sammystyles112
Joined Oct 2007
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sammystyles112's rating
Judging from the desired serious tone set by the directors this story of 7-year-old Maisie being tossed from one selfish parent (Julianne Moore reprising her role from Boogie Nights) to the other (Steve Coogan in his recurring jerk role) should have been a heart wrenching undertaking. It wasn't.
The longer you stick with this film the more far-fetched the plot becomes. Suspending disbelief here would be akin to thinking OJ Simpson was innocent. And even if you do go along with the fairytale storyline there's still the uneven point-of-view approach that seems like it was put together more by a 7-year-old with Legos than a professional filmmaker with big boy toys.
So, why the low rating? 2 reasons:
1. I kept waiting for Steve Coogan to do a Michael Caine impression. Spoiler alert: He never does! 2. Newcomer Joanna Vanderham. Ain't she a peach?
The longer you stick with this film the more far-fetched the plot becomes. Suspending disbelief here would be akin to thinking OJ Simpson was innocent. And even if you do go along with the fairytale storyline there's still the uneven point-of-view approach that seems like it was put together more by a 7-year-old with Legos than a professional filmmaker with big boy toys.
So, why the low rating? 2 reasons:
1. I kept waiting for Steve Coogan to do a Michael Caine impression. Spoiler alert: He never does! 2. Newcomer Joanna Vanderham. Ain't she a peach?
How would you spend your last days on Earth if you knew the world was going to be destroyed in the morning? That's the premise in Abel Ferrara's (King of New York, Bad Lieutenant) claustrophobic new movie, starring Willem Dafoe and newcomer Shanyn Leigh in where the two play a Manhattan couple coming to terms with their final moments of existence.
Ferrara's choice to shoot the majority of the film in one setting with a minimal amount of takes made me feel as if I were watching a play - not at all a bad thing, especially when the lead actor is Dafoe. This play setting, along with the 'the sky is falling' scenario practically begs for fueled performances to which both Dafoe and Leigh delivered. The actors made the most of their surroundings and turned their emoting skills on high, only occasionally finding themselves being caught in fits of overacting. This is where the movie falters, when the attention pays too much to the acting and not the scenario. Still, the little bursts of over-the- top moments weren't enough to detract me from the movie as a whole.
Fans of both doomsday scenario movies and movies that show close-ups of Willem Dafoe's pubic region should walk away eerily pleased from this one.
Ferrara's choice to shoot the majority of the film in one setting with a minimal amount of takes made me feel as if I were watching a play - not at all a bad thing, especially when the lead actor is Dafoe. This play setting, along with the 'the sky is falling' scenario practically begs for fueled performances to which both Dafoe and Leigh delivered. The actors made the most of their surroundings and turned their emoting skills on high, only occasionally finding themselves being caught in fits of overacting. This is where the movie falters, when the attention pays too much to the acting and not the scenario. Still, the little bursts of over-the- top moments weren't enough to detract me from the movie as a whole.
Fans of both doomsday scenario movies and movies that show close-ups of Willem Dafoe's pubic region should walk away eerily pleased from this one.