carla_laurent

BODIES, BODIES, BODIES is strong film that does not take itself seriously. It knows what it is and executes on that vision. It appears that the filmmakers behind this refreshingly well executed movie know a lot about movie making, so much so that you do not realize the precision with which you are being seduced into a story that has a wonderfully surprising yet unassuming ending.

Halina Reijn, in her English language debut as a Director directs with confidence and an understanding of American youth culture that originates from a strong script from Sarah Delappe.

This film is that increasingly rare form of story that comments on modern culture while enveloping the viewer in a horrific comedy. It is like a real good American burger that is cheap, knows it is cheap but still uses expensive handmade ketchup.

The Tender Bar, directed by George Clooney is mild and simplified adaptation of a far superior memoir.

While the acting is strong throughout, especially Ben Affleck, the film misses the mark in its lack of a dynamic plot and the mild manner in which it is directed.

You love Affleck playing the surrogate father to Tye Sheridan and those moments on screen hold your attention but the rest of the film is sort of OK but I am glad we hung in there till the very end as there is worthwhile ending.

The underdog subplot of the young boy finding his way to adulthood is a familiar one and is made traditionally endearing by the boys circumstances.

He writes about his own life while pursuing and ivy league education while fights the odds against him including his poverty, abusive father and a dysfunctional albeit caring family.

If you want to watch a film that is sort of cute and has some decent acting, and if you really like Affleck, then watch this film.

Otherwise watch a better movie, read a book or just eat a bowl of Berthillon ice cream. Actually just go for the Berthillon and forget this film for a truly satisfying experience.

Dual is a satire, but also a science fiction film written and directed by Riley Stearns.

We caught this one at Deauville and had high expectations as mostly films at this festival are of a high standard having premiered at top-tier film festivals and have already secured premium distribution.

Stearns writing and direction is fresh, darkly comic and has a voice. He is an artist in full flight although his work may not appeal to the masses.

Sarah, played wonderfully by Karen Gillian is a depressed alcoholic who has nothing to live for including her dead relationship. When she finds out she is terminally sick, she chooses to clone herself so that her family and friends do not have to deal with here loss.

But when she goes into remission she has to deal with her clone who has won the affections of her family. I could say more but do not want to spoil anything or take any more away from this surprisingly dark yet comic satire.

Stearns has a unique style and appears to direct his actors to follow suit which makes for a novel film but also in this case, monotone performances.

I definitely recommend the film, but Stearns' first film "Faults" is one I recommend you watch first.