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kenjha

Joined Jul 2003
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kenjha's rating
Breezy

Breezy

7.0
7
  • Jul 20, 2013
  • Stars Shine

    A teen-aged hippie and a middle-aged businessman become romantically involved. Focusing on the hippie culture, this film is very much a product of its time. However outdated its values may be, it still manages to be a worthwhile watch thanks to terrific performances by the leads. Holden was in his early 50s when this was filmed but looked much older, thanks to years of boozing, making the age difference between him and Lenz even more pronounced. Holden is solid as a real estate agent. Lenz, in her first big role after a bit part in "American Graffiti," is perfectly cast as the naive hippie. The two stars have great chemistry. This is probably the oddest entry in Eastwood's directorial ledger.
    Love Before Breakfast

    Love Before Breakfast

    6.2
    8
  • Jul 20, 2013
  • Breezy Comedy

    A rich man pursues a young woman although her boyfriend works for him. This breezy film is an apt vehicle for the comedic talents of the incomparable Lombard, who plays the woman in a love triangle involving Foster and Romero. The role of the rich fellow seems tailor-made for Clark Gable, but Foster, who was better known for playing tough guys, does pretty well as a poor man's Gable. Beecher is a delight as Lombard's wise-cracking mother. Although only one is credited, apparently a number of writers were involved, including Preston Sturges. However, the film does not suffer from too many cooks in the kitchen, as the pacing is rapid and the dialog is witty. Lang provides the smooth direction.
    Like Water for Chocolate

    Like Water for Chocolate

    7.1
    7
  • Jul 20, 2013
  • Sensual and Atmospheric

    The story of a Mexican family is recounted, spanning decades. This is an interesting fable that manages to turn cooking into a sensual experience. It is helped by beautiful cinematography and a fine score. The acting is generally good, with Cavazos giving a standout performance as a young woman who is controlled by a domineering mother. Unfortunately, the latter is portrayed as so one-dimensionally evil that she makes Cinderalla's stepmother seem like a candidate for Mother of the Year. The story moves in fits and starts, lingering too long on some scenes but then abruptly skipping ahead by a decade. Director Arau is known mainly as an actor, but he does a fine job of creating an evocative atmosphere.
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