prakumail

At the outset I would say that this is a profound film, a true classic and if it is not, Malayalam cinema is beyond me. The film proved what I have long heard, that Malayalam cinema from Kerala is idiosyncratically creative. Here, the director Padmarajan revisits a fascinating theme of cinema, adultery. Yet, it would be a simplistic and narrow-minded view of this film to say that it was simply about adultery because it is really far more complex than that, and essentially a film about all varieties of human nature and relationships, and one could even argue- the relationship between reality and what is accepted. Despite the complexities in the characters, and despite the outcast nature of the story itself, the screenplay never borders on the theatrical and is amazingly believable. I will remember this film for many reasons, none more than the character of Jaykrishnan. At the start of the film the first thing that strikes the viewer is his dual nature. But as the film progresses seamlessly, his character becomes a case study in itself. J is confused but principled and yet never an idealist. In fact he has a dark tint so apparent yet difficult to pin point (until of course he kidnapped that guy, which I thought was unnecessary and kind of gave away that part of him). Moreover, throughout the film, despite being portrayed as a popular and gregarious man, he never really opened up completely to the other characters (even to Clara) and to the audience. I would always remember those scenes when I expected him to say the obvious but he smiled away to my frustration. His restraint further made his character extremely intriguing. However, despite the multitude of shades in his character, J is extremely self re-assured (except in his love life) which seems contagious to the other characters. The character of Clara is equally interesting. She is a prostitute but is not typecast as one. She isn't weak, broken, grieving and craving for love. Having lived a life among bounds herself, she understandably never lets herself confine J's life either. For a prostitute to let her true lover go is a supreme sacrifice. In that she comes as the strongest character in the film. While Clara's love for J is transparent, J to me was ever trying to find himself even while loving her. Clara thus came out as the more likable character at the end. It is their amazing chemistry, made all the memorable by such beautiful background scores, that finally left behind a film which is not so much a rigorously interpretable body of work but a series of transcendental cinematic moments. The film is an important, intelligent work that explores the implications of whether or not this is indeed a moral universe. Despite its plot resolution, the film is 'rescued'from utter nihilism by its ritual more acceptable ending, which I found rather an anti- climax. Perhaps Padmarajan wanted an ending the way it is supposed to end in the real world. I am sure the debate on morality and infidelity has an epiphany on everyone who saw the film, which is a wonderful accomplishment for a film made 26 years ago.

Godfather was the third directorial venture of successful duo Siddique-Lal after surprise hit ramji rao speaking and cult blockbuster in harihar Nagar. It marked the silver screen debut of legendary theatre artist N. N. Pilla as Anjooran. Godfather narrates the story of two rival families Anjooran and Aanapara. Problems arise when Anjooran's son ramabhadran and Aanapara girl Malu fall in love with each other. Reading this, you may wonder this is another Romeo-Juliet story but no. Even though the story is melodramatic, siddique lal gives this with their signature humour touch. Each and every comedy scene of this film is afresh in malayalee audience in mind. Though mukesh is the hero, it's the supporting cast pilla, innocent, jagadeesh, philomina etc who dominate the film. Godfather is the longest running Malayalam film ever. It ran for 400 days breaking the record of Mohanlal's Chitram. Godfather is my favorite Siddique Lal movie.

Second time I watched with my boyfriend, who is a non-malayali and I laughed so much. Third time, I watched with my Mom, Dad, Brother and Sis-in-Law and we all laughed and cried and commented throughout the movie. Every scene tells a tale. There's plenty to read between the lines and this is one of the finest movies that has come from Mollywood in a long time. It is an experience each time. I wouldn't mind watching it a 100 times more. You'll be gripped throughout the movie. Fantastic and real-time acting as well as plots. This should be translated and re-made in many languages! Satires and ambiguity is weaved throughout the piece. It was a beautiful trip for me!