maviddata
Joined Nov 2023
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Ratings5
maviddata's rating
Reviews2
maviddata's rating
Adaptation of one of the stories that make up El Conde Lucanor. Count Lucanor posed a question to his advisor Patronio, and the latter responded with an exemplary story.
Don Yllan tells the story of what happened when the dean of Santiago sought out a white magician named Illán to teach him magic.
Although the production is televised and the photography is not particularly good, the adaptation benefits greatly from the real-life settings used and the quality costumes.
Álvaro de Luna, the actor who plays the dean, is a little older for his role, but he is undoubtedly a good actor and conveys the nuances of his character well (smarmy at first, then overbearing later).
Manuel Pereiro is perfect in his role as the magician. A Mephistophelean yet honest character.
I would have liked to see more of Charo López as Orabuena. It's unclear whether she's a goblin or someone supernatural, but from the beginning, she has that enigmatic, playful air, as if she's about to devour anyone who enters the house.
I loved the production design and practical effects. Everything was simple, but effective.
Don Yllan tells the story of what happened when the dean of Santiago sought out a white magician named Illán to teach him magic.
Although the production is televised and the photography is not particularly good, the adaptation benefits greatly from the real-life settings used and the quality costumes.
Álvaro de Luna, the actor who plays the dean, is a little older for his role, but he is undoubtedly a good actor and conveys the nuances of his character well (smarmy at first, then overbearing later).
Manuel Pereiro is perfect in his role as the magician. A Mephistophelean yet honest character.
I would have liked to see more of Charo López as Orabuena. It's unclear whether she's a goblin or someone supernatural, but from the beginning, she has that enigmatic, playful air, as if she's about to devour anyone who enters the house.
I loved the production design and practical effects. Everything was simple, but effective.
A bride, fed up with her jealous fiancé, asks him for proof that he can contain his impulses. From this premise, we have a classic variation on the Faust myth with two excellent actors setting the screen on fire. The episode functions as an externalization of a jealous man's mind, depicting how he takes his fantasies as real and acts in response to those delusions. There are no surprises. One quickly imagines what's going to happen. But we must acknowledge its power, since Mexican society is very sexist, and this episode is a warning about how letting anger get the better of you ends in tragedy.
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