gethaunted
Joined Aug 2019
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Reviews2
gethaunted's rating
A genuinely jaw-dropping social psychology experiment.
An emotionally insightful search of the self.
A top-flight documentary production making full use of considerably deep corporate pockets.
Critical hyperbole can feel like a gamble with Nathan Fielder projects. Their sincerity and reality often seem to exist in an uneasy comic superposition: potentially wry trickery or earnest objectivity at any given moment.
Nathan first explored the entertainment value of this tension as a former awkward tween magician.
Now, as a greying and adult, that tension informs most all of his comedy/television work, and it also courses through everyday life, in many social contexts, presenting as anxiousness. A nervy worry that you're not reliably apprehending the state of play. Season 2 of The Rehearsal synthesizes these threads into an absolutely audacious six-episode skyward odyssey of public service and comedy art, culminating in this all-encompassing capstone of a finale.
It's not hyperbole. It's the Pilot's Code.
An emotionally insightful search of the self.
A top-flight documentary production making full use of considerably deep corporate pockets.
Critical hyperbole can feel like a gamble with Nathan Fielder projects. Their sincerity and reality often seem to exist in an uneasy comic superposition: potentially wry trickery or earnest objectivity at any given moment.
Nathan first explored the entertainment value of this tension as a former awkward tween magician.
Now, as a greying and adult, that tension informs most all of his comedy/television work, and it also courses through everyday life, in many social contexts, presenting as anxiousness. A nervy worry that you're not reliably apprehending the state of play. Season 2 of The Rehearsal synthesizes these threads into an absolutely audacious six-episode skyward odyssey of public service and comedy art, culminating in this all-encompassing capstone of a finale.
It's not hyperbole. It's the Pilot's Code.
A microbudget found-footage effort channeling the likes of Man in the High Castle meets The War Game meets Primer. Very technically impressive and clever, emotionally sturdy and full of energy. While it's admirable what the filmmakers accomplished, it does feel like an extra 20 minutes could've explored the larger world a bit more in the second act. Some of the dialogue and acting can get sketchy, but overall it demonstrates that there's still filmmakers who can wring fresh conceits out of the found footage genre. This is not a 10/10 movie but several reviews here seem to be going out of their way to call it a 1/10 based largely on one (admittedly tin-eared) line about gender.