brews_ohare

As you can judge from the small number of reviews, this movie has not been popular. That is due to a rather foggy concept of what was to be said, and why it was worth saying. The acting is fine; the organization is doubtful; the objective is invisible.

To make a long story short, we have here a man on the verge of death from cancer who has undertaken to correct a widespread mythology about himself by filling in gaps missing from the heroic public version of his life. His thesis at this moment is that, unlike public perception of him, he was a callous, cruel, craven individual.

So, assuming you, the viewer, are among the enraptured fans misled by belief in a creative hero, with that assumption you might be quite engaged to discover your idol has clay feet, and hang breathlessly for each shoe to drop.

But if you are simply an observer of this movie, trying to piece together at the same moment both the myth and the reality, you might well wonder whether the exercise is interesting.

My opinion is that the story told of comparing a myth with reality is not the gist of this exercise. Rather, the attraction here is all about cinematic technique and interest in technical expertise. If you are not captivated by study of film methodology, skip this movie.

The romance between Jae-yi and Hongrang is complicated by Jae-yi's uncertainty whether Hongrang is her brother or an imposter. (That ambiguity has arisen because Hongrang was kidnapped at a young age and only recently has turned up again, but without any recollection of the years.before he was kidnapped.) Added to that is that her growing attraction to Hongrang(?) will be incest if he is not an imposter.

And Mu-jin, the adopted brother of Jae-yi, loves her, wants to marry her, and is a rival to Hongrang(?).

It is further complicated because Jae-yi's mother, Min Yeon-ui, who controls the Min family business by heredity, thinks Jae-yi is cursed to bring bad luck, and wants to get rid of her. And Jae-yi's father, Sim Yeol-guk, who manages the business (although his wife has ownership) is intolerant of Jae-yi, who is next in line to take over. He is training Mu-jin to run the business (and follow Yeol-guk's instructions), but now Hongrang(?) appears to be the manager that owner Min Yeon-ui will appoint.

Not complicated enough? The two parents are actually at odds with each other and both have armies of thugs. Their conflict is putting the business in jeopardy. And a mad Prince (also with an army) wants to capture Hongrang(?) to sacrifice him and several others in a fantastical scheme to make himself a god. And the woman, Kkot-nim, who saved Hongrang(?) from the kidnappers as a child, and mothered him for years, also has an army of thugs and wants to kill Jae-yi and use Hongrang(?) to take over the Min family business.

So there is a lot of confusion here mixed with the romance and a lot of sword fights. Just the above outline already is exhausting.

But don't be discouraged: the story is dramatic, the romance is touching, the photography and costumes are great, the acting is convincing. Some of the editing is choppy and seems to have cut out a few transitions to further confuse things. Don't expect everything to immediately fall into place. Hang in there, and give it a shot.

There are four episodes. The first two are engaging and well done. Then we have to clear up the mysteries. Things start to become more formulaic. Then episode 4 becomes very formulaic, and seems to feel obliged to sew everything up.

So my feeling about this series is that it begins well, sucks you in, actors are convincing. But, I was ready for some more original evolution because the beginning was done so well. Rather than pat us on the head and then tie things up neatly, I think we could be left with having accomplished much, but need not have ladled on the syrup as episode 4 wound up.

My take: watch the beginning with pleasure, but feel ready to fast forward as the end nears.