FiftyTwo52
Joined Jun 2025
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FiftyTwo52's rating
Bad Thoughts opens with a Havana hit gone horribly wrong: Agent Six (Tom Segura) panics, breaks every rule, and soils himself mid-mission. From there, it's a carousel of grotesque sketches... a janitor boosting seniors' spirits in unspeakable ways, an IT guy trapped in virtual filth. It's crude, juvenile, and often offensive - but deliberately so.
Segura leans fully into the madness, crafting sketches that are short, surreal, and visually brash. At times it feels like Black Mirror written by a delinquent teenager, yet the audacity keeps you watching. I was half thrilled by its shock therapy humour, half appalled by the puerility.
Messy? Absolutely. Forgettable? Not at all. A chaotic but oddly memorable opener: 6.5/10.
Segura leans fully into the madness, crafting sketches that are short, surreal, and visually brash. At times it feels like Black Mirror written by a delinquent teenager, yet the audacity keeps you watching. I was half thrilled by its shock therapy humour, half appalled by the puerility.
Messy? Absolutely. Forgettable? Not at all. A chaotic but oddly memorable opener: 6.5/10.
The BBC and Netflix's The Bombing of Pan Am 103 embarks on a monumental task: to dramatise one of the deadliest terrorist attacks in British history with both forensic detail and unwavering respect. Over its six-episode run, the series proves to be a meticulous, if sometimes understated, chronicle of a truly global investigation.
It opens with a sober, painstaking reconstruction of the immediate aftermath in Lockerbie, quickly establishing the sheer scale of the tragedy and the quiet heroism of the local responders. While Ep 2 perhaps lingers a tad too long in the initial sifting, feeling more like an "investigative treadmill" than propulsive drama, the series finds its stride in subsequent episodes. It commendably delves into the gargantuan challenges of international coordination, showcasing the bureaucratic friction and the cultural clashes between the steadfast Scottish police, embodied by the wonderfully understated DS Ed McCusker (Connor Swindells), and the earnest but often impatient FBI, led by Agent Marquise (Patrick J. Adams).
The strength of The Bombing of Pan Am 103 lies in its unflinching commitment to procedural realism. It avoids sensationalism, opting instead for a detailed, almost documentary-like approach to how evidence was painstakingly gathered and connections were painstakingly made. This dedication means that while it is rarely a "thriller" in the traditional sense, its quiet build-up to the truth was often profoundly affecting.
The series excels in showing the human impact not just on the victims' families, but on the investigators themselves, highlighting the immense toll of such a long and complex pursuit of justice.
The finale, Ep 6, ultimately delivers a comprehensively satisfying wrap-up to the central criminal investigation, leading to a legal conclusion that, while clear, also acknowledged the messy realities of justice for an event of this scale. For viewers seeking a neat, emotionally cathartic bow, it might feel a touch restrained. However, for those appreciating its respectful, forensic approach, the series ends well, providing answers without presuming to erase the enduring pain.
In sum, The Bombing of Pan Am 103 is a commendable, if deliberately paced, drama. It might not set your pulse racing with every scene, but its integrity, strong performances, and detailed exposition of an unthinkable crime make it a significant and worthwhile watch.
Overall Series Rating: 7/10 (A respectful, detailed, and ultimately compelling true-crime drama that prioritises truth over theatricality.)
It opens with a sober, painstaking reconstruction of the immediate aftermath in Lockerbie, quickly establishing the sheer scale of the tragedy and the quiet heroism of the local responders. While Ep 2 perhaps lingers a tad too long in the initial sifting, feeling more like an "investigative treadmill" than propulsive drama, the series finds its stride in subsequent episodes. It commendably delves into the gargantuan challenges of international coordination, showcasing the bureaucratic friction and the cultural clashes between the steadfast Scottish police, embodied by the wonderfully understated DS Ed McCusker (Connor Swindells), and the earnest but often impatient FBI, led by Agent Marquise (Patrick J. Adams).
The strength of The Bombing of Pan Am 103 lies in its unflinching commitment to procedural realism. It avoids sensationalism, opting instead for a detailed, almost documentary-like approach to how evidence was painstakingly gathered and connections were painstakingly made. This dedication means that while it is rarely a "thriller" in the traditional sense, its quiet build-up to the truth was often profoundly affecting.
The series excels in showing the human impact not just on the victims' families, but on the investigators themselves, highlighting the immense toll of such a long and complex pursuit of justice.
The finale, Ep 6, ultimately delivers a comprehensively satisfying wrap-up to the central criminal investigation, leading to a legal conclusion that, while clear, also acknowledged the messy realities of justice for an event of this scale. For viewers seeking a neat, emotionally cathartic bow, it might feel a touch restrained. However, for those appreciating its respectful, forensic approach, the series ends well, providing answers without presuming to erase the enduring pain.
In sum, The Bombing of Pan Am 103 is a commendable, if deliberately paced, drama. It might not set your pulse racing with every scene, but its integrity, strong performances, and detailed exposition of an unthinkable crime make it a significant and worthwhile watch.
Overall Series Rating: 7/10 (A respectful, detailed, and ultimately compelling true-crime drama that prioritises truth over theatricality.)
I've got to be honest, I was really excited for this, especially with Studio Mir handling the animation. The visuals are genuinely gorgeous, with fluid character movements and vibrant colors. But for a movie based on one of the most dynamic stories ever told, it feels surprisingly static.
It's less of an animated film and more like a high-quality motion comic. The plot moves at a snail's pace, seemingly in no rush to get to the payoff. While it's a blessing for fans who want a faithful adaptation, it makes for a tedious viewing experience for everyone else.
The film's greatest strength - its beautiful art and animation - is trapped by a script that refuses to break free of the source's rigid structure.
6.5/10: It's a respectful, but ultimately dull, re-telling. And not sure why they broke it into two movies.
Wondering whether I should do Chapter 2 or rewatch Snyder's 2009 classic?
It's less of an animated film and more like a high-quality motion comic. The plot moves at a snail's pace, seemingly in no rush to get to the payoff. While it's a blessing for fans who want a faithful adaptation, it makes for a tedious viewing experience for everyone else.
The film's greatest strength - its beautiful art and animation - is trapped by a script that refuses to break free of the source's rigid structure.
6.5/10: It's a respectful, but ultimately dull, re-telling. And not sure why they broke it into two movies.
Wondering whether I should do Chapter 2 or rewatch Snyder's 2009 classic?
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