tootwynn
Joined Mar 2022
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tootwynn's rating
I am a total romantic comedy sucker, whilst at the same time, completely hating the relentless steretypes and tropes, and being sickened by the internalised misogynistic/ paternalistic biases usually on display. I am always on the lookout for a truly NEW romantic comedy. This movie isn't quite that, but I think it's trying to take a step in that direction.
The romantic set-up uses a ridiculous range of tropes; my MOST hated here being; a smart person making a series of stupid decisions. And kudos to the 'amnesia' trope. The choice of amnesia in particular was a clue that the writer was deliberately using obvious tropes in an attempt to subvert them. It does a good job of showing rather than explaining this, so at least it assumes the audience is smart.
Whilst it's generally inoffensive, it is never quite moving, either as comedy or drama. Still. It is trying to say something...maybe the very simple "Don't close yourself off from love". And the cast is diverse, very natural in their characterisations, and of course, very beautiful.
Though it's nothing challenging, it is enjoyable, and I think, can claim to be uncommon in its lack of implicit misogyny. Feel reassured it is watchable. Purely for entertainment.
The romantic set-up uses a ridiculous range of tropes; my MOST hated here being; a smart person making a series of stupid decisions. And kudos to the 'amnesia' trope. The choice of amnesia in particular was a clue that the writer was deliberately using obvious tropes in an attempt to subvert them. It does a good job of showing rather than explaining this, so at least it assumes the audience is smart.
Whilst it's generally inoffensive, it is never quite moving, either as comedy or drama. Still. It is trying to say something...maybe the very simple "Don't close yourself off from love". And the cast is diverse, very natural in their characterisations, and of course, very beautiful.
Though it's nothing challenging, it is enjoyable, and I think, can claim to be uncommon in its lack of implicit misogyny. Feel reassured it is watchable. Purely for entertainment.
Persuasion is my favourite Austen. I have read it an embarrassment of times. This version is wonderfully entertaining and turns her most sombre of novels into an almost farcical comedy. If you're a purist, then go back to Sally Rooney version (I love it too) But I like to think Mx Austen would approve of this one for its total take down of modern stereotypes and its properly feminist lead.
The characters are in keeping with the original, but are presented with a contemporary voice. Dakota Johnston is at her best and most wry in this. It's worth a viewing just to replace any unfortunate images of her you may have, from the Grey rubbish.
Or enter without any reference to the original text and watch it for itself. It's an hilarious and very pretty, modern rom-com, without the co-ercive grand gestures and inherent misogynistic undertones, so prevalent elsewhere in the genre.
The characters are in keeping with the original, but are presented with a contemporary voice. Dakota Johnston is at her best and most wry in this. It's worth a viewing just to replace any unfortunate images of her you may have, from the Grey rubbish.
Or enter without any reference to the original text and watch it for itself. It's an hilarious and very pretty, modern rom-com, without the co-ercive grand gestures and inherent misogynistic undertones, so prevalent elsewhere in the genre.
There is nothing new in this show. ALL of these scenarios have already happened, in our communities, around Australia.
Be warned, it is confronting. Within the early scenes. If you have experienced violence, be prepared. It is very spare in its depictions of physical violence, and is not gratuitous, but it does not need to be. The threat of violence is just as terrifying. And the trauma and psychological impacts are evident in many of the characters
I can't speak to whether the Community Legal Service is realistically represented. But for the different versions of family violence, this is, to my experience, authentic. The situations (plot) and character representations (acting) are entirely convincing.
The boiling frog metaphor, whilst only alluded to in this show, is an accurate one. It creeps up on you, whilst at the same time, you rationalise the situation, and the perpetrator's behaviour. I suspect, the more 'clever' you are, the more convincing your rationalisations, to yourself as much as others. The underlying plotline of the 'murder' alluded to in the 1st episode, attempts to depict to the viewer, how we can ALL be taken in. "It can be anyone". I think it is also a challenging thought project, to question yourself, about any assumptions you may have made, before the denouement in the final episode.
Yes this is a representation of, predominantly, women as victims. But that is factually accurate. Family violence towards women and consequently, children, is an epidemic in Australia. The institutions we have; Courts/Police/Services, have been identified as part of the problem - as is depicted in this show.
For those of you who question its veracity, who propose it 'needs more irony', who think it is 'biased against men', consider your own internalised biases and your capacity for compassion.
My hope is that at some point in my lifetime, we have moved on from; desperately needing to represent these stories. To; actually seeing solutions and change within our culture. A time when shows like this become painfully outdated.
Be warned, it is confronting. Within the early scenes. If you have experienced violence, be prepared. It is very spare in its depictions of physical violence, and is not gratuitous, but it does not need to be. The threat of violence is just as terrifying. And the trauma and psychological impacts are evident in many of the characters
I can't speak to whether the Community Legal Service is realistically represented. But for the different versions of family violence, this is, to my experience, authentic. The situations (plot) and character representations (acting) are entirely convincing.
The boiling frog metaphor, whilst only alluded to in this show, is an accurate one. It creeps up on you, whilst at the same time, you rationalise the situation, and the perpetrator's behaviour. I suspect, the more 'clever' you are, the more convincing your rationalisations, to yourself as much as others. The underlying plotline of the 'murder' alluded to in the 1st episode, attempts to depict to the viewer, how we can ALL be taken in. "It can be anyone". I think it is also a challenging thought project, to question yourself, about any assumptions you may have made, before the denouement in the final episode.
Yes this is a representation of, predominantly, women as victims. But that is factually accurate. Family violence towards women and consequently, children, is an epidemic in Australia. The institutions we have; Courts/Police/Services, have been identified as part of the problem - as is depicted in this show.
For those of you who question its veracity, who propose it 'needs more irony', who think it is 'biased against men', consider your own internalised biases and your capacity for compassion.
My hope is that at some point in my lifetime, we have moved on from; desperately needing to represent these stories. To; actually seeing solutions and change within our culture. A time when shows like this become painfully outdated.