fabomakedonija
Joined Feb 2024
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Reviews6
fabomakedonija's rating
Holly is a delicate, moving portrait of what it means to be hypersensitive in a world that misunderstands you. Her so-called "gift" isn't supernatural; people are drawn to her because they see their own sadness reflected in her eyes. Holly herself doesn't fully understand what's happening - she's shy, scared to take space, and you can feel the pain of being different, even bullied.
At first, she refuses the money people offer her, but slowly she starts testing the limits of what she can do, and of who she can become. It's quiet, intelligent, and deeply human - definitely not for Hollywood, but all the more special for it.
At first, she refuses the money people offer her, but slowly she starts testing the limits of what she can do, and of who she can become. It's quiet, intelligent, and deeply human - definitely not for Hollywood, but all the more special for it.
Le Jeune Ahmed is not just another movie about radicalism, misogyny, or going down the wrong path. As in life, the reality is far more complex and the Dardenne brothers understand that deeply. They are masters at portraying subtle, everyday life; not overly dramatic, but rich in nuance and emotional truth.
It's no different here. The film begins with the deeply unsettling unraveling of a boy who believes he must hate his teacher. Brainwashed by his imam, he follows a path of destruction. Yet when he's caught and placed under the care of the state, a shift begins. Removed from his known environment, he's sent to work on a farm, where he meets a girl his own age. What begins as a typical "girl-meets-boy" situation takes an unexpected turn: unlike the usual teenage story, Ahmed is torn between the hate he was conditioned into, and the unfamiliar feelings of mutual attraction and connection.
Le Jeune Ahmed is far too subtle and socially engaged to become a simplistic tale of good versus evil. Life isn't simple and this film doesn't pretend it is. This is no Hollywood redemption arc. The Dardenne brothers deliver a beautifully restrained yet emotionally charged drama that lingers long after it ends.
It's no different here. The film begins with the deeply unsettling unraveling of a boy who believes he must hate his teacher. Brainwashed by his imam, he follows a path of destruction. Yet when he's caught and placed under the care of the state, a shift begins. Removed from his known environment, he's sent to work on a farm, where he meets a girl his own age. What begins as a typical "girl-meets-boy" situation takes an unexpected turn: unlike the usual teenage story, Ahmed is torn between the hate he was conditioned into, and the unfamiliar feelings of mutual attraction and connection.
Le Jeune Ahmed is far too subtle and socially engaged to become a simplistic tale of good versus evil. Life isn't simple and this film doesn't pretend it is. This is no Hollywood redemption arc. The Dardenne brothers deliver a beautifully restrained yet emotionally charged drama that lingers long after it ends.
The Recruit is a very promising story, unfolding across two seasons with intrigue and momentum - only for Netflix to ruin it by cancelling the third season. Because of this, I cannot in good conscience recommend it to anyone.
Watching this show now feels like reading the Harry Potter series, only to be told that book seven won't be published because book six didn't meet sales expectations. It's incredibly frustrating.
Netflix has become notorious for cancelling shows mid-story. Why should viewers commit to a series if the platform refuses to commit to completing the narrative? It's like building a fire only to douse it before it truly burns.
This isn't just disappointing - it undermines the entire viewing experience. Great characters, exciting arcs, and careful world-building are left hanging in the air. For that reason, I give it 1/10 - not for the show's quality, but for the betrayal of its promise.
Watching this show now feels like reading the Harry Potter series, only to be told that book seven won't be published because book six didn't meet sales expectations. It's incredibly frustrating.
Netflix has become notorious for cancelling shows mid-story. Why should viewers commit to a series if the platform refuses to commit to completing the narrative? It's like building a fire only to douse it before it truly burns.
This isn't just disappointing - it undermines the entire viewing experience. Great characters, exciting arcs, and careful world-building are left hanging in the air. For that reason, I give it 1/10 - not for the show's quality, but for the betrayal of its promise.