kmoska
Joined Jun 2022
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Ratings5
kmoska's rating
Reviews5
kmoska's rating
Dardennes are admired for their austere, down to earth , documentary style cinematography. Critics and I guess leftists love them for good reason. This films gives aplenty.
However, will beg to differ. The story is the exception not the rule, so the real-life effect appears misleading, at best. Likewise, the loving husband who devotedly supports Cotillard is another fairy tale aspect that conflicts with film-makers supposedly realistic approach.
It is clear that Dardennes love their heroine, her passion to invade other people's lives with no regard for their personal space; this may seem to them as a fine way to deconstruct capitalism's apotheosis of individualistic psyche. Apologies, not buying it.
However, will beg to differ. The story is the exception not the rule, so the real-life effect appears misleading, at best. Likewise, the loving husband who devotedly supports Cotillard is another fairy tale aspect that conflicts with film-makers supposedly realistic approach.
It is clear that Dardennes love their heroine, her passion to invade other people's lives with no regard for their personal space; this may seem to them as a fine way to deconstruct capitalism's apotheosis of individualistic psyche. Apologies, not buying it.
Fitting end for an installment that repeats itself over and over. Family or career? Duty or friends? Love or sex with blue aliens? As usual there is some pseudo-philosophical bubble particularly where misguided Borg queen is involved. Yes dear robot-alien, we are human, terrible flawed, but deep in our hears we supposedly sacrifice everything for our children , so we cannot be that bad, can we?
Acting is good, although Picard often get slightly overenthusiastic, possibly to hide the tiring script but there is no hint of creativity or originality. Fast forward is the only response left , the way to deal with this epic cube of intellectual laziness. If you need another family drama in space, this is as good a soap-opera as you can get.
Acting is good, although Picard often get slightly overenthusiastic, possibly to hide the tiring script but there is no hint of creativity or originality. Fast forward is the only response left , the way to deal with this epic cube of intellectual laziness. If you need another family drama in space, this is as good a soap-opera as you can get.
This is might seem as a coming of age, romantic comedy. It's neither.
The protagonists are fine, particularly Anders Danielsen Lie as Aksel. The first part of the movie seems to relate to Vicky, Christina , Barcelona mostly regarding the ironic and self-referential panopticon embodied through a third-person narration. Then comes the hardly unexpected crisis, acting as a turning point. In the last part , the movie diverges to a more sentimental approach due to a deux ex machina.
Some people argue this is a millennials post- feminist movie. I beg to differ. Trying to avoid any spoilers, Julie just makes her first couple of mature decisions in the ripe age of 30 and in the very last scenes of the movie. Now, is someone considers this a feminist epitome, it simply proves there's a very long way to go even in Scandinavia.
The protagonists are fine, particularly Anders Danielsen Lie as Aksel. The first part of the movie seems to relate to Vicky, Christina , Barcelona mostly regarding the ironic and self-referential panopticon embodied through a third-person narration. Then comes the hardly unexpected crisis, acting as a turning point. In the last part , the movie diverges to a more sentimental approach due to a deux ex machina.
Some people argue this is a millennials post- feminist movie. I beg to differ. Trying to avoid any spoilers, Julie just makes her first couple of mature decisions in the ripe age of 30 and in the very last scenes of the movie. Now, is someone considers this a feminist epitome, it simply proves there's a very long way to go even in Scandinavia.