supremekai-39696
Joined Jan 2020
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Reviews1
supremekai-39696's rating
"Predator: Killer of Killers" stumbles in delivering what makes the Predator franchise compelling: the Yautja's strict code of honor. Instead, it feels like a shallow action flick, more akin to children smashing action figures together than a true Predator film.
The core issue is the abandonment of the Predator's defining trait-their adherence to a code that governs their hunts. A story exploring a Predator facing off against warriors from various historical eras, bound by their rules of fair combat, could have been thrilling. Instead, the film leans into over-the-top action and heavy plot armor, stripping away the nuance that makes these alien hunters fascinating. It plays more like fan fiction than a worthy addition to the franchise.
The animation style doesn't help. Its jittery, disorienting visuals can leave viewers feeling queasy rather than immersed. The first act's narrative also grates, particularly with its reliance on a tired trope: the hyper-competent "girl boss" who outshines every male character in speed, strength, and intellect. This cliché feels lazy and overdone, undermining any emotional or narrative depth.
While there's some fun in the mindless action, it's not enough to salvage the film. "Predator: Killer of Killers" misses the mark by forgetting the essence of what makes a Predator story compelling, delivering a flashy but ultimately hollow experience.
The core issue is the abandonment of the Predator's defining trait-their adherence to a code that governs their hunts. A story exploring a Predator facing off against warriors from various historical eras, bound by their rules of fair combat, could have been thrilling. Instead, the film leans into over-the-top action and heavy plot armor, stripping away the nuance that makes these alien hunters fascinating. It plays more like fan fiction than a worthy addition to the franchise.
The animation style doesn't help. Its jittery, disorienting visuals can leave viewers feeling queasy rather than immersed. The first act's narrative also grates, particularly with its reliance on a tired trope: the hyper-competent "girl boss" who outshines every male character in speed, strength, and intellect. This cliché feels lazy and overdone, undermining any emotional or narrative depth.
While there's some fun in the mindless action, it's not enough to salvage the film. "Predator: Killer of Killers" misses the mark by forgetting the essence of what makes a Predator story compelling, delivering a flashy but ultimately hollow experience.
