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Alice Doesn't Live Here Anymore is an entertaining, well-respected film created by the legendary Martin Scorsese. Marty opened the eyes of movie-lovers all over the world with his 1973 film, 'Mean Streets." He further opened eyes a year later with this film. Despite the film be entertaining to watch, it also shows the director has better days ahead of him. Through all of cinema history, an issue in Hollywood has always been women and their lack of representation. I think it was a necessary, but bold move for Marty to tackle a film that shows life through a woman's eyes. On the whole, the film smoothly changes between drama and comedy. There are some intense dramatic moments, but there are some laugh-out-loud moments. Especially when it came to the interactions between mother and son.

Martin Scorsese's film is about a woman named Alice, who is a housewife. After her abusive husband dies in an accident, Alice embarks on a road trip with her only son to find a better life for themselves. But that is easier said than done. Alice learns many things about life as well that finding love may still exist.

The film features many fine performances, with Ellen Burstyn in particular. She does a mighty fine job as Alice, the woman seeking a new life. Her interactions with her son are rather nutty and quite genius. Speaking of which, Alfred Lutter does a good job as her son. He can be annoying sometimes, rather admittedly. Kris Kristofferson does a good job in one of his first roles as a romantic interest of Alice. Finally, I liked Diane Ladd's performance as the waitress co-worker of Alice who gets through lifer with quite an attitude.

Overall, Alice Doesn't Live Here Anymore is a really good dramedy about searching for meaning in life. It may not be Martin Scorsese's best feature, but he is learning fast. The story and the performances are top-notch, given the very low budget. But sometimes the tone of the film and how it can quickly change takes me out of the film every here and then. But it's a well-written film that delivers consistent performances and now we all know what to expect from a Scorsese film.

My Grade: B+

Fiddler on the Roof is a solid musical and is actually a little better than I anticipated. Set in pre-revolutionary Russia, this film describes the life of Jewish peasantry and how their way of life faces off against more modern times. I found the movie to be quite a learning experience, as my knowledge of Russian history really begins at the Bolshevik takeover. This is the earliest film I remember seeing of legendary composer, John Williams. He does a magnificent job adapting the music from stage to screen. I loved some of the songs such as "Tradition" and "If I was a rich man." For the most part, I loved the choreography. However, I was oddly bothered at some of the dancing, especially from Topol's character. It just didn't seem to strike a chord with me. I loved the production design and the cinematography. Despite its advancing age, the film still looks beautiful.

Norman Jewison's film is a musical that takes place in pre-revolutionary Russia. A country that is struggling to modernize itself. Perhaps some of the reason is the Jewish peasants, who believe in their traditions. Tevye is a milkman who is poor and lives with his wife and five daughters. As the matchmaker suggests matches for his eldest daughters, Tevye has to deal with changing ways of life as his family attempts to break tradition.

If you want to see a popular film that has a no-name cast, don't look further than this film. Until my initial viewing of this film, I have never heard of anyone in this cast. But I feel they all do reasonably well in their roles. Topol does a good job as Tevye. He looks to be an old man, but he was only in his 30's when this film was released. His singing was pretty good too. The pain he shows as he realizes tradition is crumbling all around him is pretty darn heart-breaking. The rest of the cast features unknown names such as Norma Crane as Golde, Tevye's wife and Leonard Frey as Motel, a lover of Tevye's eldest daughter.

Overall, Fiddler on the Roof is an often entertaining musical filled with excellent songs and a score that puts the majestic John Williams on the map. The choreography is hit or miss and the film feels a little stretched. But the film does a good job in portraying peasant life during Czarist Russia and how difficult life can be for them, and how tradition unites their people. The beginning and end shots are beautiful, and what gives this movie the title it has. They are my favorite shots of the movie.

My Grade: B+