Abdulxoxo

This one knows exactly what it is - a loud, over-the-top action thriller that doesn't take itself too seriously. And honestly, that works in its favor. The entertainment value is undeniable, with a fast-paced, high-energy approach that keeps things moving. The lead performance stands out, bringing enough charisma and presence to hold the whole thing together, while John Cena's character adds an extra layer of fun. His comedic timing and larger-than-life persona fit right into the madness, making his scenes some of the most enjoyable.

The concept itself is engaging, but let's be real-it's heavily borrowed from The Purge movies. The whole idea of a survival-based game where chaos reigns isn't exactly fresh, and this version doesn't do much to differentiate itself. That doesn't mean it's bad, just that it feels overly familiar. On top of that, the film never really bothers to explain the game itself in much detail, which makes the stakes feel a bit flimsy at times.

The biggest downside? The excessive foul language and over-the-top silliness. While some of the humor lands, there are moments where it leans so hard into absurdity that it starts to lose its edge. And the plot holes? Plenty of them. If you start questioning the logic of it all, you'll quickly realize that the movie doesn't care about making sense - it just wants to keep the action rolling.

Despite its flaws, it's still an entertaining ride. The performances, especially from the leads help elevate it, and while the concept isn't original, it's executed with enough energy to make for a fun watch. Just don't expect depth-or much logic-and you'll have a good time.

This one had all the right ingredients for something truly special - a unique concept, a powerful lead performance, and some of the best sound design I've heard in a long time. Riz Ahmed is the heart of the film, delivering a raw, deeply immersive performance as a drummer struggling with sudden hearing loss. His frustration, fear, and quiet moments of acceptance all feel incredibly real, and the film's commitment to authenticity, especially in its portrayal of the deaf community, adds a layer of realism that's rare to see. The way sound is used, or sometimes removed entirely, really puts me in his shoes, making the experience feel almost personal.

But as much as I admired what it was going for, I couldn't shake the feeling that the story never fully took off. It starts strong, pulling me into his world of noise and chaos before dropping me into the silence he's forced to navigate. Yet after that initial shift, the film settles into a slow, almost meandering rhythm that doesn't really build to anything significant. There's an abrupt time jump that feels like it skips over some of the more crucial parts of his journey, and by the time the credits rolled, I was left wanting more-not in a good way, but in the sense that it felt like pieces of the story were missing.

The emotional stakes, while present, never feel as high as they should. His struggle is compelling, but it never quite hits that deeply dramatic moment that could elevate everything to the next level. It's more of a quiet, observational film, which works in some ways but also leaves certain moments feeling underdeveloped.

Still, despite these flaws, there's a lot to appreciate. It's a refreshingly grounded take on a life-changing event, and the way it immerses me in the experience of hearing loss is undeniably effective. It's just that, for all its strengths, I kept waiting for something more-a bigger emotional payoff, a deeper exploration of his relationships, or just a stronger sense of resolution. It's a good film, no doubt, but one that left me feeling like it had the potential to be something truly great.

I went into this one expecting chaos, irreverence, and a good dose of action-packed fun, and to some extent, that's what I got. It doesn't take itself seriously, which is part of the charm, and Hugh Jackman's return is undeniably entertaining, even if the reason for his comeback feels flimsy at best. There are some genuinely funny moments, a handful of enjoyable action sequences, and enough spectacle to keep things moving. But the deeper into it I got, the more it started feeling like an exhausting, self-indulgent mess that doesn't know when to stop.

The biggest problem is how much the movie leans into its own meta-awareness. At first, the constant fourth-wall-breaking jokes and real-world references are amusing, but after a while, it becomes grating. It's like being stuck in a room with someone who keeps winking at you after every sentence, expecting applause. The script feels more interested in poking fun at itself than telling a coherent story, which is made worse by the fact that the plot is so weak it could've been ripped straight out of one of those forgettable time-hopping episodes of a certain multiverse-based TV show(Loki). There was so much potential for a stronger, more compelling direction, but instead, it settles for being a loosely strung-together sequence of quips, cameos, and uninspired action.

Then there's the villain, or rather, the lack of one. The TVA's antagonists are as generic and forgettable as they come, with vague motives that seem to change depending on what the plot needs. There's no real depth, no true sense of threat, and definitely no compelling reason to care. Instead of crafting an interesting adversary, the movie relies on excessive fight sequences that have no real stakes. When you have two virtually unkillable characters slashing at each other over and over again, it stops being exciting and just becomes a loud, repetitive spectacle.

Speaking of excess, the movie is drowning in it. The profanity? Expected, but way overdone to the point of losing any impact. The use of popular music? At first, it's fun, but then it gets shoved into almost every big moment like a crutch, making the soundtrack feel more like an overstuffed playlist than something thoughtfully integrated. And the action? It could've been more creative, but instead, it mostly boils down to endless, weightless fights that don't serve much purpose beyond filling screen time.

Then there's the writing, which is probably the weakest link. There's a clear lack of restraint, and it's painfully obvious that one particular actor had too much influence behind the scenes. Some jokes land, but far too many don't, and the ones that miss tend to be repeated again and again, as if forcing them will somehow make them funnier. It's a shame because buried under all the self-referential clutter, there's a much better movie that could've been made-one that balances the humor with real stakes, meaningful character moments, and a story that actually justifies itself. But instead, it just keeps throwing everything at the wall, hoping something sticks.

By the time the credits rolled, I wasn't left wanting more, I was just relieved it was over. Sure, it's entertaining in bursts, and there are some fun elements, but it's also frustrating, overindulgent, and ultimately forgettable. Some people will love it, and that's fine, but for me, it felt like a movie that mistook excess for quality and meta-humor for clever storytelling.