tabrizisourav
Joined Apr 2024
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Ratings16
tabrizisourav's rating
Reviews3
tabrizisourav's rating
Can a movie start this badly? Killing a snake to extort 5 million taka! What nonsense. The grandmother looks younger than the father, and the mother looks older than the grandmother.
You can even see Mahia Mahi's mask. The story has no head or tail. In the most emotional scene, they shoot the hero 😅 Sure, he can be killed, but in context, it doesn't fit the scene.
An old man is pretending to be a romantic hero. Just looking at Shakib's face makes it clear. They've inserted a story about a freedom fighter in the middle of the movie, but these disjointed elements are frustrating.
To understand how bad a movie can be, just watch a Shakib Khan film. Those who give it a 10/10 rating don't know what a movie is.
You can even see Mahia Mahi's mask. The story has no head or tail. In the most emotional scene, they shoot the hero 😅 Sure, he can be killed, but in context, it doesn't fit the scene.
An old man is pretending to be a romantic hero. Just looking at Shakib's face makes it clear. They've inserted a story about a freedom fighter in the middle of the movie, but these disjointed elements are frustrating.
To understand how bad a movie can be, just watch a Shakib Khan film. Those who give it a 10/10 rating don't know what a movie is.
Not captivating enough. Lacks the ability to hold attention for an extended period. Too many unrelated stories. The predominant focus on arguments supporting LGBTQ perspectives can sometimes lead to a sense of monotony for spectators. While the portrayal reflects their lives authentically, a more diverse range of viewpoints could enhance engagement and sustain interest.
Not captivating enough. Lacks the ability to hold attention for an extended period. Too many unrelated stories. The predominant focus on arguments supporting LGBTQ perspectives can sometimes lead to a sense of monotony for spectators. While the portrayal reflects their lives authentically, a more diverse range of viewpoints could enhance engagement and sustain interest.
Not captivating enough. Lacks the ability to hold attention for an extended period. Too many unrelated stories. The predominant focus on arguments supporting LGBTQ perspectives can sometimes lead to a sense of monotony for spectators. While the portrayal reflects their lives authentically, a more diverse range of viewpoints could enhance engagement and sustain interest.
Probably, Bangladesh hasn't seen anything more profound than this! Don't overlook the typography of 'Rumi' or Chanchal's playful hide-and-seek! You might even recall the line from 'Monosoroni' - 'Kalo chhori hate ondhora hatey Mohakaler chora pothe.' This song might resonate with you. Once you start watching, you'll be drawn into Maulana Rumi's world! The fusion of Sufi mysticism and Maturidi's brilliance is unparalleled, yet he belongs to no one here.
I keep Coleman Barks' 'A Year with Rumi' on my office table. I feel like every day of the 'Year' - 365 days, Maulana is my companion in his mystical poetry. Whenever I get the chance, I open it. But, I never imagined encountering such a visual work regarding Rumi.
Moments of Rumi's poetry and immersive Sufi music, the prime suspects in the tangled narrative, are right in front, yet it feels like no one's there! A detective, dreams, and the world of dreams, a magic of consciousness and unconsciousness! Waiting for one season after another.
I keep Coleman Barks' 'A Year with Rumi' on my office table. I feel like every day of the 'Year' - 365 days, Maulana is my companion in his mystical poetry. Whenever I get the chance, I open it. But, I never imagined encountering such a visual work regarding Rumi.
Moments of Rumi's poetry and immersive Sufi music, the prime suspects in the tangled narrative, are right in front, yet it feels like no one's there! A detective, dreams, and the world of dreams, a magic of consciousness and unconsciousness! Waiting for one season after another.