconditional, yet never blind, support, and her attitude, empathy, and humor are felt in every moment.
A beautiful story that reminds us of human and natural values. Sometimes, self-destruction doesn't offer rebirth.
In the current system, is anything goes in the pursuit of regaining conformity? Here, Chan-Wook, in a fantastic structure as fragmented as the human mind, doesn't lose track of the story or its style in the ideals he wishes to address.
The way he captures sadism in a romantic and humorous way is impressive, keeping the core of the story intact. It's so satisfying to see the balance between drama or terror and humor executed so well.
The absurdly rich plan used to show how far we are willing to go to not lose what is rightfully ours is touching, exposing the decadent roots of a society where you are defined by what you have and what you do.
The representation of the growing frustration of isolation and despair from unemployment in the face of society, mirrored in the tooth, was quite ingenious.
Everyone plays their part here, and Lee Byung-hun is an icon, but the star for me is Son Ye-jin. The film captures the perspective of a wife and a woman facing adversity-be it familial, internal, or financial-and weaves the tapestry of Man-Su and Miri's marriage with worthy detail, offering a beautiful parallel in Ara.
The emotional turmoil of a woman willing to make difficult decisions and offering unconditional, yet never blind, support, and her attitude, empathy, and humor are felt in every moment.
A beautiful story that reminds us of human and natural values. Sometimes, self-destruction doesn't offer rebirth.
An invaluable understanding of the relationship between fashion and humanity, and the intimacy that exists in dressing someone, is one of the best romances in my memory.
Of course, there's an inherent emotional component that leads me to this story's use of fashion as a language of love, but seeing it executed in this way, beyond silly luxuries and terminology for background fabrics, but rather as a powerful romance rich in the anthological emotions that exist within a love relationship, as strong as the thread that holds each dress on screen,
My God, the sheer number of beautiful shots in this film is a constant state of awe that leaves you mesmerized.
It's mesmerizing to watch this loving woman surrender to manipulative instincts to destroy the armor of a man so methodical and cold, yet so charming and magnetic. Seeing her become infected by these intrusive thoughts in her quest to find his love is like watching someone play with something radioactive because of its brilliance.
The maternal parallels are wonderful, and Cyle's presence in the story as a symbol of security and balance is impeccable.
Of course, there's an inherent emotional component that leads me to this story's use of fashion as a language of love, but seeing it executed in this way, beyond silly luxuries and terminology for background fabrics, but rather as a powerful romance rich in the anthological emotions that exist within a love relationship, as strong as the thread that holds each dress on screen,
My God, the sheer number of beautiful shots in this film is a constant state of awe that leaves you mesmerized.
It's mesmerizing to watch this loving woman surrender to manipulative instincts to destroy the armor of a man so methodical and cold, yet so charming and magnetic. Seeing her become infected by these intrusive thoughts in her quest to find his love is like watching someone play with something radioactive because of its brilliance.
The maternal parallels are wonderful, and Cyle's presence in the story as a symbol of security and balance is impeccable.
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