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canniballife-78396

Joined Apr 2019
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Ratings44

canniballife-78396's rating
The Lost Daughter
6.74
The Lost Daughter
500 Days of Summer
7.68
500 Days of Summer
Z: The Beginning of Everything
7.03
Z: The Beginning of Everything
Promising Young Woman
7.53
Promising Young Woman
Red Joan
6.47
Red Joan
Tricked
6.14
Tricked
Chef
7.39
Chef
The Personal History of David Copperfield
6.42
The Personal History of David Copperfield
Café Society
6.63
Café Society
A Little Chaos
6.57
A Little Chaos
Tramps
6.56
Tramps
The Invisible Guardian
6.48
The Invisible Guardian
City of Tiny Lights
5.68
City of Tiny Lights
Blind Date
6.68
Blind Date
The Con is On
3.81
The Con is On
The Tenth Man
5.87
The Tenth Man
The Bothersome Man
7.24
The Bothersome Man
Blood and Sand
6.73
Blood and Sand
In the City of Sylvia
6.83
In the City of Sylvia
Marcella
7.34
Marcella
Tel Aviv on Fire
6.77
Tel Aviv on Fire
The Killing of a Chinese Bookie
7.21
The Killing of a Chinese Bookie
Summer Hours
7.14
Summer Hours
The 10th Victim
6.63
The 10th Victim
Moonlight
7.44
Moonlight

Reviews40

canniballife-78396's rating
The Lost Daughter

The Lost Daughter

6.7
4
  • Jan 6, 2022
  • Needs a Better Script - A More Unified Vision

    Subtitled "Olivia Colman Goes for the Oscar Again".

    It is a very nuanced and persuasive performance - but only half the story belongs to her - the actress who plays her as a younger woman is also powerful and effective - while Dakota Johnson is basically a body and big eyes (it helps your career so much when your daddy is well known in the movie business).

    One of Neflix's "must see" but there are issues are:
    • Subtext as text. We get hints about important things, but then the images go back to sea and surf - it's like touching a hot stove - they can't focus on the heat - a problem with both the script and the direction.


    • Is it a thriller or not? They can't seem to decide.


    • The character of Leda is very muddled. Some women should not be mothers? Is that the point? But there are plenty of details that contradict that. And, if it's true that some women are not equipped for the job, what should we do about it? Legislation? Peer pressure? A better system of orphanages?


    As a father of two, I get it - kids take everything from you, and there's no guarantee that they'll ever give anything back.

    But there's nothing original about that insight.

    In conclusion, it's gratifying that a female cast and crew confirm something I've been saying for a long time: when a woman meets someone she perceives as a true Alpha Male she MUST have sex with him - she's helpless - it's in our DNA and it's inevitable, just as it happens here.
    500 Days of Summer

    500 Days of Summer

    7.6
    8
  • Sep 12, 2021
  • A Matter of Interpretation

    Red Joan

    Red Joan

    6.4
    7
  • Jul 4, 2021
  • Did History Bear Them Out?

    Playing the pleasant game of alternative history, we can make a couple of reasonable assumptions.

    If Stalin had gotten The Bomb first, would he have used it to achieve global domination? Of course.

    And Hitler? He would have leveled London without a second thought.

    But the jarring plot point in this narrative is that Joan puts the US in the same category as those guys.

    The Yanks took out Hiroshima, and Nagasaki - therefore they have no moral compass whatsoever and poor little Russia must have The Bomb to protect itself.

    This is the basic problem with the script: when it comes to science Joan is a very smart cookie.

    When it comes to other things - politics, people, sex - she doesn't really seem to know her ass from a hole in the ground.

    In her concluding speech she makes the argument that she was right - 50 years of peace proving her decisions - but conveniently fails to mention the epically expensive arms race that resulted.

    This is a well-done movie, and certainly worth the time, but the main character - as she's written - is not very convincing and it's reasonable to react to her with a strong sense of impatience.
    See all reviews

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