brickley220

I was so pleased that I had taped this movie from the television based upon the briefest review in the newspaper as I have the chance to watch this forgotten gem whenever I wish to. Made in 1986 the film is about a US Army Major in 1972 accompanying the body of a young officer to his home town of Rockville for local burial. So what you may think, but the twist is that Major Laird is played by John Lithgow and his charge is the son of Luther and Ada Johnson (Morgan Freeman and CCH Pounder). In Rockville the cemetery is reserved for the white folks and even black military heroes have to rest out of town, according to the local Sheriff. The plot deals with that period in time when there still was prejudice even though there were laws for equal rights. This may seem quite dated now that Barack Hussein Obama II is the 44th President of the United States of America, but the story is told with feeling and some very strong acting ability. Without exception, all of the leading characters are portrayed by actors who all went on to prove their true worth. It may be that the subject matter of the movie was not flavour of the month in 1986 but nevertheless it is workmanlike and sincere in its story of good old white society trying to maintain its superiority over emerging black aspirations. Whilst it is not in the same league as 'In the Heat of the Night' or 'Amistad' this well made tale of a fight against prejudice is still worth watching more than once.

I did not realise that this was a TV remake of Berhard Wicki's 1959 classic 'Die Brucke' especially as the cover was more misleading than a James Bond movie and the credits stated that the screenplay was based upon a book by Gregor Dorfmeister (Wicki's masterpiece credited a novel by Manfred Gregor). In fact it was a remake of 'Die Bruck' albeit with the additional sub-plots of a sexual nature. I also was impressed with the attention to detail on the equipment employed and care taken with the Production set and design. Whilst it was not quite the work of art displayed by the 1959 version it was acceptable and fairly realistic. Indeed I thought that it was very well made and was to Feature Film standard. I am still working on identifying some of the kit used but it was all believable for the period. Despite the reliance upon Franke Potente as the main international 'Name' in the cast, the casting was very good and all of the characters were believable and did a grand job in telling this sad tale. I do not believe that most fans of this genre will be too disappointed with this well made little tale of the futility of war.