alexwtom

What a movie! I had high expectation due to Michael Gracey directing the movie (I loved the Greatest Showman) and I have to admit that I have always liked most of Robbie William's music so this was a match made in heaven in my head.

What I did not expect was how incredible the movie would turn out. Just calling it a biopic wouldn't do Better Man justice. Yes, it does feature the common components of the genre that we have seen a lot of in recent years (difficult youth, rise to fame, downfall with drugs and alcohol and then a somewhat pleasant ending) but within that it is often so surprising and so brutally honest that it still feels new. It's a drama, it's a musical, it's well-crafted story about one of Europe's most famous musicians.

Better Man triggers just the right buttons. The movie seeks to be sad and uncomfortable at times (a trustworthy portrayal of what drugs and the rush of fame and the spotlight must feel like) and really isn't too positive about Robbie although it of course ends on a bright note (pun intended) - some might deduct a point for that, I as a fan won't as I respect the level of self-criticism that is offered here. Also, I can't remember when I last saw a movie that left me with so much to process and so much unease, joy and sadness at that same time. Congratulations Michael Gracey!

The film goes hand in hand with its Soundtrack which is obviously brilliant. Young and old, you won't find many who don't know at least two or three of the songs and the orchestral reworks are powerful and chosen really well. Better Man is not full of Robbie Williams songs, it uses them wisely in the perfect moments. You know the songs but they also sound new, perfect mixture.

For me, the greatest wow-effect was the imagery, camerawork and special effects. The Greatest Showman was a benchmark alreay but here you can see what Gracey can do when he doesn't have a circus setting that already dictates the mood of a scene and most of the scenery. The images are astonishing, acting, dancing, tempo and locations even better than in TGS. I am so excited what Gracey does in the future and between all of the other huge Oscar contenders for camera and effects we most likely won't see Better Man but we 100% should.

Last but not least there is the monkey. I haven't felt the need to mention it earlier and that is a good sign. It fits the movie, it does not feel awkward and actually I like it. I'm sure it was added for attention purposes (and it was mentioned in interviews by Robbie Williams over the years) but it even goes beyond that, it gives the movie that final extra twist and artsyness that elevates this to a 10/10. Can't image? Go watch Better Man.

Conclave shines especially thanks to its actors, camera and powerful composition. The movie that takes place among the most important committee in the catholic church does hardly ever speak about religion. I interpret that as an instance of criticism although the story does not really go too hard on the church. The portrayal of the conclave cannot be called factual, nobody knows what happens behind those closed doors, but the political struggles for power among a group of old men is absolutely believeable. I agree with most reviews, the final turn of events is unnecessary but I don't see why I should deduct more than one star for that as the movie is based on the book, that is the medium to criticise.

Let's talk about imagery: The director built incredible scenes that speak for itself. This review will remain free of spoilers but watch the trailer and you will already get a taste of the tension that is created through composition.

Afterall the actual highlight of the movie is Ralph Fiennes. His acting is unmatched in anything I have seen this year, his role of the doubtful leader is brilliantly enacted and I doubt that Conclave would be as powerful as it is if it wasn't for his acting. Give this man an Academy Award, he deserves it. He is accompanied by other great performances but it is almost impossible to shine next to him in this role.

Hugh Grant as villain in a horror movie was not on my bingo card for 2024 but he is excellent in this role. The film starts off strong with great atmosphere and interesting dialogues about religion(s). Camera work and lighting are on point and add to the tension of the movie and some frames send chills down your spine just because of the incredible atmosphere they create.

Unfortunately the movie loses its focus half way in. The story gets very weird and what startet as a profound and justified discussion quickly becomes... I don't even know - and the movies doesn't either. The ending is neither unsettling nor satisfying. Very unfortunate, this could have been better. Still, applause for the camera and Hugh Grant!