DreamerX616

O dear Noel, just because you were in a handful of Doctor Who episodes doesn't mean you can now start writing your own sc-fi screen plays because this was scene after scene of derivative garbage.

There was barely an original note to this, no surprises right down to who was going to live and who was going to die as the end credits started to play.

And that ending came out of nowhere and made zero sense - I hope you weren't expecting to get a sequel out of this.

Just leave this movie to gather dust in a lock up and leave it to the Storage Hunters to find!!

Not so much a movie as an unashamed promotional vehicle for this album of the same name - doesn't mean this film isn't any less enjoyable

Watch Prince do what he does best for an hour and 40 minutes - he may not be the greatest actor but he sure does put on a performance

The film bleeds the 80's and is all the better for it - watch this time and time again !!

What could have delved deep into melodramatic nonsense, Ford avoids the soap opera and instead discovers a classy sadness and longing in this heartbreaking final evening of George, a middle aged handsome Englishman working as a lecturer in 60's America attempting to recover from the death of his male lover.

Every scene is gorgeously shot and directed, every moment filled with sexual tension that is never truly fulfilled

Firth and Hoult's relationship is heartbreaking and full of anticipation that never reaches it's climax. While Moore plays the aging beauty, looking for love in all the wrong places to perfection, managing to sustain those moments of fragility and longing without hamming it up.

A must for any aficionado of gay cinema