gokselll
Joined Jun 2019
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Ratings1.9K
gokselll's rating
Reviews86
gokselll's rating
Once again, N. B. Ceylan has presented a magnificent gift to his audience and all cinema-lovers.
Ceylan, successfully following some essential footsteps of his former movies "Winter Sleep" and "The Wild Peer Tree", portraits the crises of restricted lives of (dazzlingly perfomed) characters feeling stuck in a provincial region of Turkey. It is even possible to call these movies a trilogy on masculinity, conflicts of intellectual class, "banality of evil" (as Hannah Arendt calls) and anti-heroes stuck in provincial stability, seeking for so-called "a better life elsewhere."
Regarding the visual narration of the movie, it is obvious that Ceylan has embraced a number of innovation on designing the visual aspects of the story; moving cameras, short-cuts for dialogue scenes etc. Nevertheless, the movie also preserves the beauty of Ceylan's well-known photographic cinema language.
Still, "Onca Upon A Time in Anatolia", among the works of N. B. Ceylan, is a cinematic top to me. And surely it is an extemely high bar for not only Turkish cinema. In this context, it may be asserted that "About Dry Grasses" could have easily been called a masterpiece if it belonged to any other director.
Ceylan, successfully following some essential footsteps of his former movies "Winter Sleep" and "The Wild Peer Tree", portraits the crises of restricted lives of (dazzlingly perfomed) characters feeling stuck in a provincial region of Turkey. It is even possible to call these movies a trilogy on masculinity, conflicts of intellectual class, "banality of evil" (as Hannah Arendt calls) and anti-heroes stuck in provincial stability, seeking for so-called "a better life elsewhere."
Regarding the visual narration of the movie, it is obvious that Ceylan has embraced a number of innovation on designing the visual aspects of the story; moving cameras, short-cuts for dialogue scenes etc. Nevertheless, the movie also preserves the beauty of Ceylan's well-known photographic cinema language.
Still, "Onca Upon A Time in Anatolia", among the works of N. B. Ceylan, is a cinematic top to me. And surely it is an extemely high bar for not only Turkish cinema. In this context, it may be asserted that "About Dry Grasses" could have easily been called a masterpiece if it belonged to any other director.
Cilingir Sofrasi, despite its minimal length (60 minutes), presents an impressive and profound story.
The story bases on a single night when two old friends meet at a meyhane (a kind of traditional pub pretty special to some of Middle-Eastern cultures, especially Turkey).
The conversation between two men gradually reveals many interesting truths about the past. And what makes the movie fascinating underlies the brilliant strategy of narration basing on gazes, gestures and brief phrases among dozens of chatty moments, each of which reveal a secret indicating some pains failing to remain in the past.
Congratulations to the director, wonderful actors and the whole team for this impressive movie which gifts a courageous story.
The story bases on a single night when two old friends meet at a meyhane (a kind of traditional pub pretty special to some of Middle-Eastern cultures, especially Turkey).
The conversation between two men gradually reveals many interesting truths about the past. And what makes the movie fascinating underlies the brilliant strategy of narration basing on gazes, gestures and brief phrases among dozens of chatty moments, each of which reveal a secret indicating some pains failing to remain in the past.
Congratulations to the director, wonderful actors and the whole team for this impressive movie which gifts a courageous story.
The 6 episode mini series, based on the story of the rising of streaming platform Spotify, deals with contradictory and complex matters as value of music and musicians' labor, debates on the copyrigt, and people's right of free access to the streamed music.
The playlist, unlike the majority of other examples of the similar kind of screen productions, doesn't focus on aggrandising its main object; it is pretty far away from a praising story on Spotify.
Interestingly, one of the episodes contains a story set in 2024 and 2025. Swedish directors, via this episode, reveal their predictions on the near future of Spotify, music industry and related struggles for rights.
The playlist, unlike the majority of other examples of the similar kind of screen productions, doesn't focus on aggrandising its main object; it is pretty far away from a praising story on Spotify.
Interestingly, one of the episodes contains a story set in 2024 and 2025. Swedish directors, via this episode, reveal their predictions on the near future of Spotify, music industry and related struggles for rights.