mafarus

It's been a long time since I watched something really alive, so that it wasn't superheroes against the background of graphics, or veterans of film studios shaking their track records as macho spy killers on the screens, no, so that there was life in the frame, and this film is just that case.

Life here flows like a fountain, though not in a civilized, decent way, as in cultural tourist places, but in different directions, as and wherever, so that it affects everyone around. But that's the beauty of this film.

The actors were chosen well, the relationships of the main characters do not look artificial, everything between them is very clear, distinct and natural.

Overall, the film is worth watching. Moreover, it looks easy, the film is swallowed whole without a trace and you don't want to pause or rewind, which in my personal experience is very rare.

Thanks to watching such films, "kindness" awakens, you remember that you are a human and should be humane.

Today, in our daily race for comfort, earnings, survival, we do not look around, we do not look at ourselves from the side, just like racehorses - only forward, towards the goal. It seems to be just a story of a girl, a lion cub and a wolf cub, but in fact a modern reading of parables about care, fidelity, love.

A good, kind film, one that is being made less and less often.

The case, of course, is not unique, but to let the good potential of the prequel to the legends of King Arthur go down the drain is a really hard job. Basically, the recipe is simple enough - it's a jumble of garbage. Take a template from there, copy an idea from here, watch the plot moves there, pull pieces of stories from everywhere and create a patchwork quilt. Bright, colorful, but with rotten threads, everything falls apart on the go. I will not touch upon the issue of authenticity and compliance with any temporal parallels any more. This story is not a prequel, and not even a free arrangement of legends, but an independent and completely side story. And further. I understand the need for producers to do everything politically correct and tolerant, but this is already overstepping any boundaries. Filmmakers have turned off logic and common sense, and create their creations so as not to offend someone, because every race, color, nationality matters, and everyone can complain, sue, or arrange a boycott. I miss the times when films and TV series were made for the viewer, and not to please critics and public opinion.