R4J4P
Joined Dec 2001
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Ratings1.8K
R4J4P's rating
Reviews15
R4J4P's rating
Social media coaches haven't picked up on this employment strategy yet.
Finally a movie for all your jobless friends. Not only will they be entertained, they'll learn something. Just make sure they're not horticulture experts and that they don't own North Korean firearms.
Social commentary here is debatable. It doesn't really matter, though. Park Chan-wook is still endlessly creative with his material, from his camera angles to his editing.
While the opening scenes set up a thriller with a formula, you soon realize that it's comedic pathos that follows its own rhythm.
By the way, these are the effects of writing everything on your phone. Buy some notebooks once in a while.
Finally a movie for all your jobless friends. Not only will they be entertained, they'll learn something. Just make sure they're not horticulture experts and that they don't own North Korean firearms.
Social commentary here is debatable. It doesn't really matter, though. Park Chan-wook is still endlessly creative with his material, from his camera angles to his editing.
While the opening scenes set up a thriller with a formula, you soon realize that it's comedic pathos that follows its own rhythm.
By the way, these are the effects of writing everything on your phone. Buy some notebooks once in a while.
There's this 16th century guy named Will. He lives on a farm in England. Will meets a girl, knocks her up, they marry, and build a happy family. Will travels for work. Then the unthinkable happens.
The first half plays like Malick with steadier pacing, light and texture, before shifting into something heavier. That's when Will becomes Shakespeare.
Artists across eras reflect the best and worst of humanity. The rest of us may lack their tools of expression, but we're all shaped by tragedy.
You don't need to love Shakespeare or theatre to feel the power of art, how it helps creators wrestle with pain and how it helps audiences recognize one another.
It's that connection that makes us human.
The first half plays like Malick with steadier pacing, light and texture, before shifting into something heavier. That's when Will becomes Shakespeare.
Artists across eras reflect the best and worst of humanity. The rest of us may lack their tools of expression, but we're all shaped by tragedy.
You don't need to love Shakespeare or theatre to feel the power of art, how it helps creators wrestle with pain and how it helps audiences recognize one another.
It's that connection that makes us human.
It was going to happen at some point that someone turns this real life industry into a major film. The Japanese rental family introduces all kinds of moral issues.
Brendan Fraser's Philip is a struggling American actor in Tokyo. He doesn't buy into being a fake husband, father, journalist, or friend easily. He properly conveys the moral weight of the rental family while making the best of this situation.
This is potentially heavy material, Yes people's lives are affected, often for the better and sometimes for the worse, but it's handled in a lighthearted engaging way.
It may feel cliché the way things ultimately unravel but this is a smartly made film that leaves you with something to think about.
Brendan Fraser's Philip is a struggling American actor in Tokyo. He doesn't buy into being a fake husband, father, journalist, or friend easily. He properly conveys the moral weight of the rental family while making the best of this situation.
This is potentially heavy material, Yes people's lives are affected, often for the better and sometimes for the worse, but it's handled in a lighthearted engaging way.
It may feel cliché the way things ultimately unravel but this is a smartly made film that leaves you with something to think about.
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