sandyrubi's reviews

Listen, I know exactly nothing about Formula 1. My entire understanding of the sport boils down to fast cars, terrifyingly expensive champagne showers, and apparently, a shocking number of tire changes. Engines? Couldn't care less. Drivers? Meh. But this film? This film had me hooked.

I walked into the cinema purely for Brad Pitt, because let's be honest, the man could read a phone book and still be captivating. And also, as one character put it so eloquently, "That's a handsome man right there." Truer words.

But what I didn't expect was to be on the literal edge of my seat, emotionally invested in tire wear and pit stop speed like it was life or death. The whole cast turned in solid performances, the editing was razor sharp, and the soundtrack? Chef's kiss. It pulled me right into the adrenaline-soaked world of F1 like I'd been a fan all along.

Somehow, I blinked and 2.5 hours had flown by. F1 the movie didn't just deliver a story, it delivered a ride. Unexpected, electrifying, and honestly kind of inspiring.

I've never been particularly attached to the original Snow White, always felt like it lacked depth. So, going into this new version, I wasn't expecting a masterpiece, but honestly? It's far from the disaster people are making it out to be. With a tighter edit, trimming about 20 minutes, cutting a couple of unnecessary songs, and, let's be real, Gal Gadot was misscast, it could have been a much cleaner, more enjoyable experience.

Rachel Zegler? No surprises there, her vocals are consistently phenomenal, effortlessly carrying the film in that department. The backlash, though, feels less like genuine critique and more like a sport at this point. Some people just seem determined to rip things apart, and honestly, I wonder how many of the loudest critics actually sat through the whole thing.

I knew what I was getting into when I sat down to watch *The Salt Path*. I'd read the book years ago, so I was prepared for the raw emotion, the struggle, the quiet strength woven into every step of Raynor and her husband's journey. But knowing doesn't always soften the impact.

As I watched their story unfold on the screen, I was struck again by the sheer gravity of what they endured-homelessness, illness, the brutal unpredictability of life. It made me reflect on that familiar vow, *for richer, for poorer, in sickness and in health*. It's one thing to say it on a wedding day, full of love and hope. It's another to live it through the toughest storms, to prove with every action that you truly mean it.

Sitting there in the dim glow of the cinema, tears sliding down my face, I squeezed my husband's hand just a little tighter. I felt the warmth of his palm, the steady presence of him beside me. And in that moment, I was overwhelmed with gratitude-for him, for our life, for the simple but extraordinary gifts we often overlook. Our health, a roof over our heads, a bed where we can lay side by side.

Life is unpredictable. It can turn in an instant. But right now, in this moment, we have each other. And that is everything. He is my home.

I walked into the theater with rock-bottom expectations. Let's be real, the last few MCU movies haven't exactly been blowing anyone away. I figured this one would be another forgettable installment, and honestly, the only reason I was there was Florence Pugh. If anyone could salvage whatever mess they'd thrown together, it was her.

But to my surprise, I really liked it. Like, really liked it. It even hit me emotionally, which I did NOT see coming. The film tackled mental health in a way I wasn't expecting, reminding us that bottling everything up isn't the answer. Instead, it encouraged facing your struggles, surrounding yourself with people who truly care, and letting them lift you up when you need it most.

Of course, it wasn't all serious. David Harbour brought the humor with his signature one liners, making sure things stayed fun. What I thought would be just another MCU letdown turned into something that actually stuck with me. Maybe, just maybe, the franchise still has some surprises left.

This was an absolute masterclass in storytelling. It had me hooked right from the start-no, seriously, I couldn't look away.

What are they feeding British kids these days to make them this ridiculously good? Someone please hand Owen Cooper every award that exists, and then make up a few more just for him.

The youth of today seem like a completely different species compared to when I was growing up. Constant access to social media, exposure to subjects way beyond their years, and the stubborn misogyny that still lingers in society-it all comes across so raw and unfiltered here. It's like looking in a mirror that reflects the harsh truths we often try to ignore. This isn't just a drama; it's a slice of real life served straight up, with no sugar-coating.

Philip Barantini's direction is breathtaking. He has such a unique way of telling a story-something he already proved in Boiling Point alongside Stephen. His style pulls you in and makes you feel every moment.

I've been thinking about this every single day since I watched it. I'm in awe, honestly. This piece has left a mark on me in the best and most haunting way.

This was such a fun, easy watch! The witty dialogue kept me hooked, and the playful soundtrack added so much energy-it's definitely a spy thriller done right. The cast was fantastic, and Soderbergh really nailed it with his recognizable style. It did feel a little short, but honestly, I enjoyed it so much that I'd watch it again without a second thought. Plus, it gave me and the people watching it with me some good laughs along the way.

And Cate Blanchett's wardrobe? Wow, just wow. Every single outfit was perfection-so stylish and effortlessly cool. Honestly, I'd raid her closet in a heartbeat!

With every change in hair color, Rona's journey unfolds, revealing the raw and unfiltered struggles she faces alongside her father. This film offers a poignant glimpse into their shared demons, making it a challenging yet essential watch.

The beauty and danger of the sea, along with its mythological and real creatures, accompany her tale, adding depth to the narrative. What a beauty.

Can someone explain to me how Saoirse Ronan didn't get nominated for an Oscar this year?

Growing up with an alcoholic father and a bipolar mother, I can relate to this story on a profound level. It's an understatement to say that it resonated with me. This film made me cry, made me smile, and made me believe in second, third, and even fourth chances at life.

Brave New World left me with a feeling of disappointment, summed up in one word: forgettable. Throughout the film, I struggled to find any new or exciting scenes that we haven't already seen in the MCU. In fact, I caught myself nodding off a couple of times due to the lack of engagement and investment in the characters. Danny Ramírez's character managed to deliver a couple of amusing lines, though I can't remember what they were. Despite this, he was the only character I found myself rooting for.

The one thing that could have been a surprise would have been Harrison Ford's character transformation. But of course, they decided to spoil it in the trailer, why?!!!

The future doesn't look bright for Marvel films. Where have the good old days gone?

I just watched "The Last Showgirl," and it left me feeling kinda sad. It took me back to my childhood circus visits. All I could see back then were the patched-up tights the acrobats wore and the shabby trailers they lived in-so much hidden struggle behind the scenes.

I'll be honest, I never considered Pamela Anderson an outstanding actress, but she really outdid herself in this one. She played a complex, flawed character who genuinely believed her job was worth the sacrifices, even if it meant strained relationships with those around her. I loved seeing that level of depth in her character.

Some of the scenes with those tightly packed shots felt a bit claustrophobic at first, but I guess it was the director's way of telling the story. Dave Bautista was a pleasant surprise-his performance was very impressive.

Overall, I was quite pleased with the film. It definitely had its emotional moments and brought back some old memories.

My husband and I have this unbreakable rule with mystery screenings - no matter how awful the film, we've promised to stick it out. But, oh man, when the title appeared, I had an overwhelming urge to sprint for the exit.

I'd already seen the trailer, and let me tell you, it looked horrendous. Spoiler alert: it was worse. Picture every horror movie cliché you can imagine: cringe-worthy dialogue, a nonsensical plot, acting so bad it deserves all the Razzies, and enough gore to make even the most hardened butcher squirm.

Honestly, is there a rating below zero? Because this film definitely earned it. Some people in the theater seemed to enjoy it, but it just wasn't for me. Count me out for the sequel.

I'll admit it: I'm a full-fledged Stanley Tucci fan. I would watch anything he's in, and this film is no exception. It didn't disappoint in the slightest. Getting a glimpse of this ceremony from the inside was incredibly fascinating. Growing up Catholic, I've always known what a conclave is, but witnessing the intricacies and nuances was truly enlightening.

Let's sidestep the extensive discussion on the Catholic Church's history-that's a conversation for another day. Instead, let's focus on the cinematic brilliance. The story captivated me with its depth, the performances by Rosellinni and Fiennes were nothing short of superb, and that jaw-dropping plot twist at the end had me gasping audibly. Trust me, you need to watch this film.

Adrien Brody and Felicity Jones, where do I even begin? These two are criminally underrated in the world of cinema. Their performances in The Brutalist hit me right in the feels-poignant and raw.

Okay, so Brody's already got an Oscar for The Pianist, another film on the Holocaust. But trust me, both he and Jones are equally deserving of the gold. I was hooked from the get-go. The script, the direction, the acting, it was all spot on. Even the opening and closing titles were a visual treat.

This film deserves all the accolades. And yeah, it's three and a half hours long, but it flew by for me. I didn't mind one bit. I'd watch it again in a heartbeat just for those incredible performances. Seriously, these performances DO deserve an Oscar!

This film offers an intriguing take on consent, shame, and how childhood traumas can shape our core behaviors and repressed sexual desires. It's a bold exploration that dives into some pretty heavy topics. Definitely not a film for everyone-four people actually walked out of the cinema while I was watching it. I couldn't help but wonder what film they thought they'd be watching!

I love the risks Nicole Kidman takes, she always surprises with her choices. Harris Dickinson is someone we need to watch out for.

If you're up for a thought-provoking ride that challenges your perceptions, this might be the film for you. But be warned, it doesn't shy away from tackling uncomfortable truths head-on.

I'm not going to lie, I'm not too familiar with Bob Dylan's music. The first time I remember hearing one of his songs was in Forrest Gump, when Jenny sings Blowin' in the Wind. I must have been around 13.

I've always loved discovering new things, especially music. I don't care how you come across it, as long as you appreciate it. I hate when so-called purists make fun of people for listening to music they just discovered because it's popular again or resurfaced via a film, which I'm sure will happen with this movie.

Chalamet hasn't disappointed me yet-I'm a fan. He reminds me of DiCaprio when he was just starting out. I truly enjoyed this film. Edward Norton was superb, as always (if you can forget The Italian Job). I'm definitely giving Bob Dylan a try; I think he can teach me a thing or two about life.

Where do I even start? This film was a real letdown. It was so cliché and average that it felt like a ghost story on autopilot. Honestly, it dragged on forever. The characters had absolutely zero depth, the acting was just meh, and the dialogue barely made the cut. And that final monologue? Cringey doesn't even begin to cover it.

On the bright side, it was great to see Lucy Liu, and Chris Sullivan was the saving grace of the film. His performance was the only thing that made it somewhat bearable.

I'm usually a fan of Steven Soderbergh, have enjoyed all of his films, but this one definitely missed the mark for me.

Just watched this film and I'm really impressed. Never been a huge Jesse Eisenberg fan-feels like he's been stuck playing the same character since "Get Real." But I have to admit, he's got the chops to be a great director and screenwriter.

Kieran Culkin absolutely nailed it (totally deserved that Oscar nod). He played this neurotic yet charming guy you want to hug and spill your secrets to, but also slap some sense into. We all know someone like that, right?

Eisenberg's managed to blend humor and drama seamlessly, making you laugh one moment and tugging at your heartstrings the next. The film's pacing is spot-on, and the dialogue is sharp and witty. Culkin's performance is the cherry on top-he brings a perfect balance of vulnerability and charisma to his character.

Overall, it's a solid start for Eisenberg in the director's chair. If this is any indication of what's to come, I'm excited to see what he does next!

Imagine a modern twist on The Stepford Wives. If you've seen the trailer, you'll have a pretty good idea of where this is going, because the trailer reveals too much, why do they keep doing this?!

The film was entertaining and had its moments. There were a few laughs and a good dose of gore to keep things interesting. Sophie Thatcher definitely stole the show with her performance, making it worth the watch.

The movie delivers what it promises without any pretentious fluff, but it doesn't really break any new ground. It's a fun ride if you're in the mood for something light and gory, but don't expect any major surprises. Overall, it's an enjoyable film, but don't go in with sky-high expectations.

PS. I was completely convinced right until the credits rolled that Orlando Bloom was in this, but no, it was his doppelganger, Rupert Friend.

This one really left me scratching my head. The nominations and hype just don't make sense to me either. It felt like they were trying to combine two completely unrelated stories. Los Desaparecidos in México is such a sensitive topic and should be treated with the utmost respect. It felt like the director didn't bother to learn more about this conflict, which is a huge disservice to the real-life tragedies that deserve thoughtful and respectful portrayal. The film's attempt to make a musical out of such a delicate subject just didn't sit well with me at all.

Zoe Saldaña has definitely delivered better performances, and Selena Gómez was just plain awful in this.

Just got back from a mystery screening at my local cinema, and I'm so glad I took the chance. "September 5" is an intense and gripping look at the Munich Olympics of 1972. The film really captures the raw emotions and high stakes faced by the ABC sports news unit-it kept me hooked from start to finish.

They did an amazing job blending historical accuracy with storytelling, making me feel like I was right in the middle of the chaos and uncertainty. I was particularly impressed by the way it was shown how a news report like this was assembled in the '70s.

The performances are fantastic, especially from Peter Sarsgaard and John Magaro, and the direction is top-notch, every moment is charged with emotion and suspense.