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This show represents a new low for American television. How gullible do you have to be to believe anything that happens on "Vampires In America" (VIA)? This show takes the concept of scripted reality to a ridiculous extreme, featuring two people hunting non-existent vampires in America. It's as if a couple of high school kids watched "Van Helsing" and thought, "Wouldn't it be cool to be vampire hunters and turn it into a reality show?" Well, they were wrong-it isn't cool, and it certainly doesn't make for good television.

The first and most glaring issue is that vampires do not, and have never, existed. This show is painfully bad and contributes to the dumbing down of America, encouraging viewers to ignore scientific facts. It essentially says, "It's okay to be stupid."

If the Travel Channel wants to reach new heights of unbelievable absurdity, why not create a show about two people traveling to the South Pole to prove the Earth is flat? They could try to get through the great ice wall guarded by penguin soldiers, only to be shocked when they discover that Australia is a real place and that the moon is not just 30 miles across. You might get one season out of that premise, but it would be equally nonsensical.

In summary, "Vampires In America" is a disservice to viewers and a step backward for television.

The OA" is one of the most captivating series I have seen in recent years. The show boasts fantastic acting and a unique, gripping storyline that stands out in today's entertainment landscape. "The OA" takes viewers on an extraordinary journey, offering a fresh perspective on the concept of multiple dimensions and the mysteries of existence. The narrative is both thought-provoking and emotionally resonant, drawing you into a world where the boundaries of reality are constantly challenged.

The performances are exceptional, with each actor bringing depth and authenticity to their roles. Brit Marling, who also co-created the show, delivers a particularly compelling performance as the enigmatic protagonist, Prairie Johnson. The storytelling is masterful, weaving together complex themes of identity, trauma, and the human spirit's resilience in a way that is both profound and accessible.

One of the most remarkable aspects of "The OA" is its originality. In an era where many shows feel formulaic, "The OA" dares to be different, pushing the boundaries of conventional television. It's a series that encourages viewers to think deeply and question their understanding of reality, which is a testament to its creative brilliance.

It is deeply disappointing that Netflix decided not to renew "The OA" for a third season. The decision feels like a significant loss for fans and for the broader landscape of innovative storytelling. Whoever made this call at Netflix ought to reconsider, as "The OA" represents the kind of bold, imaginative content that has the potential to redefine television.

In conclusion, "The OA" is a must-watch. Its combination of stellar acting, inventive plot, and philosophical depth ensures that it leaves a lasting impact. You will not be disappointed, and it may even change the way you view the world.

"I thought I would just watch an episode or two, but I ended up binge-watching the entire season of 8 episodes. This show is a marvelous retelling of the myths of the Greek Gods. Even if you don't know the stories, it is still enthralling. The actors took a story that is more than 2,000 years old and brought it to life in a modern-day setting. It imagines what it would be like if the Olympian Gods existed today and our lives were in the hands of Zeus and the other Gods. The acting by all the performers is fantastic, and I definitely need another season of this show. If you know the stories of Zeus, Hera, Hades, and Orpheus, you will see a lot of Easter Eggs throughout. Netflix hit a winner with this series.